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Beau Bridges was born in Hollywood, and is the son of actor Lloyd Bridges and his wife, who was his college sweetheart, Dorothy Dean Bridges. Born just two days after the attack on Pearl Harbour, he was delivered by candlelight because of a power blackout. Named Lloyd Vernet Bridges III, his parents immediately started calling him Beau after Ashley Wilkes' son in Gone with the Wind (1939), a book they were reading at the time. His younger brother, actor Jeff Bridges, was born in 1949 and a sister, Cindy Bridges, the following year.

Although only 5'10", Beau played basketball for UCLA his freshman year. The following year he transferred to the University of Hawaii, but dropped out to pursue acting and got his first major role in 1967. During his first marriage to Julie Landifield, they adopted Casey Bridges and then had Jordan Bridges. He and his second wife, Wendy Treece Bridges, have three children from this marriage: Dylan Bridges (born 1985); Emily Bridges, (born 1987) and Ezekiel Jeffry Bridges.

Beau likes to play guitar and collects Native American percussion instruments. He also loves the ocean, including swimming and surfing. He is also active in environmental causes and handgun control.

Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.

Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.

Martha Stewart was born on 3 August 1941 in Nutley, New Jersey, USA. She is a producer and actress, known for Bad Moms (2016), Men in Black II (2002) and Pixels (2015). She was previously married to Stewart Andrew Silberberg (Andrew Stewart).

Nick Nolte was born in Omaha, Nebraska and began his career on stage at the Pasadena Playhouse and in regional theatre productions. His breakthrough role was in the TV miniseries Rich Man, Poor Man (1976), playing the role of "Tom/Tommy Jordache". Nick Nolte said that when he played a young man in the early scenes of the project, he weighed about 160 pounds. When he played a middle-aged man in the later scenes, he weighed over 180 pounds.

Hayao Miyazaki is one of Japan's greatest animation directors. The entertaining plots, compelling characters, and breathtaking visuals in his films have earned him international renown from critics as well as public recognition within Japan.

Miyazaki started his career in 1963 as an animator at the studio Toei Douga studio, and was subsequently involved in many early classics of Japanese animation. From the beginning, he commanded attention with his incredible drawing ability and the seemingly endless stream of movie ideas he proposed.

In 1971, he moved to the A Pro studio with Isao Takahata. In 1973, he moved to Nippon Animation, where he was heavily involved in the World Masterpiece Theater TV animation series for the next 5 years. In 1978, he directed his first TV series, Future Boy Conan (1978). Then, he moved to Tokyo Movie Shinsha in 1979 to direct his first movie, the classic Lupin III: The Castle of Cagliostro (1979). In 1984, he released Nausicaä of the Valley of the Wind (1984), which was based on the manga of the same title he had started 2 years before. The success of the film led to the establishment of a new animation studio, Studio Ghibli. Since then, he has since directed, written, and produced many other films with Takahata. More recently, he has produced with Toshio Suzuki. All enjoyed critical and box office success, in particular Princess Mononoke (1997). It received the Japanese equivalent of the Academy Award for Best Film and was the highest-grossing (about USD $150 million) domestic film in Japan's history at the time of its release.

In addition to animation, he also draws manga. His major work was Nausicaä, an epic tale he worked on intermittently from 1982 to 1984 while he was busy making animated films. Another manga Hikotei Jidai, later evolved into Porco Rosso (1992).

Joanna Frank was born on 7 March 1941 in New York City, New York, USA. She is an actress, known for Say Anything (1989), L.A. Law (1986) and The Outer Limits (1963). She was previously married to Alan Rachins.

An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.

Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.

Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).

Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.

High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.

Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.

The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.

Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in Columbo: It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.

The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.

Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).

Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.

A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.

After a break from her career and the memorable Oscars moment, Dunaway got back in the saddle as an actress working more frequently. Over the next year, she appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017) and Inconceivable (2017). She also fronted Gucci's summer 2018 ad campaign for their Sylvie handbag. Dunaway looked like she was going to return to Broadway with 2019's "Tea at Five," a one-woman show in which she portrayed Katharine Hepburn, but she was fired from the play due to backstage fights with production staff during its Boston run. What followed was a lawsuit brought by her former assistant and a wave of articles alleging decades of bad behavior, with many declaring the 78-year-old screen legend "canceled."

Dunaway laid low for the next few years, save for a role alongside fellow cancel culture victim Kevin Spacey in Franco Nero's The Man Who Drew God (2022), for which she replaced Nero's wife Vanessa Redgrave. Then, after extensive persuasion, documentary filmmaker Laurent Bouzereau managed to gain her cooperation for Faye (2024), a somewhat exonerative biographical account in which Dunaway reveals she has bipolar disorder. The documentary premiered to rave reviews at Cannes in spring 2024 and airs on HBO this summer. Next up for Dunaway is FATE, a supernatural mystery from director Jonathan Baker co-starring Harvey Keitel, Mena Suvari, Andrew McCarthy and Brandon Routh.

Stacy Keach has played to grand success a constellation of the classic and contemporary stage's greatest roles, and he is considered a pre-eminent American interpreter of Shakespeare. His SRO run as "King Lear" at the Shakespeare Theatre Company in Washington, D.C. received the best reviews any national leader has earned in that town for decades. Peter Marks of the Washington Post called Mr. Keach's Lear "magnificent". He recently accepted his third prestigious Helen Hayes Award for Leading Actor in 2010 for his stellar performance. His next stage appearance premiering January 13, 2011 at the Lincoln Center in New York is "Other Desert Cities" by Jon Robin Baitz and teaming him with Stockard Channing, Linda Lavin and Elizabeth Marvel.

His latest television series, Lights Out (2011), on the FX network is a major new mid-season dramatic show, taking him back to the world of boxing which has been a rich setting for him before, notably in Huston's Fat City (1972) which ignited Keach's career as a film star.

Versatility embodies the essence of Stacy Keach's career in film and television as well as on stage. The range of his roles is remarkable. His recent performance in Oliver Stone's "W" prompted fellow actor Alec Baldwin to blog an impromptu review matching Huston's amazement at Keach's power. Perhaps best known around the world for his portrayal of the hard-boiled detective, Mike Hammer, Stacy Keach is also well-known among younger generations for his portrayal of the irascible, hilarious Dad, Ken Titus, in the Fox sitcom, Titus, and more recently as Warden Henry Pope in the hit series, Prison Break. Following his triumphant recent title role performance in King Lear for the prestigious Goodman Theatre in Chicago, Keach joined the starring cast of John Sayles' recent film, Honeydripper. In the most recent of his non-stop activities, he has completed filming Deathmatch for the Spike Channel, and The Boxer for Zeitsprung Productions in Berlin, Germany.

German audiences will also see him as one of the co-stars in the multi-million dollar production of Hindenburg: The Last Flight (2011), scheduled to air in January, 2011 with worldwide release thereafter. Mr. Keach co-stars in the new FX series entitled Lights Out (2011) about a boxing family, where he plays the Dad-trainer of two boxing sons played by Holt McCallany and Pablo Schreiber. The series is also scheduled to air in January, 2011. Keach returns to the New York stage at the start of the 2011 in Jon Robin Baitz's new play, "Other Desert Cities," at the Lincoln Center.

Capping his heralded accomplishment on the live stage of putting his own stamp on some of the theatre world's most revered and challenging roles over the past year when he headed the national touring company cast of "Frost/Nixon," portraying Richard M. Nixon, bringing still another riveting characterization to the great legit stages of Los Angeles, Chicago, Boston, the nation's capitol and other major cities. He won his second Best Actor Helen Hayes Award for his outstanding performance. His second triumphant portrayal of King Lear in the past three years, this time for the Shakespeare Theatre Company in the nation's capital earned reviews heard around the world, with resulting offers for him to repeat that giant accomplishment in New York, Los Angeles and even Beijing.

An accomplished pianist and composer, Mr. Keach composed the music for the film, Imbued (2009), directed by Rob Nilssen, a celebrated film festival favorite, in which Keach also starred. He has also completed composing the music for the Mike Hammer audio radio series, "Encore For Murder", written by Max Collins, directed by Carl Amari, and produced by Blackstone Audio.

Mr. Keach began his film career in the late 1960's with _The Heart Is A Lonely Hunter_, followed by _The New Centurions_ with George C. Scott; Doc Holiday with Faye Dunaway in the film 'Doc' (1971); an over-the-hill boxer,Billy Tully in Fat City (1972); directed by John Huston, and The Long Riders (1980), which he co-produced and co-wrote with his brother, James Keach, directed by Walter Hill. On the lighter side, his characterization of Sgt. Stedenko in Cheech and Chong's Up in Smoke (1978), and the sequel, Nice Dreams (1981), gave a whole new generation a taste of Mr. Keach's comedic flair, which he also demonstrated in Robert Altman's Brewster McCloud (1970), playing the oldest living lecherous Wright Brother; and The Life and Times of Judge Roy Bean (1972) where he played a crazed albino out to kill Paul Newman.

Historical roles have always attracted him. In movies he has played roles ranging from Martin Luther to Frank James. On television he has been Napoleon, Wilbur Wright, J. Robert Oppenheimer, Barabbas, Sam Houston, and Ernest Hemingway, for which he won a Golden Globe as Best Actor in a mini-series and was nominated for an Emmy in the same category. He played an eccentric painter, Mistral, in the Judith Krantz classic, Mistral's Daughter (1984), a northern spy in the civil war special, The Blue and the Gray (1982), more recently as the pirate Benjamin Hornigold in the Hallmark epic Blackbeard (2006).

As a director, his production of Arthur Miller's Incident at Vichy (1973) for PBS was, according to Mr. Miller in his autobiography, Timebends, "the most expressive production of that play he had seen." He won a Cine Golden Eagle Award for his work on the dramatic documentary, The Repeater, in which he starred and also wrote and directed.

But it is perhaps the live theatre where Mr. Keach shines brightest. He began his professional career with the New York Shakespeare Festival in 1964, doubling as Marcellus and the Player King in a production of Hamlet directed by Joseph Papp and which featured Julie Harris as Ophelia. He rose to prominence in 1967 in the Off-Broadway political satire, MacBird, where the title role was a cross between Lyndon Johnson and Macbeth and for which he received the first of his three Obie awards. He played the title roles in Henry 5, Hamlet (which he played 3 times), Richard 3, Macbeth, and most recently as King Lear in Robert Falls' modern adaptation at Chicago's Goodman Theatre, which Charles Isherwood of the NY Times called "terrific" and "a blistering modern-dress production that brings alive the morally disordered universe of the play with a ferocity unmatched by any other production I've seen." Mr. Keach's stage portrayals of Peer Gynt, Falstaff and Cyrano de Bergerac, and Hamlet caused the New York Times to dub him "the finest American classical actor since John Barrymore."

Mr. Keach's Broadway credits include his Broadway debut, Indians, where he played Buffalo Bill and was nominated for a Tony award as Best Actor. He starred in Ira Levin's Deathtrap, the Pulitzer Prize winning Kentucky Cycle (for which he won his first Helen Hayes award as Best Actor), the Rupert Holmes one-man thriller, Solitary Confinement, where Mr. Keach played no less than six roles, all unbeknownst to the audience until the end of the play. In the musical theatre, he starred in the national tour of Barnum, played the King in Camelot for Pittsburgh's Civic Light Opera, and the King in The King and I, which he also toured in Japan. He starred in the Jon Robin Baitz play, Ten Unknowns, at the Mark Taper Forum in 2003. The LA Times said: "And then there's Keach. What a performance! How many actors can manage such thunder and such sweet pain. He's been away from the LA stage too long. Welcome back."

In 2004, he starred as Scrooge in Boston's Trinity Rep musical production of A Christmas Carol; earlier in 2004, he starred as Phil Ochsner in Arthur Miller's last play Finishing The Picture, directed by Robert Falls at the Goodman Theatre.

As a narrator his voice has been heard in countless documentaries; as the host for the Twilight Zone radio series; numerous books on tape, including the Short Stories of Ernest Hemingway. In the year 2000, he recorded a CD of all of Shakespeare's Sonnets. He recently recorded the voice of St. Paul for a new audio version of The New Testament:, The Word of Promise and Job for the Old Testament edition. He is the narrator on CNBC's new hit show, American Greed (2007), and recently narrated the award-winning documentary, The Pixar Story (2007). He has also reprised his role as Mike Hammer in the Blackstone audio series, the most recent being "Encore for Murder". A charter-member of LA Theatre Works, Mr. Keach recently played the title role in Bertolt Brecht's Galileo, recorded both for radio and CD. He was seen on CBS's hit show Two and a Half Men (2003) as the gay Dad of Charlie's fiance.

Stacy Keach also believes strongly in 'giving back' and has been the Honorary Chair for the Cleft Palate Foundation for the past twenty-five years. He is also the national spokesman for the World Craniofacial organization. He has served on the Artist's Committee for the Kennedy Center Honors for two decades, is on the board of directors for Genesis at the Crossroads, a Chicago-based organization dedicated to bringing peoples of combatant cultures together through the shared artistic expressions of the visual and culinary arts, music, dance, and theater. He also serves on the artistic board for Washington DC's Shakespeare Theatre National Council, where he was also honored in 2000 with their prestigious Millennium Award for his contribution to classical theatre. Some years ago Hollywood honored him with a Celebrity Outreach Award for his work with charitable organizations.

He has been the recipient of Lifetime Achievement Awards from Pacific Pioneer's Broadcasters, the San Diego Film Festival, the Pacific Palisades Film Festival, and The 2007 Oldenburg Film Festival in Germany. Later this year, he will be awarded the 2010 Lifetime Award from the St. Louis Film Festival. In 2008, he received the Mary Pickford Award for versatility in acting.

Mr. Keach was a Fulbright scholar to the London Academy of Music and Dramatic Art, attended the University of California at Berkeley and the Yale Drama School. He has always been a star of the American stage, especially in Shakespearen roles such as Hamlet, Henry 5, Coriolanus, Falstaff, Macbeth, Richard 3, and most recently, King Lear.

Of his many accomplishments, Mr. Keach claims that his greatest accomplishment is his family. He has been married to his beautiful wife Malgosia for twenty-five years, and they have two wonderful children, Shannon Keach (1988), and daughter Karolina Keach (1990).

Fionnula Flanagan was born and raised in Dublin, Ireland. From an early age she grew up speaking both English and Irish on a daily basis. Her parents weren't native Irish speakers but wanted Fionnula and her four siblings to learn the language. Her mother used to say, "A nation without a language is a nation without a soul". Fionnula has said she will be forever grateful to them for that. She was educated at the Abbey Theatre School in Dublin and in Switzerland. She moved to Los Angeles in 1968 and lives with her husband, psychiatrist Dr. Garrett O'Connor, in Beverly Hills. Of her enormous body of work, including stage, television and film, she might be most well-known for James Joyce's Women (1985), in which she plays six different women who had a profound influence on James Joyce's life. Besides giving an award-winning performance, she also wrote, adapted and produced the piece for the stage, and subsequently as a feature film. She believes Joyce is the most important writer in the English language, most notably for "Ulysses", "Finnegan's Wake" and "The Portrait of an Artist as a Young Man". When she was growing up she thought the much lauded author was a good friend of her parents, because they were always saying, "Joyce said this, Joyce said that". When she was finally old enough to read Joyce for herself, the characters were like old friends.

Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.

When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.

By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).

Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).

A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.

Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program Richard Walter. Their uncle was stage and screen actor Jerry Jarrett. Raised in Queens, Walter was a graduate of New York's High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.

On Broadway, Walter appeared in Peter Ustinov's "Photo Finish" (which earned her the Clarence Derwent Award as Most Promising Newcomer), "A Severed Head", "Advise and Consent", "Night Life" and Neil Simon's "Rumors". Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of "Tartuffe" opposite Ron Leibman (to whom she was married from 1983 until his death in 2019).

After guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in Sidney Lumet's The Group (1966). This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in Clint Eastwood's directorial debut film, Play Misty for Me (1971). This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (Brian Bedford) and troublesome girlfriend of another (James Garner) in Grand Prix (1966). Walter's numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie Dr. Strange (1978). Of her many screen villainesses she later said: "those are the fun roles. They're juicy, much better than playing the vanilla ingénues".

By the 1980s, Walter had turned increasingly towards comedy, both on the big screen (The Flamingo Kid (1984)) and the small (Three's a Crowd (1984)). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series Babylon 5 (1993) or providing the voice for the leading female character in the animated sitcom Dinosaurs (1991). Walter received an Emmy Award for Best Dramatic Actress in the Ironside (1967) spin-off Amy Prentiss (1974) and was nominated for guest-starring roles in episodes of Trapper John, M.D. (1979) and The Streets of San Francisco (1972). She found a new audience among younger viewers as the devious matriarch Lucille Bluth in Arrested Development (2003).

Jessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.

David Hemmings, one of the great English cinema icons of the 1960s, was born in Guildford, Surrey, on November 18, 1941, to a cookie merchant and his wife. He was educated at Glyn College, Epsom, but while still a child, Hemmings made his first forays into the world of entertainment. An accomplished singer, he toured as a boy soprano with the English Opera Group, famed for his performances of the works of Benjamin Britten. Britten, who befriended the youngster, wrote some roles specifically for Hemmings, including that of "Miles" in "The Turn of the Screw". Hemmings subsequently took up painting after his career as a soprano was ended by his transit through puberty. He studied painting at the Epsom School of Art, where he staged the first exhibition of his work at the school when he was 15 years old.

Hemmings made his film debut in 1954, with The Rainbow Jacket (1954) for Ealing Studios. He also had bit part in Otto Preminger's 1957 version of Saint Joan (1957). In his 20s, he returned to singing, appearing at nightclubs before concentrating on the stage and the cinema. As the youth culture hit Britain in the late 50s (the Notting Hill race riots of August 1958 limned in Julien Temple's 1986 film Absolute Beginners (1986) being a kind of bookmark signaling its arrival), Hemmings was in the right place at the right time to capitalize on his skills and looks. Boyish-looking, with large, protuberant blue eyes covered with heavy lids, his face was at once startling and decadent while simultaneously conveying an air of fragility. He starred in pop music movies Sing and Swing (1963) and Be My Guest (1965), as well as co-starring in one of Michael Winner's first films, The Girl-Getters (1964), with Oliver Reed.

The 24-year-old Hemmings desperately wanted what would become his career-defining role, as the morally jaded fashion photographer Thomas in master-director Michelangelo Antonioni's Blow-Up (1966). He was up against the crème of British actors, including Terence Stamp, who already had an Oscar nomination under his belt and was conventionally handsome.

Hemmings thought he had blown his audition as Antonioni shook his head constantly throughout his audition. However, he later found out the great director had a mild form of Tourette's which caused him to move his head from side to side.

The role made him a star and, for a while, a darling of the pop culture filmmaking that was expected to revolutionize the English-speaking cinema in the 1960s, after the 1964 Best Picture Oscar-win of Tony Richardson's Tom Jones (1963). He was cast as Mordred in the big-screen adaptation of Lerner & Lowe's musical Camelot (1967) with Richard Harris and Hemmings Blow-Up (1966) co-star Vanessa Redgrave to critically panned results. The same year that "Camelot" was released (1967), he put out a pop single ("Back Street Mirror") and an album, "David Hemmings Happens", recorded in Los Angeles. His album was produced by Jim Dickinson, the early producer of The Byrds, and featured instrumental backing by several members of group. It was re-released on CD in 2005.

In 1968, he appeared as Dildano opposite Jane Fonda (in her incarnation as a sexpot) in Roger Vadim's kitsch classic Barbarella (1968).

However, to reduce stereotyping and his identification with pop culture filmmaking, he took on the role of the anti-hero Captain Nolan in Tony Richardson's masterful satire The Charge of the Light Brigade (1968) and later, the eponymous role in Alfred the Great (1969). While both films were imbued with the counter-cultural attitudes of their times, the roles themselves were rather straightforward. Hemmings had reached the summit of his career as an actor. These were the heights he never reached again.

As the quality of his roles declined, Hemmings turned more to directing. He had directed his first film in 1972, helming the thriller Running Scared (1972) which starred Gayle Hunnicutt, his wife from 1968 to 1974. Hemmings also co-wrote the script. In the 1970s, he had relocated to Malibu, California to live with Hunnicutt, and the fabled beach community which was his home for the next generation. In 1975, he starred as Bertie Wooster in the Andrew Lloyd Webber musical, "Jeeves", one of Lord Webber's few flops.

Hemmings formed the independent production company Hemdale Corp. with his business partner, John Daly, in the early 1970s as a tax shelter. He was able to use Hemdale and his role as a producer to vivify his directing career. In 1979, Hemmings the director first attracted major attention with Just a Gigolo (1978), but the film was a flop in spite of its interesting cast. After directing the 1981 adventure film Treasure of the Yankee Zephyr (1981) and an adaptation of James Herbert's novel "The Survivor", he focused on TV directing. He soon became one of the top directors of American action TV programs, including The A-Team (1983), Airwolf (1984), Magnum, P.I. (1980) and Quantum Leap (1989).

However, in the nineties, he abandoned directing, and returned to live in the UK. The role of "Cassius" in Gladiator (2000) heralded his full-time return to acting. He was also memorable in a small role in Martin Scorsese's Gangs of New York (2002). But it was his last major role, in the cinema adaption of Graham Swift's Last Orders (2001), that showed Hemmings at the top of his talent. Unrecognizable from the boy-man of 1966-70, he was memorable as the ex-boxer who ruefully remembers the past with his remaining buddies as they travel to throw the ashes of a departed friend into the sea. That two of the other major roles were filled by Michael Caine and Tom Courtenay, two other British actors whose careers first flourished in the 1960s, added to the poignancy of this tale of men trying to recapture lost time. He also appeared, less memorably, in The League of Extraordinary Gentlemen (2003) opposite the ultimate 60s male British cinema icon, Sean Connery.

David Hemmings died of a heart attack on December 3, 2003, in Bucharest, Romania, on the set of Blessed (2004), after playing his scenes for the day. He was 62 years old. His autobiography, "Blow Up... and Other Exaggerations" was published in 2004.

Eric Braeden is a German actor in America who began his career playing Nazis and eventually became a star of daytime soap operas. Born Hans Gudegast in Kiel, Germany, during the Second World War, he was a superb athlete who excelled in track-and-field events. As a teenager, he immigrated to the United States and worked in Texas and Montana as a translator, a cowhand, and a lumber millhand. His athleticism won him a scholarship to Montana State University. While attending college, he and friend Bob McKinnon made a film, The Riverbusters, about their successful attempt to be the first men to take a boat from the source to the mouth of the Salmon river and back again. He traveled to Los Angeles in hopes of finding a distributor for the documentary, but instead found that his handsome visage and accented English made him a valuable commodity as an actor. He appeared in small parts under his real name before landing the leading role of the antagonist, Captain Hans Dietrich, on the World War II television series The Rat Patrol (1966).

The series was a hit, and Gudegast's sympathetic German officer was very popular. He appeared in a few movies and television films thereafter in supporting roles, then was given the lead in Universal's science-fiction computer thriller Colossus: The Forbin Project (1970). His delight at this huge career boost was muted by the studio's insistence that he change his name. With extreme reluctance, he agreed and became known subsequently as Eric Braeden. Braeden worked continuously in television movies for the next decade. He also worked on Broadway and in Los Angeles area theatre. In 1980, he reluctantly accepted a role in a daytime drama, The Young and the Restless (1973), and gained a stardom in this medium that had just eluded him in film and prime time television. As lead Victor Newman, Braeden brought a gravity and a strong center to the program. Amazingly handsome and athletic into his sixties, Braeden maintained the charisma that first brought him notice in "The Rat Patrol".

His infrequent film work during his nearly quarter century on "The Young and the Restless" included a prominent role as John Jacob Astor in Titanic (1997). A five-time Emmy nominee for his "The Young and the Restless" role (he won in 1998), he was also nominated eleven times for the Soap Opera Digest Outstanding Leading Actor Award, winning three times. In 1987, he was appointed, along with Henry Kissinger, Paul Volker, Steffi Graf, Alexander Haig, and Katherine Graham, to the German-American Advisory Board, and in 1991 received the Federal Medal of Honor from the president of his native land, Germany. He married his college sweetheart Dale Russell in 1966. Their son, Christian Gudegast is a screenwriter.

Peter Cullen is a Canadian-American voice actor who is widely known for voicing Optimus Prime in the Transformers franchise as well as the Michael Bay film series. He is also known for providing the vocal effects of the Predator from the 1987 film of the same name, Eeyore from Winnie the Pooh, Monterey Jack from Chip 'n Dale Rescue Rangers and KARR in Knight Rider.

Robert Forster was born Robert Wallace Foster, Jr. in Rochester, New York, to Grace Dorothy (Montanarella) and Robert Wallace Foster, Sr., who worked as an elephant trainer and baking supply company executive. He was of English, Irish, and Italian descent. Forster first became interested in acting while attending Rochester's Madison High School, where he performed as a song-and-dance man in musical revues. After graduating in 1959, Forster attended Heidelberg College, Alfred University and the University of Rochester on football scholarships and continued to perform in student theatrical revues.

After earning a BA in Psychology from Rochester in 1963, Forster took an apprenticeship at an East Rochester theater where he performed in such plays as "West Side Story". He moved to New York City in 1965, where his first big break came when he landed the lead in the two-character play "Mrs. Dally Has a Lover", opposite Arlene Francis. However, after the play ran its course work was hard to find in the theater. Forster returned to Rochester, where he worked as a substitute teacher and construction worker until an agent from 20th Century-Fox offered him a five-picture deal. His movie debut was a small part in the drama Reflections in a Golden Eye (1967), which starred Elizabeth Taylor and Marlon Brando. Forster went on to appear in small and minor roles alongside some top Hollywood actors in films like The Stalking Moon (1968) and Medium Cool (1969), and a large part in Justine (1969). Although he continued to act in feature films, he took the part of a hard-boiled detective in the short-lived TV series Banyon (1971).

Forster also appeared in notable parts in The Black Hole (1979), Avalanche (1978) and as the lead in the cult horror flick Alligator (1980), and played the part of a factory worker-turned-vigilante in the thriller Vigilante (1982). Forster also took the lead as a taxi driver in Walking the Edge (1985) by director Norbert Meisel. A series of action flicks followed, the most notable being The Delta Force (1986), starring Chuck Norris. By the late 1980s Forster's acting career had begun to slide, and he was getting less and less work; if there was any, he would be cast in small parts playing villains. Forster then began to work as a motivational speaker and an acting coach in Hollywood film schools.

However, in the mid-1990s, his career was resurrected by writer-director Quentin Tarantino, a big fan of Forster's early work, who offered him an audition for a part in his latest movie. After a seven-hour audition, Tarantino cast Forster as the tough but sympathetic bail bondsman Max Cherry in Jackie Brown (1997), which netted him an Academy Award nomination and a measure of recognition, both nationwide and within his own profession, landing him more high-profile roles in such films as All the Rage (1999), Gus Van Sant's Psycho (1998)--a remake of Alfred Hitchcock's 1960 film--and Supernova (2000). Forster continued to act in many big-budget Hollywood productions for the next two decades.

Forster died on October 11, 2019, in Los Angeles, California, aged 78. His last film, El Camino (2019), was released on the day of his death. He is survived by four children (Bobby, Elizabeth, Kate and Maeghen), four grandchildren (Tess, Liam, Jack and Olivia), and his long-time partner, Denise Grayson. Denise has been Robert's long-time partner and they had been together for 16 years till Robert passed away at home in Los Angeles surrounded by family.

Blue-eyed and well-built Italian actor in international cinema, Franco Nero, was a painting photographer when he was discovered as an actor by director John Huston. He has since appeared in more than 200 movies around the world, working with Europe's top directors, such as Luis Buñuel, Rainer Werner Fassbinder, Claude Chabrol, Sergey Bondarchuk, Michael Cacoyannis, Elio Petri, Marco Bellocchio, Enzo G. Castellari, among many others.

Nero was born in Parma (Northern Italy), in the family of a strict police sergeant. His inclination for acting had already become obvious in his teenage years, when he began organizing and participating in student plays. After a short stint at a leading theater school, he moved to Rome, where he joined a small group of friends for the purpose of making documentaries. Still unsure of his ultimate vocation, he worked various jobs on the crew. He studied economics and trade in Milan University, and appeared in popular Italian photo-novels. This gave him a chance to gain a little role in Carlo Lizzani's La Celestina P... R... (1965).

A year later, the handsome face of Nero was noticed by Huston, who chose him for the role of "Abel" in The Bible in the Beginning... (1966) (aka La Bibbia). But success came after he got the role of the lonely gunfighter, dragging a coffin, in one of the best spaghetti-westerns; Sergio Corbucci's Django (1966). Nero then filmed a few other westerns of that style as Ferdinando Baldi's Texas, Adios (1966) and Lucio Fulci's Massacre Time (1966).

In 1967, Joshua Logan cast him in the film version of the musical Camelot (1967) (Warner Bros.), opposite Vanessa Redgrave, for which he was nominated for a Golden Globe award. During filming of Camelot, he met actress Vanessa Redgrave, who become his long-time partner (they married decades later). He played with Catherine Deneuve in Luis Buñuel's Tristana (1970) and was directed by Sergey Bondarchuk in the war drama The Battle of Neretva (1969). Later, director Bondarchuk cast Nero for the role of famous American reporter "John Reed" in two-part "Krasnye kolokola II" (1982). In the late 60s and during the 70s, Nero played many different roles, but most of them connected with political and criminal genre, which criticized the Italian justice system.

In the early 80s, Nero was chosen for the role of the white ninja, "Cole", in Enter the Ninja (1981) and in 1990 as terrorist "Gen. Esperanza", opposite Bruce Willis, in Renny Harlin's Die Hard 2 (1990). He has also payed the roles of leading national heroes, such as "Garibaldi" (Italy), "Arpad" (Hungary), and "Banovic Strahinja" (Yugoslavia). In the USA, he has been in successful mini-series, such as "The Pirate" (Warner Bros), "The Last Days of Pompeii" (CBS), "Young Catherine" (TNT), "Bella Mafia" (CBS), "The Painted Lady", "Saint Augustine", and movies such as "The Legend of Valentino", "21 Hours to Munich", "Force 10 from Navarone", "Enter the Ninja", "The Versace Murder", and Letters to Juliet (2010).

He worked with the top European directors from Carlo Lizzani, Damiano Damiani, Luigi Zampa, Luis Buñuel, Elio Petri, Michael Cacoyannis, Rainer Werner Fassbinder, Claude Chabrol, 'Vatroslav Mimica', Marco Bellocchio, etc. At the beginning of the 80s, he also began producing, writing and directing. Between films, he participates in various theatrical events.

Apart from his cinematographic work, Nero also works for charitable organizations. Over the last 45 years, he has been a benefactor of the Don Bosco orphanage in Tivoli. He has received many awards and, in 1992 for his artistic merits, a knighthood of the Italian Republic was bestowed on him by the President of Italy. In 2011, he was honored by Brunel University of London with the honorary degree of doctor of Letters honoris causa and, in Toronto, with a star on the Walk of Fame.

Charles Patrick Ryan O'Neal was an American actor and former boxer. He trained as an amateur boxer before beginning his career in acting in 1960. In 1964, he landed the role of Rodney Harrington on the ABC nighttime soap opera Peyton Place. It was an instant hit and boosted O'Neal's career. He later found success in films, most notably Love Story (1970), for which he received Academy Award and Golden Globe nominations as Best Actor, Peter Bogdanovich's What's Up, Doc? (1972) and Paper Moon (1973), Stanley Kubrick's Barry Lyndon (1975), Richard Attenborough's A Bridge Too Far (1977), and Walter Hill's The Driver (1978). From 2005 to 2017, he had a recurring role in the Fox television series Bones as Max, the father of the show's protagonist.

Peter Coyote was born in Manhattan, New York City, New York, USA as Robert Peter Cohon to Ruth (Fidler) and Morris Cohon, an investment banker. He is an actor, known for Bitter Moon (1992), Sphere (1998) and Patch Adams (1998). Coyote was previously married to Stefanie Pleet and Marilyn McCann.

A veteran of stage and screen, award-winning actress Miriam Margolyes has achieved success on both sides of the Atlantic. Winner of the BAFTA Best Supporting Actress award in 1993 for The Age of Innocence (1993), she received Best Supporting Actress at the 1989 LA Critics Circle Awards for her role in Little Dorrit (1987) and a Sony Radio Award for Best Actress in 1993. She voiced "Fly, the dog" in Babe (1995).

Major credits include Yentl (1983), Little Shop of Horrors (1986), I Love You to Death (1990), End of Days (1999), Sunshine (1999), Cold Comfort Farm (1995), Cats & Dogs (2001), and Magnolia (1999). She played "Prof. Sprout" in Harry Potter and the Chamber of Secrets (2002). More recently, she appeared in Stephen Hopkins', The Life and Death of Peter Sellers (2004), Modigliani (2004), István Szabó's Being Julia (2004) and Ladies in Lavender (2004) (with Dames Maggie Smith and Judi Dench).

Memorable television credits include Old Flames (1990), Freud (1984), The Life and Loves of a She-Devil (1986), Blackadder (1982), The Girls of Slender Means (1975), Oliver Twist (1985), The History Man (1981), Vanity Fair (2004), and Supply & Demand (1997).

Stage credits include Peter Hall's Los Angeles production of "Romeo & Juliet"; "She Stoops to Conquer" and "Orpheus Descending" (both also for Peter Hall); "The Threepenny Opera" (directed by Tony Richardson); "The White Devil" at The Old Vic (for Michael Lindsay-Hogg); the Bristol Old Vic production of "The Canterbury Tales"; and her own award-winning one-woman show, "Dickens' Woman".

In the 2002 Queen's New Years Honours List, Queen Elizabeth II awarded her the OBE for her services to Drama.

"Amazing Grace" Zabriskie was born in New Orleans, Louisiana. She wrote her own original poetry, then performed at coffee shops and various artist hangouts in Atlanta. She was also a wonderful silk-screen printmaker. She moved to Hollywood and made her acting debut in Norma Rae (1979). She went on to appear in over 80 movies. She gave an acclaimed performance as Mrs. Ames in East of Eden (1981), the adaptation of John Steinbeck's novel. Grace appeared in the highly acclaimed and Oscar-nominated An Officer and a Gentleman (1982) and The Big Easy (1986), set in her beloved New Orleans. She worked with producer and director David Lynch, and was a series regular in the cult favorite Twin Peaks (1990) as Sarah Palmer, the part with which she is most often identified. She also appeared in Lynch's Wild at Heart (1990) the same year. She has played a wide variety of roles, and gave a terrific performance in the Oscar-nominated Fried Green Tomatoes (1991) and showed great character depth as the lonely and despondent widow in The Passion of Darkly Noon (1995).

Grace's more recent roles were in the zany Sparkler (1997) and in the big-name feature No Good Deed (2002), based on a short story by Dashiell Hammett. A woman of many talents, she is currently creating her own original paintings, unique sculptures and woodwork art that can be viewed in Los Angeles galleries.

Her visual arts, which include creating lamps or "sculptures with light" as she calls them, are available from the L.A.-based ArtHaus.

Dana Ivey was born in Atlanta, Georgia. She decided at age six that she wanted to act, and throughout school she pursued it. She majored in theatre at Rollins College in Florida. She received a grant to study drama in England at the London Academy of Music and Art. She has received critical acclaim on the stage, winning many honors, such as a Tony Nomination, an Outer Critics award, a Drama Desk Award. She has appeared on such television shows as Law & Order (1990) and Frasier (1993). She currently lives in New York City.

Sarah Miles is an English actress whose career flourished during the Swinging Sixties and in the early Seventies. The high point of her career came when her husband, screenwriter Robert Bolt, adapted "Madame Bovary" into a story set during the 1916 Easter Rebellion in Ireland. Directed by David Lean, Ryan's Daughter (1970), with Miles as the eponymous lead, brought her a Best Actress Oscar nomination. Lean equated her as a talent with Julie Christie, whom she physically resembled. However, Bolt's next script for her, Lady Caroline Lamb (1972), which he also directed, was a critical and box office flop when it was released in 1973.

That same year, she was involved with scandal when her manager died under mysterious circumstances during the shooting of The Man Who Loved Cat Dancing (1973). She reportedly was cuckolding Robert Bolt with her "Cat" co-star, Burt Reynolds.

After appearing in a TV adaptation of William Faulkner's "Requiem for a Nun" for the Hollywood Television Theatre (broadcast by PBS) in 1975 and The Sailor Who Fell from Grace with the Sea (1976) in 1976, Miles divorced Bolt and her career dropped off. Miles had one last burst of glory with Hope and Glory (1987) (1989). She is now retired from the acting.

An actor with a powerful physique, booming voice and who has played several "Native American" characters, Sonny Landham first broke into mainstream film with a bit part as a police officer in the subway. He ends up getting tripped when Michael Beck throws the baseball bat at his legs, in Walter Hill's gang film The Warriors (1979), then other minor roles in Southern Comfort (1981) & Poltergeist (1982), before Walter Hill cast him in his first decent role as James Remar's gun happy, criminal partner in the high voltage hit 48 Hrs. (1982). Landham continued to turn up in high testosterone films of the mid 1980s including the action sci-fi film Predator (1987), alongside Arnold Schwarzenegger in Lock Up (1989), and being hurled out a window by Carl Weathers in Action Jackson (1988). His career on screen wound down during the 1990s, but he still managed to crop up in several roles taking advantage of his strong physical presence.

Sally Kirkland, Best Actress Oscar Nominee, Golden Globe winner, Independent Spirit Award winner, LA Film Critics Circle Award winner, and veteran of over 200 movies. Feisty, hard-working, famously liberal, with the trademark blonde hair, actress Sally Kirkland has certainly made an indelible mark on Hollywood history. Born in New York City, her mother was the fashion editor at Vogue and LIFE magazine. Sally began her career on the off-Broadway circuit and trained under Lee Strasberg. Sally Kirkland is a movie, television, and theater veteran since the 1960s and is probably best known for the drama movie Anna (1987), for which she garnered the Best Actress Oscar nomination and won the Best Actress Golden Globe, the Independent Spirit Award, and the LA Film Critic's Circle Award.

Sally's first director was Andy Warhol in The 13 Most Beautiful Women (1964). Her 220 movies also include Coming Apart (1969), The Sting (1973), The Way We Were (1973), Cold Feet (1989), Best of the Best (1989), Revenge (1990), JFK (1991), Edtv (1999), Bruce Almighty (2003), Coffee Date (2006) and Archaeology of a Woman (2012). In the past couple of years, she has starred in Buddy Solitaire (2016), Apartment 212 (2017), and The Most Hated Woman in America (2017) co-starring with Melissa Leo and Peter Fonda. And coming out soon, she has starred in Sarah Q (2018), Cuck (2019), Invincible (2020) and Hope for the Holidays (2020). She was nominated for Best Actress in a television movie by the Hollywood Foreign Press for The Haunted (1991). Her television credits include: guest starring on Criminal Minds (2005), and recurring roles on Head Case (2007) and The Simple Life (2003). She guest starred on Resurrection Blvd. (2000) and in the television movie Another Woman's Husband (2000).

Sally had a recurring role on Felicity (1998) and starred in the NBC movie Brave New World (1998). She also starred in the television episode Song of Songs (1994), and was a series regular on the television series Valley of the Dolls (1994). She also co-starred in the television movie The Woman Who Loved Elvis (1993). She had a recurring role as Barbara Healy in the original Roseanne (1988) series. She starred in the television movie Heat Wave (1990), and recurred as Tracy on Days of Our Lives (1965). Sally is also an exhibited painter, poet, renowned acting coach and ordained minister.

An English actress of stage, screen and television, sister to Hayley Mills and daughter of Sir John Mills, Juliet first came to notice in films, actually after her sister Hayley started her career. Juliet, however, was first plucked onto the screen and signing a contract with Warner Brothers and taking small roles in comedies like Nurse on Wheels (1963) and Carry on Jack (1964). It wasn't until 1966, when Juliet Mills started getting attention in her role opposite James Stewart and Maureen O'Hara in the western film The Rare Breed (1966). She continued in television in the seventies as a recurring guest star on The Love Boat (1977), Wonder Woman (1975) and Fantasy Island (1977). She got her first starring television series, Nanny and the Professor (1970), in 1970, co-starring Richard Long, the series was top-rated, but was shortly canceled after two seasons by ABC. She hit the screen again in 1974, playing the possessed "Jessica Barrett" in the Italian horror film Beyond the Door (1974) ("Beyond the Door") for Film Ventures International, but it was pulled from theaters because it resembled The Exorcist (1973), even though it was becoming a box office hit. She didn't get very many roles after that and continued in television through the eighties. She did a small part in Waxwork II: Lost in Time (1992) and then played Juliette Lewis's friendly maid in the 1999 major motion picture The Other Sister (1999), co-starring Diane Keaton and Tom Skerritt. Juliet Mills has recently been in the daytime drama (soap opera) Passions (1999), playing "Tabitha", the witch. She is married to actor Maxwell Caulfield.