IMDb RATING
7.0/10
3.9K
YOUR RATING
Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
Mártha Eggerth
- Eve Minard
- (as Marta Eggerth)
Stephen McNally
- Mr. Waring
- (as Horace McNally)
Ernie Alexander
- Theater Workman with Big Die
- (uncredited)
Hooper Atchley
- Assistant Stage Manager
- (uncredited)
Walter Baldwin
- Bill
- (uncredited)
Gurney Bell
- Member - Sportsmen Quartet
- (uncredited)
John Breen
- Soldier
- (uncredited)
Ken Darby
- Member - The King's Men
- (uncredited)
George Davis
- France Taxi Driver
- (uncredited)
Bill Days
- Member - Sportsmen Quartet
- (uncredited)
John Dilson
- Lou
- (uncredited)
Jon Dodson
- Member - The King's Men
- (uncredited)
Lester Dorr
- Stage Manager
- (uncredited)
Ruth Dwyer
- Nurse
- (uncredited)
Storyline
Did you know
- TriviaGene Kelly's film debut. It is known that Judy Garland got him the job after seeing him in the Broadway musical "Pal Joey." Kelly made films in a variety of genres over the next few years but became best known for his energetic dancing style in M-G-M hits such as Anchors Aweigh (1945), On the Town (1949) and An American in Paris (1951). Kelly, who was a choreographer and director as well as a dancer and singer, received a special Academy Award in 1951 in recognition of his outstanding achievement as an actor, dancer, singer and director. He also received a Life Achievement Award from the American Film Institute in 1985. The song "For Me and My Gal" became one of Kelly's signature songs.
- GoofsJo's YWCA uniform (like much of her clothing in the latter half of the film) is characteristic of World War II, when the film was released, and not World War I, in which it is set. Her uniform's shoulders are too broad and the skirt too short, and she is wearing sheer stockings and pumps instead of opaque stockings and high boots or oxfords.
- Quotes
Harry Palmer: Why didn't you tell me I was in love with you?
- Crazy creditsA picture of an infantry soldier in New York harbor and the text "America needs your money. Buy war bonds and stamps at this theatre."
- Alternate versionsThere is a 1993 colorized version of the film that aired on TNT
- ConnectionsEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksFor Me and My Gal
(1917) (uncredited)
Music by George W. Meyer
Lyrics by Edgar Leslie and E. Ray Goetz
Played during the opening credits and often as background music
Played on piano (with background orchestra) by Judy Garland (uncredited) and sung and danced by her and Gene Kelly (uncredited)in a coffee shop
Reprised by Judy Garland (uncredited), Gene Kelly (uncredited) and chorus at the end
Featured review
In 1943 Gene Kelly made "For Me And My Gal". It was a film starring that rising star of MGM Judy Garland, set in the years from 1915 - 1919. Garland wanted Kelly to appear in this film as her lover, Harry Palmer. It was an unusual film debut for Kelly, now recalled for his masterful dancing in musicals like "Singing In The Rain" and "An American In Paris". Instead, although it was a musical (using many tunes of the Tin Pan Alley period, it really was a character study. It looked at Kelly's opportunistic anti-hero, who does love Garland, but who is career centered to the point that he injures himself (he thinks it will be a slight injury) to avoid the draft.
It is a passably good film, due to the chemistry of the leads and such supporting film actors as Keenan Wynn (as Kelly's long suffering agent, who gets to tell him off), and George Murphy (as the would-be lover of Garland, who can't get her attention away from the unworthy Kelly).
The interest I have in the film is why Garland chose Kelly for this part. She apparently insisted that he be used for this film. The reason is that his biggest Broadway success was the 1941 show "Pal Joey", where he played the first anti-hero in Broadway history. Joey is a user of women, who wants to own a fancy nightclub in Chicago. He never rises above the sleazy dive he acts as M.C. at. He could be Harry Palmer's distant, slightly cousin. Garland would have seen Kelly play a role of a heel where he sang a golden flow of Rogers and Hart melodies, and do some good hoofing as well. It was the perfect "screen test" for Kelly to use to prove his ability to play Palmer. So he got his first role, and then went on to the major achievements of his career.
It is a passably good film, due to the chemistry of the leads and such supporting film actors as Keenan Wynn (as Kelly's long suffering agent, who gets to tell him off), and George Murphy (as the would-be lover of Garland, who can't get her attention away from the unworthy Kelly).
The interest I have in the film is why Garland chose Kelly for this part. She apparently insisted that he be used for this film. The reason is that his biggest Broadway success was the 1941 show "Pal Joey", where he played the first anti-hero in Broadway history. Joey is a user of women, who wants to own a fancy nightclub in Chicago. He never rises above the sleazy dive he acts as M.C. at. He could be Harry Palmer's distant, slightly cousin. Garland would have seen Kelly play a role of a heel where he sang a golden flow of Rogers and Hart melodies, and do some good hoofing as well. It was the perfect "screen test" for Kelly to use to prove his ability to play Palmer. So he got his first role, and then went on to the major achievements of his career.
- theowinthrop
- Jul 2, 2005
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Details
Box office
- Budget
- $802,000 (estimated)
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.37 : 1
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