Chicago reporter P.J. McNeal re-opens a decade-old murder case.Chicago reporter P.J. McNeal re-opens a decade-old murder case.Chicago reporter P.J. McNeal re-opens a decade-old murder case.
- Awards
- 1 win & 2 nominations
Joanne De Bergh
- Helen Wiecek
- (as Joanne de Bergh)
Robert Adler
- Taxicab Driver
- (uncredited)
Richard Bishop
- Warden of Stateville Prison
- (uncredited)
Larry J. Blake
- Police Photographic Technician
- (uncredited)
John Bleifer
- Jan Gruska
- (uncredited)
Truman Bradley
- Narrator
- (voice)
- (uncredited)
Dollie Caillet
- Secretary
- (uncredited)
Storyline
Did you know
- TriviaThe man administering the polygraph test to convict Richard Conte was the inventor of the polygraph or lie detector machine, Leonarde Keeler. He played himself in the movie.
- GoofsThere was enough of the newspaper showing by the newspaper boy to identify the issue date without seeing the date due to the images shown below the headlines. They just needed to match the pictures in the newspaper held in the background to a newspaper from the same date and see if the photographs match.
Look at the example from the photographs for the film (slide 93 of 118). There is enough to compare newspapers.
- Quotes
[McNeal is trying to get Zaleska to name his real partner in the crime and get a chance at parole]
P.J. McNeal: What have you got to lose? You're in for life now. C'mon, tell us the truth.
Tomek Zaleska: Sure, I could say I did it. Then maybe have a chance of getting out, like you say. But if I confessed, who would I name as my partner, Joe Doakes? I couldn't make it stick for one minute. That's the trouble with being innocent. You don't know what really happened. I didn't do it. Me and Frank had nothin' to do with it.
- Crazy creditsOpening credits are printed on the pages of a book; it is also stated that this is a true story.
- ConnectionsEdited from In Old Chicago (1938)
- SoundtracksChicago (That Toddlin' Town)
(1922) (uncredited)
Music by Fred Fisher
Played during the Prohibition montage
Featured review
Based on a true story, "Call Northside 777" follows P.J. McNeal, a newspaper reporter played by James Stewart, as he investigates a decade old murder case. The setting is Chicago in the 1930s and 40s.
Frank Wiecek (Richard Conte) has been convicted of a cop killing and sentenced to 99 years in prison. Convinced of her son's innocence, Frank's mother, an elderly and lowly cleaning lady, takes out an ad in the newspaper for information that will help free her son. McNeal grudgingly looks into the case, but doubts Wiecek's innocence. As the film moves along, McNeal slowly changes his perception of Wiecek.
Some viewers consider this to be a film-noir. To me, it is more of a docudrama, a staging of a real life story. The dialogue seems realistic. And the acting is low-key and credible. The film also highlights the technology of the era, including the use of the printing press, the polygraph, and a miniature camera.
But what impressed me most was the use of the Chicago locations where the real life story took place. Further, the B&W visuals are appropriately drab, dreary, and depressing, which reflects the tone of the actual events. There's very little background music, which also adds authenticity to the film. The only downside is the matter-of-fact procedural style in which the story is told, especially relative to the fatherly VO narration at the film's beginning and end. The film comes across at times as dry, and lacking emotional depth.
Devoid of cinematic hype, and told in a straightforward and plodding manner, "Call Northside 777" will appeal to people who seek realism in films. And, of course, the film's basis in fact, vis-a-vis fiction, adds to its credibility.
Frank Wiecek (Richard Conte) has been convicted of a cop killing and sentenced to 99 years in prison. Convinced of her son's innocence, Frank's mother, an elderly and lowly cleaning lady, takes out an ad in the newspaper for information that will help free her son. McNeal grudgingly looks into the case, but doubts Wiecek's innocence. As the film moves along, McNeal slowly changes his perception of Wiecek.
Some viewers consider this to be a film-noir. To me, it is more of a docudrama, a staging of a real life story. The dialogue seems realistic. And the acting is low-key and credible. The film also highlights the technology of the era, including the use of the printing press, the polygraph, and a miniature camera.
But what impressed me most was the use of the Chicago locations where the real life story took place. Further, the B&W visuals are appropriately drab, dreary, and depressing, which reflects the tone of the actual events. There's very little background music, which also adds authenticity to the film. The only downside is the matter-of-fact procedural style in which the story is told, especially relative to the fatherly VO narration at the film's beginning and end. The film comes across at times as dry, and lacking emotional depth.
Devoid of cinematic hype, and told in a straightforward and plodding manner, "Call Northside 777" will appeal to people who seek realism in films. And, of course, the film's basis in fact, vis-a-vis fiction, adds to its credibility.
- Lechuguilla
- Feb 3, 2006
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Calling Northside 777
- Filming locations
- Stateville Correctional Center - 16830 South Broadway Street, Joliet, Illinois, USA(Illinois State Penitentiary: panopticon & cells interiors; entrance exteriors)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.33 : 1
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