In the 1982 comedy classic Tootsie, Teri Garr plays Sandy Lester, a struggling actress and close friend of Dustin Hoffman’s Michael Dorsey. Between her chosen profession and her many bad choices in men, she has been conditioned to be life’s doormat. In an early scene, she vents that she was trapped in Michael’s bathroom for a half-hour during a party while no one noticed, then admits that, yes, everyone seems to be having a good time. Later, when Michael stands her up for a dinner date, she somehow winds up apologizing to him.
- 10/30/2024
- by Alan Sepinwall
- Rollingstone.com
Saoirse Ronan is getting some of the best reviews of her career for “The Outrun,” an intense drama about a woman battling her addiction to alcohol. No surprise then that she ranks among the top 5 on our Best Actress chart. She also has a featured role in Steve McQueen‘s upcoming “Blitz” as a mother in search of her missing boy in war-torn London. Currently we have her on the cusp of reaping a bid in Best Supporting Actress as well. Expect Ronan to crack the top 5 after “Blitz” drops at the London Film Festival on Wednesday (Oct. 9).
This Irish actress, who has already racked up four Oscar nominations to date, would join these dozen performers who pulled off this double play (the seven winners are in gold.)
1. Fay Bainter (1939)
Best Actress, “White Banners”
Best Supporting Actress, “Jezebel”
2. Teresa Wright (1943)
Best Actress, “The Pride of the Yankees”
Best Supporting Actress,...
This Irish actress, who has already racked up four Oscar nominations to date, would join these dozen performers who pulled off this double play (the seven winners are in gold.)
1. Fay Bainter (1939)
Best Actress, “White Banners”
Best Supporting Actress, “Jezebel”
2. Teresa Wright (1943)
Best Actress, “The Pride of the Yankees”
Best Supporting Actress,...
- 10/7/2024
- by Paul Sheehan
- Gold Derby
Azazel Jacobs’ His Three Daughters opens on Katie (Carrie Coon), who spits out a winded monologue with barely space for breath. Then her two sisters enter, and finally Katie comes up for air, if only for a moment, so that Christina (Elizabeth Olsen) can have her turn depriving the room of oxygen.
- 9/5/2024
- by Brianna Zigler
- avclub.com
Anybody who has watched even one Zack Snyder film will tell you that the director approaches his work in a very particular and, to put it mildly, unusual way. Snyder leaves you with mixed feelings; some see him as a visionary, while others see him as a failure. Although he has directed some of the most famous comic book films ever, he has also produced a number of absolute failures.
Snyder has a very personal approach to his movies. It is gritty and dark, but it can also be campy and exaggerated, which is difficult to achieve given that campy and gritty are rarely compatible. While some of his works are well-received, others are panned, as the recent example of Rebel Moon illustrates.
But, aside from Rebel Moon, Zack Snyder has another epic failure in his filmography, a film that he himself views as a misunderstood masterpiece, while almost everyone...
Snyder has a very personal approach to his movies. It is gritty and dark, but it can also be campy and exaggerated, which is difficult to achieve given that campy and gritty are rarely compatible. While some of his works are well-received, others are panned, as the recent example of Rebel Moon illustrates.
But, aside from Rebel Moon, Zack Snyder has another epic failure in his filmography, a film that he himself views as a misunderstood masterpiece, while almost everyone...
- 8/16/2024
- by Arthur S. Poe
- Fiction Horizon
Natasha Lyonne, Carrie Coon, and Elizabeth Olsen are coming home to their respective indie roots for grieving family drama “His Three Daughters.” The trio play the eponymous siblings for the Netflix film, which debuted at TIFF 2023. Coon stars as responsible sister Katie, who is tasked with carrying out her ailing father’s (Jay O. Sanders) end-of-life wishes. Olsen is her sister Christina who embraces the spiritual realm to cope with losing her dad, while Lyonne’s Rachel opts to smoke pot and disassociate.
The three estranged sisters come together once more to a New York apartment to care for their dying father and “try to mend their own broken relationship with one another,” per the film’s official synopsis.
Azazel Jacobs writes and directs the film, which IndieWire’s Kate Erbland gave a B+ review. Jacobs’ previous features include “French Exit” and “The Lovers,” as well as the series “Sorry for Your Loss...
The three estranged sisters come together once more to a New York apartment to care for their dying father and “try to mend their own broken relationship with one another,” per the film’s official synopsis.
Azazel Jacobs writes and directs the film, which IndieWire’s Kate Erbland gave a B+ review. Jacobs’ previous features include “French Exit” and “The Lovers,” as well as the series “Sorry for Your Loss...
- 7/25/2024
- by Samantha Bergeson
- Indiewire
On Sunday July 21 2024, PBS broadcasts Professor T!
Attachment Issues Season 3 Episode 6 Episode Summary
In this episode of “Professor T” titled “Attachment Issues,” airing on PBS, viewers are plunged into a gripping mystery surrounding the death of a woman discovered at the scene of a car crash. The circumstances surrounding her demise remain unclear, prompting the professor and his team to embark on an investigation fraught with unanswered questions and hidden truths.
As Professor T delves deeper into the case, he finds himself unexpectedly confronting memories from his own past, adding a personal dimension to the investigation. The episode unfolds with suspense and intrigue as the professor unravels the complexities of the woman’s life and untangles the web of clues that lead to startling revelations.
Against the backdrop of a meticulously crafted narrative, “Attachment Issues” explores themes of loss, identity, and the fragile bonds that connect individuals. Viewers will be...
Attachment Issues Season 3 Episode 6 Episode Summary
In this episode of “Professor T” titled “Attachment Issues,” airing on PBS, viewers are plunged into a gripping mystery surrounding the death of a woman discovered at the scene of a car crash. The circumstances surrounding her demise remain unclear, prompting the professor and his team to embark on an investigation fraught with unanswered questions and hidden truths.
As Professor T delves deeper into the case, he finds himself unexpectedly confronting memories from his own past, adding a personal dimension to the investigation. The episode unfolds with suspense and intrigue as the professor unravels the complexities of the woman’s life and untangles the web of clues that lead to startling revelations.
Against the backdrop of a meticulously crafted narrative, “Attachment Issues” explores themes of loss, identity, and the fragile bonds that connect individuals. Viewers will be...
- 7/21/2024
- by US Posts
- TV Regular
Welcome back to Oscars Playback, in which Gold Derby editors and Experts Christopher Rosen and Joyce Eng revisit Oscar ceremonies and winners of yesteryear. This week, we cover the 55th Academy Awards in 1983, honoring the films of 1982.
There was no suspense as to what would win heading into the ceremony. “Gandhi” dominated from top to bottom, winning eight awards from its leading 11 nominations, including Best Picture, Best Director for Richard Attenborough and Best Actor for Ben Kingsley. The biopic did not have a Best Actress contender, but even if it did, there was no beating Meryl Streep, who prevailed for “Sophie’s Choice.” She was such a lock that even fellow nominee Debra Winger‘s parents were rooting for Streep.
See Oscars Playback: When ‘Chariots of Fire’ outran ‘Reds’ for the gold
1982 was a breakout year for Jessica Lange, who became the first performer in 38 years to receive two acting nominations...
There was no suspense as to what would win heading into the ceremony. “Gandhi” dominated from top to bottom, winning eight awards from its leading 11 nominations, including Best Picture, Best Director for Richard Attenborough and Best Actor for Ben Kingsley. The biopic did not have a Best Actress contender, but even if it did, there was no beating Meryl Streep, who prevailed for “Sophie’s Choice.” She was such a lock that even fellow nominee Debra Winger‘s parents were rooting for Streep.
See Oscars Playback: When ‘Chariots of Fire’ outran ‘Reds’ for the gold
1982 was a breakout year for Jessica Lange, who became the first performer in 38 years to receive two acting nominations...
- 7/9/2024
- by Joyce Eng and Christopher Rosen
- Gold Derby
Don’t miss out on the thrilling Season 3 Episode 5 of “Professor T” airing on PBS at 7:00 Pm on Monday, 15 July 2024. In this intriguing installment titled “The Conference,” Professor T finds himself entangled in a murder mystery that hits close to home. When his rival colleague is tragically murdered during a criminology conference, suspicion falls squarely on Professor T himself.
As the central suspect, Professor T faces a dual challenge: clearing his name and uncovering the true culprit behind the heinous crime. His academic career and reputation hang in the balance, compelling him to delve deep into the intricacies of the case. With his sharp intellect and unconventional methods, Professor T navigates through a web of deceit and betrayal, determined to restore his innocence and reclaim his place at the university.
Viewers can expect a gripping narrative filled with twists and turns as Professor T races against time to solve the murder.
As the central suspect, Professor T faces a dual challenge: clearing his name and uncovering the true culprit behind the heinous crime. His academic career and reputation hang in the balance, compelling him to delve deep into the intricacies of the case. With his sharp intellect and unconventional methods, Professor T navigates through a web of deceit and betrayal, determined to restore his innocence and reclaim his place at the university.
Viewers can expect a gripping narrative filled with twists and turns as Professor T races against time to solve the murder.
- 7/8/2024
- by Jules Byrd
- TV Everyday
On Monday July 1 2024, PBS broadcasts Professor T!
Truth and Justice Season 3 Episode 3 Episode Summary
In this episode of “Professor T” titled “Truth and Justice,” viewers are in for a thrilling ride as the brilliant Professor T finds himself faced with a difficult decision. Professor T is up in court and must make a choice between saving himself or his former lover. The tension is palpable as he navigates this moral dilemma that could have far-reaching consequences.
Meanwhile, a prison officer is discovered dead, setting off a complex investigation. With no shortage of suspects, the mystery deepens as one individual appears determined to take the blame. As the team delves into the case, uncovering secrets and lies, the race to uncover the truth intensifies.
As the plot thickens, viewers can expect twists and turns that will keep them on the edge of their seats. With the signature blend of suspense, drama,...
Truth and Justice Season 3 Episode 3 Episode Summary
In this episode of “Professor T” titled “Truth and Justice,” viewers are in for a thrilling ride as the brilliant Professor T finds himself faced with a difficult decision. Professor T is up in court and must make a choice between saving himself or his former lover. The tension is palpable as he navigates this moral dilemma that could have far-reaching consequences.
Meanwhile, a prison officer is discovered dead, setting off a complex investigation. With no shortage of suspects, the mystery deepens as one individual appears determined to take the blame. As the team delves into the case, uncovering secrets and lies, the race to uncover the truth intensifies.
As the plot thickens, viewers can expect twists and turns that will keep them on the edge of their seats. With the signature blend of suspense, drama,...
- 7/1/2024
- by US Posts
- TV Regular
On Sunday June 23 2024, PBS broadcasts Professor T!
The Perfect Picture Season 3 Episode 2 Episode Summary
In this episode of “Professor T” titled “The Perfect Picture,” viewers will be on the edge of their seats as a bride is discovered dead on her wedding night, found floating in the hotel swimming pool. The police quickly suspect foul play and enlist the help of the brilliant Professor T to assist with the investigation.
As the mystery unfolds, viewers will be taken on a thrilling journey into the world of crime-solving and psychological analysis. Professor T, known for his unconventional methods and sharp intellect, will stop at nothing to uncover the truth behind the tragic death of the young bride. With his keen eye for detail and unparalleled deductive skills, Professor T is sure to unravel the complex web of secrets and lies surrounding this puzzling case.
Tune in to this gripping episode of...
The Perfect Picture Season 3 Episode 2 Episode Summary
In this episode of “Professor T” titled “The Perfect Picture,” viewers will be on the edge of their seats as a bride is discovered dead on her wedding night, found floating in the hotel swimming pool. The police quickly suspect foul play and enlist the help of the brilliant Professor T to assist with the investigation.
As the mystery unfolds, viewers will be taken on a thrilling journey into the world of crime-solving and psychological analysis. Professor T, known for his unconventional methods and sharp intellect, will stop at nothing to uncover the truth behind the tragic death of the young bride. With his keen eye for detail and unparalleled deductive skills, Professor T is sure to unravel the complex web of secrets and lies surrounding this puzzling case.
Tune in to this gripping episode of...
- 6/23/2024
- by US Posts
- TV Regular
In the upcoming episode of “Professor T” titled “Truth and Justice,” viewers are in for a gripping ride. Professor T finds himself in a moral dilemma as he is faced with the choice of saving either himself or his former lover in court. This internal conflict adds a layer of complexity to the character, making the episode a must-watch for fans of the show.
Meanwhile, a prison officer is discovered dead, setting off a chain of events that unravel a web of suspects. The investigation takes a surprising turn when one particular individual emerges, seemingly eager to shoulder the blame for the crime. As the plot thickens, viewers will be kept on the edge of their seats, trying to piece together the puzzle alongside the characters.
With its intriguing storyline and dynamic characters, “Professor T” continues to captivate audiences with its blend of mystery, drama, and suspense. The upcoming episode...
Meanwhile, a prison officer is discovered dead, setting off a chain of events that unravel a web of suspects. The investigation takes a surprising turn when one particular individual emerges, seemingly eager to shoulder the blame for the crime. As the plot thickens, viewers will be kept on the edge of their seats, trying to piece together the puzzle alongside the characters.
With its intriguing storyline and dynamic characters, “Professor T” continues to captivate audiences with its blend of mystery, drama, and suspense. The upcoming episode...
- 6/23/2024
- by Jules Byrd
- TV Everyday
Get ready for an intense and intriguing episode of “Professor T” with Season 3 Episode 2 titled “The Perfect Picture,” airing at 7:00 Pm on Monday, 24 June 2024, exclusively on PBS. In this gripping installment, viewers are drawn into a chilling mystery as a bride is tragically discovered dead on her wedding night, found floating in the hotel swimming pool. With suspicions of foul play surrounding her death, local law enforcement turns to the brilliant and enigmatic Professor T for assistance in unraveling the truth behind this disturbing incident.
Professor T, known for his unparalleled intellect and unique insights into criminal behavior, delves deep into the investigation, uncovering hidden motives and secrets that may have led to the bride’s untimely demise. As the case unfolds, viewers can expect a rollercoaster of twists and turns, as Professor T navigates through the complexities of human nature and the darker aspects of society.
This episode promises to deliver suspense,...
Professor T, known for his unparalleled intellect and unique insights into criminal behavior, delves deep into the investigation, uncovering hidden motives and secrets that may have led to the bride’s untimely demise. As the case unfolds, viewers can expect a rollercoaster of twists and turns, as Professor T navigates through the complexities of human nature and the darker aspects of society.
This episode promises to deliver suspense,...
- 6/17/2024
- by Jules Byrd
- TV Everyday
On Monday June 17 2024, PBS broadcasts Professor T!
Heir to the Throne Season 3 Episode 1 Episode Summary
In this episode of “Professor T” titled “Heir to the Throne,” viewers will see Professor T finding himself in a challenging situation. He is in prison, awaiting trial, and the harsh reality of jail is taking its toll on him. The sights, sounds, and smells of the prison environment are difficult for him to navigate, adding a new layer of complexity to his character.
Meanwhile, Dan and Lisa, his colleagues, step in to support him during this tough time. They attempt to divert his attention by involving him in a murder case that revolves around two brothers. As they delve into the details of the case, viewers can expect to see how the dynamics between the characters unfold and how they work together to solve the mystery.
The episode promises to offer a mix of suspense,...
Heir to the Throne Season 3 Episode 1 Episode Summary
In this episode of “Professor T” titled “Heir to the Throne,” viewers will see Professor T finding himself in a challenging situation. He is in prison, awaiting trial, and the harsh reality of jail is taking its toll on him. The sights, sounds, and smells of the prison environment are difficult for him to navigate, adding a new layer of complexity to his character.
Meanwhile, Dan and Lisa, his colleagues, step in to support him during this tough time. They attempt to divert his attention by involving him in a murder case that revolves around two brothers. As they delve into the details of the case, viewers can expect to see how the dynamics between the characters unfold and how they work together to solve the mystery.
The episode promises to offer a mix of suspense,...
- 6/17/2024
- by US Posts
- TV Regular
Kelly O’Sullivan and Alex Thompson imbue the paradoxes of performing arts so deeply into their film Ghostlight that it even extends to the title. In a poetic sense, the light stand that illuminates an unpopulated theater isn’t for human eyes. It’s to appease or rebuff spirits, depending on who’s asked. But in a practical sense, the ghost light exists to help the living—mostly to avoid a fate like falling into the orchestra pit and joining the dead.
Life subsumes legend for O’Sullivan and Thompson in a worthy follow-up to their previous collaboration on the small-scale humanist triumph, 2020’s Saint Frances. Their ambition broadens significantly in Ghostlight, though their firm footing in sincerity and simplicity isn’t diminished in the slightest. The creative and life partners deliver a moving apologia for the value of theater by exploring its central contradiction: a performance is an act of honesty,...
Life subsumes legend for O’Sullivan and Thompson in a worthy follow-up to their previous collaboration on the small-scale humanist triumph, 2020’s Saint Frances. Their ambition broadens significantly in Ghostlight, though their firm footing in sincerity and simplicity isn’t diminished in the slightest. The creative and life partners deliver a moving apologia for the value of theater by exploring its central contradiction: a performance is an act of honesty,...
- 6/12/2024
- by Marshall Shaffer
- Slant Magazine
Chicago – Two of the finest filmmakers who have roots in Chicago (college) are Alex Thompson and Kelly O’Sullivan. After Kelly wrote the acclaimed “Saint Frances” with Alex directing, their second film is a co-directing effort that is a brilliant meditation on finding one’s self after loss, and doing it through … acting.
Dan (Keith Kupferer) is a middle-aged construction worker grieving a family tragedy, and has cut himself off from his devoted wife Sharon (Tara Mallen) and talented but troubled daughter Daisy (Katherine Mallen Kupferer), Through an accidental circumstance, Dan finds comfort and community in a misfit company of amateur actors. While performing for the first time in a low-rent production of a Shakespeare’s most famous tragedy, Dan is forced to confront his buried emotions.
Alex Thompson and Kelly O’Sullivan, Music Box Theatre, Chicago
Photo credit: Patrick McDonald for HollywoodChicago.com
Kelly O’Sullivan and Alex Thompson are up-and-upward cinema creators,...
Dan (Keith Kupferer) is a middle-aged construction worker grieving a family tragedy, and has cut himself off from his devoted wife Sharon (Tara Mallen) and talented but troubled daughter Daisy (Katherine Mallen Kupferer), Through an accidental circumstance, Dan finds comfort and community in a misfit company of amateur actors. While performing for the first time in a low-rent production of a Shakespeare’s most famous tragedy, Dan is forced to confront his buried emotions.
Alex Thompson and Kelly O’Sullivan, Music Box Theatre, Chicago
Photo credit: Patrick McDonald for HollywoodChicago.com
Kelly O’Sullivan and Alex Thompson are up-and-upward cinema creators,...
- 6/11/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Jessica Lange plays the type of women you best keep your guard up around. Step carefully, or she could hurt you with a turn of phrase so gutting because it locates all your insecurities. But that’s also because these women are broken, too, and played with the rare cocktail of vulnerability, resolve, and brio that the two-time Oscar winner is known for on stage and screen.
In Paula Vogel’s (“How I Learned to Drive”) “Mother Play,” a “play in five evictions” now on Broadway as part of Second Stage Theater, Lange is Phyllis, a hardheaded, chain-smoking, martini-swilling matriarch and — oh, when hasn’t Lange played a hardheaded, chain-smoking, martini-swilling matriarch, or at least a complicated woman with a gamut of dependency and emotional issues? Stage roles in Tennessee Williams’ “The Glass Menagerie” or “A Streetcar Named Desire,” and Eugene O’Neill’s “Long Day’s Journey Into Night” put...
In Paula Vogel’s (“How I Learned to Drive”) “Mother Play,” a “play in five evictions” now on Broadway as part of Second Stage Theater, Lange is Phyllis, a hardheaded, chain-smoking, martini-swilling matriarch and — oh, when hasn’t Lange played a hardheaded, chain-smoking, martini-swilling matriarch, or at least a complicated woman with a gamut of dependency and emotional issues? Stage roles in Tennessee Williams’ “The Glass Menagerie” or “A Streetcar Named Desire,” and Eugene O’Neill’s “Long Day’s Journey Into Night” put...
- 6/10/2024
- by Ryan Lattanzio
- Indiewire
Nobody really makes AIDS dramas anymore, which seems as good a reason as any to make one now. The disease that, forty-odd years ago, decimated a generation of queer people and prompted a prejudice-driven global panic hasn’t gone away — least of all in various developing countries, where it isn’t popularly defined by gender or sexuality, and death rates are still high. But its narrative has changed. For many, advances in antiretroviral and preventative drugs have stripped HIV of its aura of terror, making it something to be lived with, not a ticking clock to the end. With little posturing or overtly groundbreaking intent, French writer-director Gaël Morel unusually and sensitively bridges these eras of HIV/AIDS in his gentle romantic melodrama “To Live, To Die, To Live Again” — beginning in a distinctly Nineties register of mainstream queer cinema, before looking ahead to the 21st century.
Premiering in the...
Premiering in the...
- 5/30/2024
- by Guy Lodge
- Variety Film + TV
Adam Driver has had a very interesting career in the industry starting with her supporting roles in the 2010s. After his on-screen debut in Clint Eastwood’s J. Edgar, the actor continued improving himself with his supporting performances in Girls, Lincoln, Frances Ha, and Inside Lleywn Davis. The actor has now become a great leading man in dramas as well as blockbusters.
Adam Driver as Neil in Gayby | Wolfe Releasing
One of his most entertaining supporting roles was in the 2012 rom-com Gayby, where he played the role of Neil, the co-worker of Matthew Wilkas’s character. Neil is a comic book enthusiast, and he shares the sentiments of many Marvel fans who hated the infamous Spider-Man storyline One More Day and how it ruined many arcs up to that point.
The Hate For Spider-Man One More Day Is Echoed By Adam Driver’s Neil in Gayby
The One More Day...
Adam Driver as Neil in Gayby | Wolfe Releasing
One of his most entertaining supporting roles was in the 2012 rom-com Gayby, where he played the role of Neil, the co-worker of Matthew Wilkas’s character. Neil is a comic book enthusiast, and he shares the sentiments of many Marvel fans who hated the infamous Spider-Man storyline One More Day and how it ruined many arcs up to that point.
The Hate For Spider-Man One More Day Is Echoed By Adam Driver’s Neil in Gayby
The One More Day...
- 5/25/2024
- by Rahul Thokchom
- FandomWire
One of our early favorites of 2024, Kelly O’Sullivan and Alex Thompson’s Saint Frances follow-up Ghostlight premiered at Sundance and stopped by SXSW before coming to theaters next month from IFC Films. Ahead of the June 14 theatrical release, the first trailer has now arrived.
Here’s the synopsis: “When melancholic construction worker Dan finds himself drifting from his wife and daughter, he discovers community and purpose in a local theater’s production of Romeo and Juliet. As the drama onstage starts to mirror his own life, he and his family are forced to confront a personal loss.”
John Fink said in his review, “A masterfully crafted work with nearly no false notes, Kelly O’Sullivan and Alex Thompson’s Ghostlight is a tender drama bearing profound moments of humor and small triumphs. The smartly constructed script by O’Sullivan buries the lede, revealing new narrative information with each layer as...
Here’s the synopsis: “When melancholic construction worker Dan finds himself drifting from his wife and daughter, he discovers community and purpose in a local theater’s production of Romeo and Juliet. As the drama onstage starts to mirror his own life, he and his family are forced to confront a personal loss.”
John Fink said in his review, “A masterfully crafted work with nearly no false notes, Kelly O’Sullivan and Alex Thompson’s Ghostlight is a tender drama bearing profound moments of humor and small triumphs. The smartly constructed script by O’Sullivan buries the lede, revealing new narrative information with each layer as...
- 5/6/2024
- by Leonard Pearce
- The Film Stage
After debuting at the 2023 Tribeca Film Festival to great acclaim, Katherine Propper’s feature debut, the road movie Lost Soulz, is making its way to theaters. The film follows a young rapper who joins a band of musicians traveling throughout Texas on a journey of self-discovery. It’s a moving film with an excellent soundtrack, and we at FandomWire got to speak with Propper about it. Check out the interview here!
Lost Soulz Interview
FandomWire: I think one of the most impressive things about Lost Soulz is the amount of talent you could discover in this cast of mostly newcomers. How did you come to find these talented musicians-turned-actors?
Katherine Propper: I agree that they are very talented and compelling. I met the lead actor who plays Sol, Suave Sidel, actually a month into moving to Austin, Texas, for my Mfa film program at Ut. I met Suave Sidel from...
Lost Soulz Interview
FandomWire: I think one of the most impressive things about Lost Soulz is the amount of talent you could discover in this cast of mostly newcomers. How did you come to find these talented musicians-turned-actors?
Katherine Propper: I agree that they are very talented and compelling. I met the lead actor who plays Sol, Suave Sidel, actually a month into moving to Austin, Texas, for my Mfa film program at Ut. I met Suave Sidel from...
- 5/4/2024
- by Sean Boelman
- FandomWire
by Nick Taylor
If you had approached me on the street and asked if I was a Jessica Lange fan, I would have answered with an emphatic “duh!” But since you clicked on this link, I'm coming to you through your screen to tell you this informatioin. Having originally met Lange in high school via the actress-heavy ordeal that is American Horror Story, watching her communicate an actual character amidst so much lurid, proudly threadbare plotting was revelatory to witness. Lange served Ryan Murphy’s baroque and sentimental grotesqueries with leonine force. Even as subsequent seasons leaned too heavily on her characters as pillars to be toppled, and it became all too easy to project Lange’s distaste towards her surroundings into her vainglorious Supreme and dissatisfied ringleader, she gives a hell of a good show, finding ways to keep herself amused and visibly gratified (or maybe relieved) to play off her talented co-stars.
If you had approached me on the street and asked if I was a Jessica Lange fan, I would have answered with an emphatic “duh!” But since you clicked on this link, I'm coming to you through your screen to tell you this informatioin. Having originally met Lange in high school via the actress-heavy ordeal that is American Horror Story, watching her communicate an actual character amidst so much lurid, proudly threadbare plotting was revelatory to witness. Lange served Ryan Murphy’s baroque and sentimental grotesqueries with leonine force. Even as subsequent seasons leaned too heavily on her characters as pillars to be toppled, and it became all too easy to project Lange’s distaste towards her surroundings into her vainglorious Supreme and dissatisfied ringleader, she gives a hell of a good show, finding ways to keep herself amused and visibly gratified (or maybe relieved) to play off her talented co-stars.
- 4/22/2024
- by Nick Taylor
- FilmExperience
It’s hard to imagine we’ll get a better soundtrack this year than that for Jane Schoenbruen’s I Saw the TV Glow. Bringing together yeule, Frances Quinlan, Florist, King Woman, Caroline Polachek, Bartees Strange, Jay Som, The Weather Station, L’Rain, Drab Majesty, Sloppy Jane, and more, with Twin Peaks Roadhouse-esque musical performances in the movie, A24 has now announced a May 10 release for the soundtrack, a week after the film’s limited release and a week prior to its wide release. Timed with the announcement, they’ve now unveiled yeule’s cover of Broken Social Scene’s “Anthems for a Seventeen Year Old Girl,” a key motif throughout the film.
I said in my review, “Utterly hypnotic in rhythm from its very first scenes, we hear a haunting motif that will return: Yeule’s cover of Broken Social Scene’s “Anthems for a Seventeen Year Old Girl” as...
I said in my review, “Utterly hypnotic in rhythm from its very first scenes, we hear a haunting motif that will return: Yeule’s cover of Broken Social Scene’s “Anthems for a Seventeen Year Old Girl” as...
- 3/13/2024
- by Jordan Raup
- The Film Stage
Coming-of-age stories are practically a sub-genre of their own. Coming-of-middle-age stories, however, tend to be, if not few and far between, then far more rare. That’s likely due to studio perceptions of what does and doesn’t sell: young adult-oriented films, yes, non-adult-oriented films, no. Ghostlight, Kelly O'Sullivan and Alex Thompson’s follow-up to 2019’s Independent Spirit Award-nominated Saint Frances, functions, at least in part, as a coming-of-middle story for its remarkably unremarkable central character, Dan Mueller (Keith Kupferer), a man torn by loss, grief, and outdated notions of masculinity. When we first meet Dan, a construction worker in a brightly colored vest and hard hat, he’s directing traffic on a busy Chicago street. From his faraway look, however, it’s evident Dan has other, potentially life-altering things in...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/5/2024
- Screen Anarchy
Of the 272 films that have earned lone acting Oscar nominations – meaning they were each recognized in one performance category and nowhere else – a whopping 101 (or 37.1%) accomplished the feat thanks to lead actresses. Whereas just 60 examples have occurred in the Best Actor category, the corresponding female one reached that benchmark in 1991 and is on track to double it less than two decades from now. Its triple digit total has now been intact for one full year, having directly resulted from the simultaneous nominations of Ana de Armas (“Blonde”) and Andrea Riseborough (“To Leslie”).
Although an Oscar bid was generally expected to follow de Armas’s 2023 BAFTA, Golden Globe, and SAG Award nominations, Riseborough very memorably came out of nowhere, having defied precedent by benefiting from an enthusiastic grassroots campaign. While most of the earlier lone Best Actress contenders belong in de Armas’s camp, many align with Riseborough in having pulled off major surprises.
Although an Oscar bid was generally expected to follow de Armas’s 2023 BAFTA, Golden Globe, and SAG Award nominations, Riseborough very memorably came out of nowhere, having defied precedent by benefiting from an enthusiastic grassroots campaign. While most of the earlier lone Best Actress contenders belong in de Armas’s camp, many align with Riseborough in having pulled off major surprises.
- 1/22/2024
- by Matthew Stewart
- Gold Derby
Sundance film festival: Triangle of Sadness star Dolly De Leon steals scenes in an endearing story of a real family wrapped up in a lo-fi staging of Romeo and Juliet
The film-makers Kelly O’Sullivan and Alex Thompson know their way around the peaks and valleys of the everyday. Their breakout 2019 feature Saint Frances, written and starring O’Sullivan, sublimated what could be big strokes of drama – abortion, postpartum depression, getting older, lost time – into the unremarkable (on the outside) relationship between an aimless 34-year-old and her six-year-old nannying charge. The daily humors and challenges in one woman’s life were not particularly dramatic or arresting, but rendered with such curiosity and acceptance as to feel radical.
Ghostlight, the duo’s new feature premiering at the Sundance film festival, traffics in a similar leveling of mundanity and insight. (It’s also written by O’Sullivan.) There’s an appealing naturalness to the project,...
The film-makers Kelly O’Sullivan and Alex Thompson know their way around the peaks and valleys of the everyday. Their breakout 2019 feature Saint Frances, written and starring O’Sullivan, sublimated what could be big strokes of drama – abortion, postpartum depression, getting older, lost time – into the unremarkable (on the outside) relationship between an aimless 34-year-old and her six-year-old nannying charge. The daily humors and challenges in one woman’s life were not particularly dramatic or arresting, but rendered with such curiosity and acceptance as to feel radical.
Ghostlight, the duo’s new feature premiering at the Sundance film festival, traffics in a similar leveling of mundanity and insight. (It’s also written by O’Sullivan.) There’s an appealing naturalness to the project,...
- 1/19/2024
- by Adrian Horton in Park City, Utah
- The Guardian - Film News
In recent years, Kevin Costner has been seen less on the big screens and more on his television series “Yellowstone,” currently bringing astounding ratings to the Paramount Network. Westerns have been good to Costner at the movies, with his most successful winning him two Oscars as producer and director of “Dances with Wolves” in 1990.
Costner almost had a career that ended before it really started. After very small roles in a number of big films such as Ron Howard’s “Night Shift” and the Jessica Lange vehicle “Frances” Costner then got what could have been a star-making role. However, his role as a suicide victim in flashback scenes for “The Big Chill” was cut by director Lawrence Kasdan. The same director wou would later make it up to Costner by casting him in a showy role in the film “Silverado.”
That western launched him into a terrific run during the 1980s and 1990s,...
Costner almost had a career that ended before it really started. After very small roles in a number of big films such as Ron Howard’s “Night Shift” and the Jessica Lange vehicle “Frances” Costner then got what could have been a star-making role. However, his role as a suicide victim in flashback scenes for “The Big Chill” was cut by director Lawrence Kasdan. The same director wou would later make it up to Costner by casting him in a showy role in the film “Silverado.”
That western launched him into a terrific run during the 1980s and 1990s,...
- 1/12/2024
- by Misty Holland, Robert Pius and Chris Beachum
- Gold Derby
They faced each other in a box office royale that wound up mushrooming to become the biggest box office weekend of the year. Now, Warner Bros.’ Barbie and Universal’s Oppenheimer will go toe-to-toe at the Golden Globes on January 7.
Interestingly enough, coming away from the Golden Globes nominations Monday morning, Barbie bests Oppenheimer by only one nom, 9 to 8.
Barbie‘s edge over Oppenheimer comes in the Original Song Category, where the movie counts an unprecedented three nominations for “Dance the Night Away”, “I’m Just Ken” and “What Was I Made For?”
In addition, Barbie also counts nominations for Best Musical/Comedy, Best Actress Musical Comedy (Margot Robbie), Male Supporting Role (Ryan Gosling), Best Screenplay (Greta Gerwig and Noah Baumbach), Best Director (Gerwig), and a slot in the new category Best Cinematic and Box Office Achievement.
Related: Golden Globes Film Nominations Analysis: As ‘Barbenheimer’ Crushes The Field, Summer Blockbusters...
Interestingly enough, coming away from the Golden Globes nominations Monday morning, Barbie bests Oppenheimer by only one nom, 9 to 8.
Barbie‘s edge over Oppenheimer comes in the Original Song Category, where the movie counts an unprecedented three nominations for “Dance the Night Away”, “I’m Just Ken” and “What Was I Made For?”
In addition, Barbie also counts nominations for Best Musical/Comedy, Best Actress Musical Comedy (Margot Robbie), Male Supporting Role (Ryan Gosling), Best Screenplay (Greta Gerwig and Noah Baumbach), Best Director (Gerwig), and a slot in the new category Best Cinematic and Box Office Achievement.
Related: Golden Globes Film Nominations Analysis: As ‘Barbenheimer’ Crushes The Field, Summer Blockbusters...
- 12/11/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Colman Domingo is having a moment. The veteran actor has been nominated for two Tonys in his career, but lately it’s his on-screen work that has brought him the most attention. He won his first Emmy in 2022 for guesting on “Euphoria.” He received numerous plaudits for his role in the independent film “Zola.” And he has had additional film credits including Oscar winners “If Beale Street Could Talk” and “Ma Rainey’s Black Bottom.” Next he could become the 13th performer ever nominated for two Oscars in the same year.
As of this writing, based on the combined predictions of thousands of Gold Derby users, Domingo ranks fourth in our odds for Best Actor for playing the unsung civil rights hero Bayard Rustin in “Rustin.” And he places fifth in our odds for Best Supporting Actor for playing Mister in the upcoming musical adaptation of “The Color Purple.” But we...
As of this writing, based on the combined predictions of thousands of Gold Derby users, Domingo ranks fourth in our odds for Best Actor for playing the unsung civil rights hero Bayard Rustin in “Rustin.” And he places fifth in our odds for Best Supporting Actor for playing Mister in the upcoming musical adaptation of “The Color Purple.” But we...
- 8/8/2023
- by Daniel Montgomery
- Gold Derby
Jessica Lange came by her restlessness naturally. Born on April 20, 1949, to a stay-at-home mom and a traveling salesman father who moved the family all over the state of Minnesota, she quickly became acclimated to the process of re-acclimating. Eventually, the need for stabilization lost its appeal. Three years into studying art and photography at the University of Minnesota, she married Spanish photographer Paco Grande, at which point their shared wanderlust took them all over the United States and Mexico. The pair split upon moving to Paris, where Lange discovered Étienne Decroux and corporeal mime -- which departs from the conventional white-faced japery you're familiar with, and seeks to find abstract poetry in the movement of people and things.
Lange possessed the soul of a poet, but found this form of performance emotionally unrewarding, so she decamped for New York City to study acting with Mira Rostova at Hb Studio. She...
Lange possessed the soul of a poet, but found this form of performance emotionally unrewarding, so she decamped for New York City to study acting with Mira Rostova at Hb Studio. She...
- 7/25/2023
- by Jeremy Smith
- Slash Film
John Wright, the film editor who received Oscar nominations for his work on Jan de Bont’s Speed and The Hunt for Red October, one of six movies he cut for John McTiernan, has died. He was 79.
Wright died April 20 at his home in Calabasas after a battle with prostate and bone cancer, his wife of 57 years, Jane Wright, told The Hollywood Reporter.
Wright’s résumé also included such other high-profile films as Sam Peckinpah’s Convoy (1978), Paul Michael Glaser’s The Running Man (1987), Stan Dragoti’s Necessary Roughness (1991), John Woo’s Broken Arrow (1996), Bryan Singer’s X-Men (2000), James Gartner’s Glory Road (2006) and Louis Leterrier’s The Incredible Hulk (2008).
He collaborated with directors Mel Gibson on The Passion of the Christ (2004) and Apocalypto (2006); with Graeme Clifford on Frances (1982) and Gleaming the Cube (1989); and with Randall Wallace on Secretariat (2010) and Heaven Is for Real (2014).
Wright was nominated for an Emmy...
Wright died April 20 at his home in Calabasas after a battle with prostate and bone cancer, his wife of 57 years, Jane Wright, told The Hollywood Reporter.
Wright’s résumé also included such other high-profile films as Sam Peckinpah’s Convoy (1978), Paul Michael Glaser’s The Running Man (1987), Stan Dragoti’s Necessary Roughness (1991), John Woo’s Broken Arrow (1996), Bryan Singer’s X-Men (2000), James Gartner’s Glory Road (2006) and Louis Leterrier’s The Incredible Hulk (2008).
He collaborated with directors Mel Gibson on The Passion of the Christ (2004) and Apocalypto (2006); with Graeme Clifford on Frances (1982) and Gleaming the Cube (1989); and with Randall Wallace on Secretariat (2010) and Heaven Is for Real (2014).
Wright was nominated for an Emmy...
- 5/2/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Emmy-winning TV and film editor John Gordon Wright, who cut notable titles including “Speed,” “The Hunt for Red October,” “X-Men” and “The Passion of the Christ,” died April 20 at his home in Calabasas after a battle with cancer. He was 79.
Wright, who worked frequently with directors including John McTiernan and Mel Gibson, received an Emmy award for his work on “Sarah, Plain and Tall” as well Oscar nominations for his work on “The Hunt for Red October” and “Speed.”
More than 50 years ago, Wright began his prolific career as a film editor, first working at The James Company. In 1973, Wright contributed to the TV movie “Strange Creatures of the Night” and soon moved into feature editing. Soon after Wright edited for “Life Goes to War: Hollywood and the Home Front” and “Acapulco Gold.”
Following his work throughout the 1970s — including “Dogs,” “The Family Man,” “Sancutary of Fear” — Wright then worked 10 films throughout the 1980s,...
Wright, who worked frequently with directors including John McTiernan and Mel Gibson, received an Emmy award for his work on “Sarah, Plain and Tall” as well Oscar nominations for his work on “The Hunt for Red October” and “Speed.”
More than 50 years ago, Wright began his prolific career as a film editor, first working at The James Company. In 1973, Wright contributed to the TV movie “Strange Creatures of the Night” and soon moved into feature editing. Soon after Wright edited for “Life Goes to War: Hollywood and the Home Front” and “Acapulco Gold.”
Following his work throughout the 1970s — including “Dogs,” “The Family Man,” “Sancutary of Fear” — Wright then worked 10 films throughout the 1980s,...
- 5/2/2023
- by Charna Flam
- Variety Film + TV
It might be obvious to say, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
- 3/3/2023
- by Jacob Stolworthy
- The Independent - Film
What do the 55th annual Academy Awards which took place April 11, 1983 have in common with the upcoming 95th Oscars?
Steven Spielberg and John Williams.
Back in 1983, Spielberg’s beloved “E.T. The Extra-Terrestrial” was nominated for nine Academy Awards including film, director and score. This year, the 76-year-old Spielberg and Williams, 91, are both nominated for “The Fabelmans.” The filmmaker’s semi-autobiographical drama is in contention for eight Academy Awards including film, director, screenplay and score.
The 55th Oscars made history with Ben Kingsley becoming the first actor of Indian descent to win the best actor Oscar for his extraordinary portrayal of “Gandhi” while Louis Gossett Jr. become the first black actor to win in the supporting category with his iconic turn as tough-nosed D.I. in “An Officer and a Gentleman.” This year, history could be made again in the best actress category. Malaysian Chinese performer Michelle Yeoh has the chance...
Steven Spielberg and John Williams.
Back in 1983, Spielberg’s beloved “E.T. The Extra-Terrestrial” was nominated for nine Academy Awards including film, director and score. This year, the 76-year-old Spielberg and Williams, 91, are both nominated for “The Fabelmans.” The filmmaker’s semi-autobiographical drama is in contention for eight Academy Awards including film, director, screenplay and score.
The 55th Oscars made history with Ben Kingsley becoming the first actor of Indian descent to win the best actor Oscar for his extraordinary portrayal of “Gandhi” while Louis Gossett Jr. become the first black actor to win in the supporting category with his iconic turn as tough-nosed D.I. in “An Officer and a Gentleman.” This year, history could be made again in the best actress category. Malaysian Chinese performer Michelle Yeoh has the chance...
- 3/1/2023
- by Susan King
- Gold Derby
It’s easy to get caught up in awards season excitement as the Oscars approach – the glitz and glamour of the red carpet generating global talking points, memes and pub chatter for weeks on end.
But when it’s really broken down, the Oscars are essentially just a microcosm of Hollywood. It’s a depressing fact that films directed by previous winners have more chance of being nominated than those directed by newcomers.
Because of this, the best film in any given year almost never wins the evening’s most coveted prize – in fact, it’s sometimes not even nominated in the first place. The ceremony in 2021, which saw Parasite take home the top prize, was a rare exception.
Over the decades, there have been countless glaring omissions – films that were nominated but were beaten by far inferior films and classic films that failed to secure a single nomination.
As the 2023 Oscars approach,...
But when it’s really broken down, the Oscars are essentially just a microcosm of Hollywood. It’s a depressing fact that films directed by previous winners have more chance of being nominated than those directed by newcomers.
Because of this, the best film in any given year almost never wins the evening’s most coveted prize – in fact, it’s sometimes not even nominated in the first place. The ceremony in 2021, which saw Parasite take home the top prize, was a rare exception.
Over the decades, there have been countless glaring omissions – films that were nominated but were beaten by far inferior films and classic films that failed to secure a single nomination.
As the 2023 Oscars approach,...
- 2/22/2023
- by Jacob Stolworthy
- The Independent - Film
Disability is usually the last identity category most people think of when we talk collectively about bolstering diversity, equity and inclusion across institutions — yet disabled people comprise the most diverse minoritized population in the world. After all, anyone can become disabled at any time. Disability is also often invisible: Think of how many people you know who live with chronic illness, chronic pain, or learning and cognitive conditions. Even more invisible within the disabled population, however, are those who experience mental health difficulties. Despite the fact that one in five adults in the U.S. experiences mental illness, it remains a silenced and stigmatized subject.
Last year, when Coda‘s Oscar buzz was growing, many commentators reflected on the relative dearth of films that accurately depict disabilities, the fact that an even smaller number of those films actually receive awards consideration at all, and the perennial question of who, exactly,...
Last year, when Coda‘s Oscar buzz was growing, many commentators reflected on the relative dearth of films that accurately depict disabilities, the fact that an even smaller number of those films actually receive awards consideration at all, and the perennial question of who, exactly,...
- 1/23/2023
- by Robyn Bahr
- The Hollywood Reporter - Movie News
House of the Dragon star Milly Alcock has said that watching the show’s fans pit the young female actors against each other is “f***ing ironic”.
The Australian actor stars in HBO’s Game of Thrones prequel as the young Princess Rhaenyra Targaryen, the daughter and heir of King Viserys (Paddy Considine).
In a new interview, Alcock was asked about the friendship at the heart of the series between Rhaenyra and her childhood companion Alicent Hightower, played by Emily Carey.
Alcock told Nylon that the relationship and “unconditional love” between the characters had been written in the script, and that she and Carey had instinctively “understood very quickly” its importance.
“Especially in the first couple of episodes – so that when the demise of that friendship inevitably happens, the audience cares,” she explained.
“Because I think the irony that I’ve kind of found over the show coming out, is...
The Australian actor stars in HBO’s Game of Thrones prequel as the young Princess Rhaenyra Targaryen, the daughter and heir of King Viserys (Paddy Considine).
In a new interview, Alcock was asked about the friendship at the heart of the series between Rhaenyra and her childhood companion Alicent Hightower, played by Emily Carey.
Alcock told Nylon that the relationship and “unconditional love” between the characters had been written in the script, and that she and Carey had instinctively “understood very quickly” its importance.
“Especially in the first couple of episodes – so that when the demise of that friendship inevitably happens, the audience cares,” she explained.
“Because I think the irony that I’ve kind of found over the show coming out, is...
- 9/15/2022
- by Isobel Lewis
- The Independent - TV
Sam Mendes has said he thinks it would be “wonderful” to see a woman direct the next James Bond film.
Mendes – the Oscar-winning filmmaker behind 2012’s Skyfall and 2015’s Spectre – opened up about his thoughts on the franchise’s future in a new interview.
While others have been debating on whether or not a female actor should play the next 007 following Daniel Craig’s exit, Mendes said it was time for a woman to step behind the camera.
“I don’t envy Barbara having to follow Daniel’s [Craig] five movies,” Mendes told Deadline. “He reinvigorated the franchise, but the franchise is so huge that it’s very difficult for a younger actor to step into that.”
He clarified: “Let me rephrase that. I think that the actor playing Bond is going to evolve, the director has to evolve. I think it would be wonderful to see a woman directing Bond.
Mendes – the Oscar-winning filmmaker behind 2012’s Skyfall and 2015’s Spectre – opened up about his thoughts on the franchise’s future in a new interview.
While others have been debating on whether or not a female actor should play the next 007 following Daniel Craig’s exit, Mendes said it was time for a woman to step behind the camera.
“I don’t envy Barbara having to follow Daniel’s [Craig] five movies,” Mendes told Deadline. “He reinvigorated the franchise, but the franchise is so huge that it’s very difficult for a younger actor to step into that.”
He clarified: “Let me rephrase that. I think that the actor playing Bond is going to evolve, the director has to evolve. I think it would be wonderful to see a woman directing Bond.
- 9/15/2022
- by Annabel Nugent
- The Independent - Film
Jedward have claimed that they’re receiving death threats over their comments regarding the monarchy, in the wake of Queen Elizabeth II’s death.
After King Charles III was formally confirmed as the UK’s new monarch, the former X Factor contestants tweeted: “Abolish the monarchy and give the people real democracy!”
“King Charles should hand back the six Irish counties on his visit to Northern Ireland – No war! Just words! It’s time,” they wrote in a follow-up tweet.
Now, the pair – consisting of Irish twins John and Edward Grimes – have doubled down on their words as they claimed to have received death threats due to their political stance.
On Wednesday (14 September) night, Jedward tweeted: “To anyone we offended, we’re sorry we have the balls to speak the truth! You know deep down change is needed.”
In a second tweet, they added: “Cut the strings holding you back...
After King Charles III was formally confirmed as the UK’s new monarch, the former X Factor contestants tweeted: “Abolish the monarchy and give the people real democracy!”
“King Charles should hand back the six Irish counties on his visit to Northern Ireland – No war! Just words! It’s time,” they wrote in a follow-up tweet.
Now, the pair – consisting of Irish twins John and Edward Grimes – have doubled down on their words as they claimed to have received death threats due to their political stance.
On Wednesday (14 September) night, Jedward tweeted: “To anyone we offended, we’re sorry we have the balls to speak the truth! You know deep down change is needed.”
In a second tweet, they added: “Cut the strings holding you back...
- 9/15/2022
- by Isobel Lewis
- The Independent - Music
Frances de la Tour has called the decision to cut her scene from the 2003 romcom Love Actually “odd”.
The Harry Potter and Seventies sitcom star had shot scenes for the film as a woman called Geraldine, the terminally ill partner of the headmistress (Anne Reid) at the school attended by Karen’s (Emma Thompson) son.
The audience was supposed to see a moving scene in which the pair bicker over their differing tastes in fancy sausages and display wicked senses of humour, before cuddling up at night.
It is later revealed during a school assembly that Geraldine died shortly before Christmas.
“We had a lovely scene,” De la Tour told The Independent in a new interview. “And I think it was the only gay scene. It’s odd that they cut it. Maybe it was too dark to bring into it. Because it ended up being quite a light and fluffy film,...
The Harry Potter and Seventies sitcom star had shot scenes for the film as a woman called Geraldine, the terminally ill partner of the headmistress (Anne Reid) at the school attended by Karen’s (Emma Thompson) son.
The audience was supposed to see a moving scene in which the pair bicker over their differing tastes in fancy sausages and display wicked senses of humour, before cuddling up at night.
It is later revealed during a school assembly that Geraldine died shortly before Christmas.
“We had a lovely scene,” De la Tour told The Independent in a new interview. “And I think it was the only gay scene. It’s odd that they cut it. Maybe it was too dark to bring into it. Because it ended up being quite a light and fluffy film,...
- 9/15/2022
- by Ellie Harrison
- The Independent - Film
View this post on Instagram
A post shared by Hailey Rhode Baldwin Bieber (@haileybieber)
Good things come in fours. On Tuesday, Hailey and Justin Bieber celebrated their fourth wedding anniversary by looking back on some of the best memories of their marriage so far and reaffirming their love for one another. "Happy anniversary to my best friend and wifey," Justin wrote on his Instagram, sharing a black and white selfie featuring him, Hailey, and their dog, Oscar. "Thanks for making me better in every way."
Hailey also shared photos in honor of the occasion, including pictures from their South Carolina wedding, which took place back in September 2018. The first image in her Instagram gallery was a snapshot of her iconic "till death do us part" veil custom designed by the late Virgil Abloh, while the other photos captured several other sweet moments with her husband: in the car, at dinner,...
A post shared by Hailey Rhode Baldwin Bieber (@haileybieber)
Good things come in fours. On Tuesday, Hailey and Justin Bieber celebrated their fourth wedding anniversary by looking back on some of the best memories of their marriage so far and reaffirming their love for one another. "Happy anniversary to my best friend and wifey," Justin wrote on his Instagram, sharing a black and white selfie featuring him, Hailey, and their dog, Oscar. "Thanks for making me better in every way."
Hailey also shared photos in honor of the occasion, including pictures from their South Carolina wedding, which took place back in September 2018. The first image in her Instagram gallery was a snapshot of her iconic "till death do us part" veil custom designed by the late Virgil Abloh, while the other photos captured several other sweet moments with her husband: in the car, at dinner,...
- 9/14/2022
- by Chandler Plante
- Popsugar.com
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
Emily Trailer — Frances O’Connor‘s Emily (2022) movie trailer has been released by Warner Bros. The Emily trailer stars Emma Mackey, Alexandra Dowling, Amelia Gething, Oliver Jackson-Cohen, Adrian Dunbar, and Gemma Jones. Crew Frances O’Connor wrote the screenplay for Emily. “Produced by David Barron, Robert Connolly, Robert Patterson, Piers Tempest, and Brett Wilson.” Poster Emily Poster Plot Synopsis Emily‘s [...]
Continue reading: Emily (2022) Movie Trailer: Emma Mackey is Emily Brontë in Frances O’Connor’s Biopic Film...
Continue reading: Emily (2022) Movie Trailer: Emma Mackey is Emily Brontë in Frances O’Connor’s Biopic Film...
- 8/12/2022
- by Rollo Tomasi
- Film-Book
UK-Ireland box office preview: ‘Nope’ opens; ‘Laal Singh Chaddha’ is widest-ever South Asian release
‘Eiffel’ with Emma Mackey, ‘Where Is Anne Frank’ also starting.
Nope, the latest horror from US filmmaker Jordan Peele, is the leading title opening at UK-Ireland cinemas this weekend; as Indian Forrest Gump remake Laal Singh Chaddha receives the widest opening ever for a South Asian film.
Opening in 681 locations, Universal’s Nope is Peele’s third feature, and centres on the residents of a lonely California valley who bear witness to a chilling discovery. Screen Star of Tomorrow 2009 Daniel Kaluuya leads the cast, which also includes Keke Palmer, Steven Yeun and Brandon Perea.
Peele is frequently credited with the...
Nope, the latest horror from US filmmaker Jordan Peele, is the leading title opening at UK-Ireland cinemas this weekend; as Indian Forrest Gump remake Laal Singh Chaddha receives the widest opening ever for a South Asian film.
Opening in 681 locations, Universal’s Nope is Peele’s third feature, and centres on the residents of a lonely California valley who bear witness to a chilling discovery. Screen Star of Tomorrow 2009 Daniel Kaluuya leads the cast, which also includes Keke Palmer, Steven Yeun and Brandon Perea.
Peele is frequently credited with the...
- 8/12/2022
- by Ben Dalton
- ScreenDaily
Mary Alice, an Emmy and Tony Award winner best known to TV viewers for her roles in A Different World and I’ll Fly Away, died on July 27in New York City, the NYPD has reported.
Alice died of natural causes, NPR reports; the actress’ precise, eightysomething age was at press time uncertain.
More from TVLineTVLine Items: Max Headroom Reboot, Coda Star's Disney+ Series and MoreWas Westworld Lunch Delicious? Was Harley Quinn Porno a Fortress First? Glad Big Brother Fed You? And More Qs!TVLine Items: Locke & Key Trailer, Phylicia Rashad to Good Fight and More
Alice’s TV career began in the 1970s,...
Alice died of natural causes, NPR reports; the actress’ precise, eightysomething age was at press time uncertain.
More from TVLineTVLine Items: Max Headroom Reboot, Coda Star's Disney+ Series and MoreWas Westworld Lunch Delicious? Was Harley Quinn Porno a Fortress First? Glad Big Brother Fed You? And More Qs!TVLine Items: Locke & Key Trailer, Phylicia Rashad to Good Fight and More
Alice’s TV career began in the 1970s,...
- 7/28/2022
- by Matt Webb Mitovich
- TVLine.com
Anaïs, the charmingly frustrating heroine of Charline Bourgeois-Tacquet’s directorial debut “Anaïs in Love,” is always on the run. Hair flying, sundress whipping in the wind, sandals slapping on the Paris pavement, Anaïs would be the first to admit she’s chronically late. But her constant running is more than just a consequence of her tardiness — it’s a reflection of her restless mental state.
She’s always running towards someone, but the real question is: what, or who, is she running away from? And what might happen if she stops to stay for a while?
Anaïs’ running calls to mind other cinematic heroines we’ve seen in motion, most recently Renate Reinsve’s Julie in “The Worst Person in the World,” and Greta Gerwig’s Frances in “Frances Ha.” This trio are young women with big dreams, little ambition and complicated love lives that often stymie their creative output.
She’s always running towards someone, but the real question is: what, or who, is she running away from? And what might happen if she stops to stay for a while?
Anaïs’ running calls to mind other cinematic heroines we’ve seen in motion, most recently Renate Reinsve’s Julie in “The Worst Person in the World,” and Greta Gerwig’s Frances in “Frances Ha.” This trio are young women with big dreams, little ambition and complicated love lives that often stymie their creative output.
- 4/28/2022
- by Katie Walsh
- The Wrap
Kevin Costner got to thank the woman he credits with launching his career at the 26th Annual Art Directors Guild Awards on March 6. The Yellowstone star paid an emotional tribute to production designer Ida Random, who was honored with the Lifetime Achievement Award at the ceremony. In his speech, he thanked Random for the small moment that “changed the trajectory” of his career on set of the 1981 film Frances. “For six years I’d been trying to break into Hollywood, and despite all my best efforts, I was just unable to get a SAG card,” he said, according to Deadline. Random was the art director on the film, and apparently was the sole reason Costner ended up getting one speaking line delivered to Jessica Lange. Alberto E. Rodriguez/Getty Images “I’m singled out among the extras by casting director Elizabeth Leustig, who would later go on to become my...
- 3/7/2022
- TV Insider
Yellowstone star and Academy Award-winning filmmaker Kevin Costner paid emotional tribute to his longtime collaborator, production designer Ida Random as she received the Lifetime Achievement Award at the 26th annual Art Directors Guild Awards tonight. And his tribute included the revelation that he might not have an an acting career without her intervention.
From the stage at the Intercontinental Los Angeles Downtown, an admittedly nervous Costner – who’s worked with Random on his directorial efforts including The Postman – recounted the critical impact she had when he was an extra on the 1981 film Frances, on which Random served as art director.
“For six years I’d been trying to break into Hollywood, and despite all my best efforts, I was just unable to get a SAG card,” said Costner, who had a minute appearance in a scene set in an alleyway outside a theater where actress Frances Fischer, played by Jessica Lange,...
From the stage at the Intercontinental Los Angeles Downtown, an admittedly nervous Costner – who’s worked with Random on his directorial efforts including The Postman – recounted the critical impact she had when he was an extra on the 1981 film Frances, on which Random served as art director.
“For six years I’d been trying to break into Hollywood, and despite all my best efforts, I was just unable to get a SAG card,” said Costner, who had a minute appearance in a scene set in an alleyway outside a theater where actress Frances Fischer, played by Jessica Lange,...
- 3/6/2022
- by Tom Tapp
- Deadline Film + TV
Take a look at Oscar winner Nicole Kidman, star of the 8-part dramatic mini-series, "Nine Perfect Strangers", posing for the latest issue of "You (UK) magazine: "...nine Australians from different walks of life attend a pricey 10-day 'Mind and Body Total Transformation Retreat'...
"...at a place called the 'Tranquillum House' run by a mysterious Russian woman named 'Masha' (Kidman)..."
Cast also includes Melissa McCarthy as 'Frances Welty', Luke Evans as 'Lars Lee', Melvin Gregg as 'Ben Chandler', Samara Weaving as 'Jessica Chandler', Michael Shannon as 'Napoleon Marconi'...
...Asher Keddie as 'Heather Marconi', Grace Van Patten as 'Zoe Marconi', Manny Jacinto as 'Yao', Tiffany Boone as 'Delilah', Regina Hall as 'Carmel Schneider' and Bobby Cannavale as 'Tony Hogburn'.
Click the images to enlarge... ...
"...at a place called the 'Tranquillum House' run by a mysterious Russian woman named 'Masha' (Kidman)..."
Cast also includes Melissa McCarthy as 'Frances Welty', Luke Evans as 'Lars Lee', Melvin Gregg as 'Ben Chandler', Samara Weaving as 'Jessica Chandler', Michael Shannon as 'Napoleon Marconi'...
...Asher Keddie as 'Heather Marconi', Grace Van Patten as 'Zoe Marconi', Manny Jacinto as 'Yao', Tiffany Boone as 'Delilah', Regina Hall as 'Carmel Schneider' and Bobby Cannavale as 'Tony Hogburn'.
Click the images to enlarge... ...
- 3/3/2022
- by Unknown
- SneakPeek
After receiving tons of accolades for his feature debut film Saint Frances, filmmaker Alex Thompson began the year shooting an under-the-radar sophomore feature in Chicago. A dramatic thriller with a hospital backdrop, Thompson cast the film pairing of Namir Smallwood (and actor making his debut and was schooled by the Chicago’s Steppenwolf Theatre) and Sidney Flanigan (who broke out in Eliza Hittman’s Never Rarely Sometimes Always). titled Rounding, Thompson reunited with cinematographer Nate Hursellers, and yes, Kelly O’Sullivan who co-wrote Saint Frances is also in the fold as a supporting player.
Gist: This follows a driven young medical resident (Smallwood) who transfers to a rural hospital for a fresh start.…...
Gist: This follows a driven young medical resident (Smallwood) who transfers to a rural hospital for a fresh start.…...
- 11/24/2021
- by Eric Lavallée
- IONCINEMA.com
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