An orphaned brontosaurus teams up with other young dinosaurs in order to reunite with their families in a valley.An orphaned brontosaurus teams up with other young dinosaurs in order to reunite with their families in a valley.An orphaned brontosaurus teams up with other young dinosaurs in order to reunite with their families in a valley.
- Awards
- 2 nominations
Pat Hingle
- Narrator
- (voice)
- …
Gabriel Damon
- Littlefoot
- (voice)
Bill Erwin
- Grandfather
- (voice)
Candace Hutson
- Cera
- (voice)
- (as Candy Hutson)
Burke Byrnes
- Daddy Topps
- (voice)
Judith Barsi
- Ducky
- (voice)
Frank Welker
- Spike
- (voice)
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJudith Barsi, who did the voice for Ducky, was murdered by her father four months before the film's release. Judith was only ten years old. Her headstone includes her famous line in this film, "Yep! Yep! Yep!"
- GoofsPetrie and all other Pteranodons are portrayed as herbivores, while it has been proven that Pteranodons ate fish instead.
- Quotes
Littlefoot's mother: Let your heart guide you. It whispers so listen closely.
- Crazy creditsThe credits roll with several backgrounds of the Great Valley at nighttime scrolling by.
- Alternate versionsIn the 2003 DVD, 2015 DVD and Blu-ray, and digital printings, there have been a few audible edits in addition to the film's restoration.
- ConnectionsEdited into An American Tail: The Treasure of Manhattan Island (1998)
- SoundtracksIf We Hold On Together
Music and Words by James Horner and Will Jennings
Produced by Peter Asher
Performed by Diana Ross
Featured review
Don Bluth's masterpiece, The Land Before Time, is a wonderful children's feature with beautiful animation, a great story, adorable characters, and good direction.
As a director, Bluth's use of color and texture in this film is absolutely brilliant. He has this wonderful soft blending of mainly the background colors (usually most notable in the sky), which suggests use of chalk pastels to create this effect. In every film of his that I've seen, he always has great (what I like to call) atmospherics. In this film, you notice it in the blowing of dust/fog, some of the fire effects with the volcanoes (mainly the falling fire sparks), the falling black ash before the characters reach the "mountains that burn," as well as certain water effects.
The vocal cast was really well suited to all their roles. There were a few instances where some of the lines were a bit muffled and hard to understand, but for the most part, the cast did really well with their lines, made them sound natural, and child-like, and managed not to be overly cute and obnoxious as some characters made for children's films inherently are.
The score by James Horner is a wonderful addition to the film's atmosphere and really does a great job setting the mood. Horner always has a way of infusing his scores with a sense of romanticism that is often lacking in today's film composers, and this film is no exception. He makes really good use of his strings section, especially in this period of his work.
To be sure, this film is a masterpiece! All of its excellent qualities are apparent while watching the film, most notably the animation (which is excellent for a late 80s film), the voice cast, the score, the story, and the art direction. Without a doubt, it would be well-deserving of a spot in any animated feature hall of fame.
9 Stars out of 10!
As a director, Bluth's use of color and texture in this film is absolutely brilliant. He has this wonderful soft blending of mainly the background colors (usually most notable in the sky), which suggests use of chalk pastels to create this effect. In every film of his that I've seen, he always has great (what I like to call) atmospherics. In this film, you notice it in the blowing of dust/fog, some of the fire effects with the volcanoes (mainly the falling fire sparks), the falling black ash before the characters reach the "mountains that burn," as well as certain water effects.
The vocal cast was really well suited to all their roles. There were a few instances where some of the lines were a bit muffled and hard to understand, but for the most part, the cast did really well with their lines, made them sound natural, and child-like, and managed not to be overly cute and obnoxious as some characters made for children's films inherently are.
The score by James Horner is a wonderful addition to the film's atmosphere and really does a great job setting the mood. Horner always has a way of infusing his scores with a sense of romanticism that is often lacking in today's film composers, and this film is no exception. He makes really good use of his strings section, especially in this period of his work.
To be sure, this film is a masterpiece! All of its excellent qualities are apparent while watching the film, most notably the animation (which is excellent for a late 80s film), the voice cast, the score, the story, and the art direction. Without a doubt, it would be well-deserving of a spot in any animated feature hall of fame.
9 Stars out of 10!
Details
- Release date
- Countries of origin
- Language
- Also known as
- Pie pequeño en busca del valle encantado
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,500,000 (estimated)
- Gross US & Canada
- $48,336,291
- Opening weekend US & Canada
- $7,526,025
- Nov 20, 1988
- Gross worldwide
- $84,704,291
- Runtime1 hour 9 minutes
- Sound mix
Contribute to this page
Suggest an edit or add missing content