A poignant story of forbidden love and the loss of innocence set in England prior to World War II.A poignant story of forbidden love and the loss of innocence set in England prior to World War II.A poignant story of forbidden love and the loss of innocence set in England prior to World War II.
- Awards
- 11 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDame Emma Thompson threatened to quit this movie if the producers persisted in pushing actress Hayley Atwell to lose weight. Atwell said that Harvey Weinstein even insulted her over lunch by saying: "You look like a fat pig on-screen. Stop eating so much."
- GoofsAfter the dinner, at which Charles first meets Lady Marchmain, the family go to pray in the private chapel. The ladies, as Roman Catholics, would have covered their heads with a scarf or a veil.
- Quotes
Sebastian Flyte: I asked too much of you. I knew it all along, really. Only God can give you that sort of love.
Featured review
I have never read the book or seen the miniseries, so my experience wasn't clouded by already existing expectations and assumptions of the characters. Instead I was awaiting a first, and therefore unbiased look into the world of Brideshead.
As a film, it is okay bordering on good and solid. The performances are strong enough to keep the audience interested, but they do not keep us enthralled. The leads are savvy and sexy in their own rights, but they lack true appeal as performers. They can come off as rather dull in certain scenes, but in others they pull out a subtle presence that is called for in intimate, or more emotion scenes. This inconsistence was bothersome and hindered the overall telling of the story. The one presence that is felt, but is far too short is that of Emma Thompson. As the matriarchal head of the family, she is brutal and works well with the one dimensional writing she was given. If they had focused more on her, we would have been able to understand the tortured minds of Julia and Sebastian better. Instead they have Julia and Sebastian describe her to the audience, which keeps us from getting close enough to realize what deformed her mind to begin with.
Charles is, at times to weak and unsure to be accepted as someone we want to see happy. We end up being unsure of his character's intention, and not in a mysterious, purposeful way, but in a, "the film-making is too unclear" way. Is Charles just a social climber whose dreams are dashed by his wants and Atheist ways? Or is he a moral soul lost in the pull of Brideshead's condemning Catholic trappings? This is the major flaw to the film, Charles is never exposed.
Small framing problems and out-of-style shots hampered the visual appeal, but with that aside, the visuals are very lush and the score complements some well placed montages to give the viewer a true sense of the desired never-ending summer Charles and Sebastian so desperately dream after.
If you like British tales of class and religion, or period films, this one is not a letdown. It is nothing new, but nothing terrible either. I recommend it if this is your sort of thing, I was not disappointed, but I wasn't blown away.
As a film, it is okay bordering on good and solid. The performances are strong enough to keep the audience interested, but they do not keep us enthralled. The leads are savvy and sexy in their own rights, but they lack true appeal as performers. They can come off as rather dull in certain scenes, but in others they pull out a subtle presence that is called for in intimate, or more emotion scenes. This inconsistence was bothersome and hindered the overall telling of the story. The one presence that is felt, but is far too short is that of Emma Thompson. As the matriarchal head of the family, she is brutal and works well with the one dimensional writing she was given. If they had focused more on her, we would have been able to understand the tortured minds of Julia and Sebastian better. Instead they have Julia and Sebastian describe her to the audience, which keeps us from getting close enough to realize what deformed her mind to begin with.
Charles is, at times to weak and unsure to be accepted as someone we want to see happy. We end up being unsure of his character's intention, and not in a mysterious, purposeful way, but in a, "the film-making is too unclear" way. Is Charles just a social climber whose dreams are dashed by his wants and Atheist ways? Or is he a moral soul lost in the pull of Brideshead's condemning Catholic trappings? This is the major flaw to the film, Charles is never exposed.
Small framing problems and out-of-style shots hampered the visual appeal, but with that aside, the visuals are very lush and the score complements some well placed montages to give the viewer a true sense of the desired never-ending summer Charles and Sebastian so desperately dream after.
If you like British tales of class and religion, or period films, this one is not a letdown. It is nothing new, but nothing terrible either. I recommend it if this is your sort of thing, I was not disappointed, but I wasn't blown away.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Hôn Nhân Thượng Lưu
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $6,432,256
- Opening weekend US & Canada
- $339,616
- Jul 27, 2008
- Gross worldwide
- $13,451,186
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content