Sunny (Bobby Hebb song)

Hebb's parents, William and Ovalla Hebb, were both blind musicians. Hebb and his older brother Harold performed as a song-and-dance duo in Nashville, beginning when Bobby was three and Harold was nine. Hebb performed on a TV show hosted by country music record producer Owen Bradley.

Hebb wrote the song after his older brother, Harold, was stabbed to death outside a Nashville nightclub.^[3] Hebb was devastated by the event and many critics say it inspired the lyrics and tune. According to Hebb, he merely wrote the song as an expression of a preference for a "sunny" disposition over a "lousy" disposition following the murder of his brother.^[4]

Events influenced Hebb's songwriting, but his melody, crossing over into R&B (#3 on U.S. R&B chart) and Pop (#2 on U.S. Pop chart), together with the optimistic lyrics, came from the artist's desire to express that one should always "look at the bright side". Hebb has said about "Sunny":

All my intentions were to think of happier times and pay tribute to my brother – basically looking for a brighter day – because times were at a low. After I wrote it, I thought "Sunny" just might be a different approach to what Johnny Bragg was talking about in "Just Walkin' in the Rain".

Its sixteen-bar form starts with two repeats of a four-bar phrase starting on the song's E minor tonic i chord followed by a V⁷–I to C major and a ii–V⁷ in the last bar to return to the first i chord:

𝄆 E^m7 𝄀 G⁷ 𝄀 C^maj7 𝄀 F♯^m7 B⁷ 𝄇

The third four-bar phrase's last bar is substituted with F⁷ (the tritone sub of the B⁷ dominant chord):

𝄀 E^m7 𝄀 G⁷ 𝄀 C^maj7 𝄀 F⁷ 𝄀

The fourth and final four-bar phrase is a ii–V⁷–i that settles on the song's tonic:

𝄀 F♯^m7 𝄀 B⁷ 𝄀 E^m 𝄀 𝄎 𝄂

Elements of this "Sunny" chord progression are found in some later jazz and pop songs, notably:^[5]

• Red Clay (title track of Freddie Hubbard's 1970 album Red Clay) loops the "Sunny" progression's first four bars for soloing (but modifies the first V⁷–I into a full ii–V⁷–I and modifies the ii–V⁷ in the last bar into a ii^ø–V⁷)
• If You Want Me to Stay (from Sly and the Family Stone's 1973 album Fresh)
• Don't You Worry 'bout a Thing (from Stevie Wonder's 1973 album Innervisions)
• Angela (the theme song from the TV series Taxi by Bob James and released in his 1978 album Touchdown)
• Electric Lady (from Janelle Monáe's 2014 studio album The Electric Lady)
• Just the Two of Us (by Bill Withers, William Salter, and Ralph MacDonald released in 1981 as a single recorded by Grover Washington Jr.) has a double-time reordering of the "Sunny" progression's first four bars. Subvariants of this progression can be found, for example, in:
  • Thank U, Next (from Ariana Grande's 2019 album Thank U, Next) can be thought of as a half-time variant

"Sunny" was first recorded by Japanese vocalist Mieko "Miko" Hirota with the Billy Taylor piano trio (feat. Ben Tucker and Grady Tate) like a bossa nova on the Columbia records release "Miko in New York" (1965), recorded in New York. It was also released on the audio album Hit Kit Miko, Vol. 2 (October 20, 1965).

She later released a live version on the albumミコR&Bを歌うin 1968 which goes through the first form with piano as a rubato ballad and then the full band enters in a more upbeat tempo.

In America it was released by marimba player Dave Pike on Atlantic Records in 1966 on the Jazz for the Jet Set album, recorded in New York City on October 26 and November 2, 1965. Grady Tate, who played drums on Mieko Hirota's version, also played on this version.

The personnel on the Bobby Hebb recording included Joe Shepley, Burt Collins on trumpet, Micky Gravine on trombone, Artie Kaplan and Joe Grimaldi on sax, Artie Butler on piano, Joe Renzetti and Al Gorgoni on guitar, Paul (PB) Brown and Joe Macho on bass, Al Rogers on drums and George Devens on percussion.^[6] The song was recorded while the session was in overtime; many of the studio musicians booked for that date had to leave early for other recording sessions. Joe Renzetti was the arranger. Its form modulates up a half step every cycle after the second cycle and ends with a looped tag.

"Sunny" was originally part of an 18-song demo recorded by producer Jerry Ross, also famous for Spanky and Our Gang, Keith's "98.6" and "Apples, Peaches, Pumpkin Pie" by Jay & the Techniques (Hebb was offered this song but didn't want to be considered a novelty act and let the song go to Jay Proctor).

"Sunny" was recorded at Bell Sound Studios in New York City and released as a single in 1966. It met with immediate success, which resulted in Hebb touring in 1966 with the Beatles. The song peaked at No. 2 on the Billboard Hot 100 chart in late August 1966.^[7]

American TV series Soul! in 1971 had a live duo video with Ron Carter on electric bass that starts with a rubato guitar introduction followed by four loops of the "James Bond" chord progression (which is also used for the final tonic of the chord progression) before starting the main vocal form. It ends with a long vamp which includes a bass solo.

"Sunny '76'" is a reharmonized disco take on Bobby Hebb's song. Like the original 1966 version, it features Hebb; however, an updated disco beat was implemented with an eye to having it played in discos around the world. This version was arranged by Joe Renzetti, who also arranged the original record.

The 7-inch single was released in late 1975. The B-side featured another song of Hebb's called "Proud Soul Heritage". The song managed to become a minor hit, reaching No. 94 on the R&B chart.^[19]

Cher sang the song on her third solo LP Chér, an album of covers released in September 1966. It was released as the third single off the album for the European and Asian markets, achieving success mostly in Scandinavian countries. It is considered to be a tribute to her then husband, Sonny Bono.

Euro disco group Boney M. recorded the song for their 1976 debut album, Take the Heat off Me, produced by Frank Farian and arranged by Stefan Klinkhammer in a Euro-disco arrangement. Following their breakthrough single "Daddy Cool", "Sunny" topped the German charts and reached the top ten in many other countries.^[26][27][28]

The single's B-side was "New York City", a reworked version of Gilla's (another Farian artist) 1976 hit single "Tu es!" and its English version "Why Don't You Do It", which had an intro borrowed from the Boney M. album track "Help Help". This was issued in some territories instead of "Baby Do You Wanna Bump" on "Take the Heat off Me".

The track was remixed and reissued several times in 1988, 1999, 2000 and 2015, and was sampled by Mark Ronson for his 2003 song "Ooh Wee" and by Boogie Pimps on their 2004 version. While Liz Mitchell sang the original lead vocals on Boney M.'s version, original member Maizie Williams recorded a solo version in 2006. The original version was also featured in the Umbrella Academy season 2 soundtrack.^[29] The 2000 remix appeared on Boney M.'s remix album 20th Century Hits.

• Christophe Willem covered the song in 2006 (#3 in France, #9 in Belgium (Wallonia), #17 in Switzerland)^[53]
• American singer and songwriter Billie Eilish and her brother Finneas O'Connell covered the song as part of the TV special, One World: Together at Home^[54]
• Bobby Vee covered the song with The Strangers on his 1966 album: Look At Me Girl^[55]

• "Sunny" - Bobby Hebb (1966) on YouTube
• "Sunny" - Boney M. (Original 1977 release) on YouTube
• "Sunny" - Boney M. (ZDF Disco performance - 05.02.1977) on YouTube
• "Sunny" - Boney M. (ZDF Silvester-Tanzparty performance - 31.12.1977) on YouTube