Mary Catherine Bateson

Bateson was a graduate of the Brearley School and received her B.A. from Radcliffe in 1960 and her Ph.D. in linguistics and Middle Eastern Studies from Harvard in 1963. Her dissertation examined linguistic patterns in pre-Islamic Arabic poetry.^[3]

Bateson was married to Barkev Kassarjian, a professor of management at Babson College, from 1960 to her death. They had one daughter, Sevanne Margaret (born 1969), an actress who works professionally under the name Sevanne Martin,^[4] and two grandsons.^[5] Through her mother's side of the family, Bateson was also the cousin of Jeremy Steig^[1] as well as a niece of William Steig and Leo Rosten.^[6] Toward the end of Bateson's residence in Iran in 1979, Catherine's mother who was paying a visit to her family in Iran died in New York. Her father then died a year later in 1980.

Bateson died on January 2, 2021, at a hospice near her home in Hancock, New Hampshire, aged 81.^[7] She had suffered from brain damage from a fall a few months earlier.^[7]

Bateson considered herself an “activist for peace and justice”^[8] and stressed the importance in the years of “unanticipated longevity”^[8] of continuing to be willing to learn. Because of her work on aging and the changing role of women in modern society, Bateson has been referred to as one of the most original thinkers of our time. Lectures by Bateson have encouraged adults to become a lot more engaged in the world and not to retire.

At the beginning of her career, she was a linguist and studied Arabic poetry. Then, she shifted her focus from a professional interest in human patterns of communication to highly-formalistic studies, which started her career as an anthropologist. Changing focus in topics, Bateson began to use her own life experience to write.^[8] Bateson used her own experience as a woman, daughter, mother, scholar, and anthropologist, who went through many different situations, as a guide for her writings.^[9] Bateson liked to keep her readers engaged by having them question her ideology and entertain the readings own provoking thoughts with questions. She wrote in a similar style to journaling and often used personal examples or quotes for ideas and observations.^[9] She also used cross-cultural experiences of other individuals incorporated into her writings.^[9]

One of Bateson's first books was her memoir With a Daughter's Eye in which she reflected on her earlier life with her parents: Margaret Mead and Gregory Bateson.^[10] The memoir created a path for self-discovery and enablement of the experiences that she incorporated into her writings, such as her next book, Composing a Life.^[11] That book showed how deeply connected Bateson's own journey as a scholar as parallel was to a world in which she and other women faced overt sexism and female inferiority.^[11] She questioned the gender expectations and the misogynistic reality of the 1980s with her book by using her own experience as a parallel.

In all of her work, she used that method to help fuel her writings. Many of her books are still used as inspiration for feminists who question gendered expectations.

• Thinking Race: Social Myths and Biological Realities (2019) with Richard Goldsby
• Composing a Further Life: The Age of Active Wisdom (2010)
• Willing to Learn: Passages of Personal Discovery (2004)
• Full Circles, Overlapping Lives: Culture and Generation in Transition (2000)
• Peripheral Visions - Learning Along the Way (1994)
• Composing a Life (1991)
• Thinking AIDS (1988) with Richard Goldsby
• Angels Fear: Towards an Epistemology of the Sacred (1987) written with Gregory Bateson
• With a Daughter's Eye: A Memoir of Margaret Mead and Gregory Bateson (1984)
• At Home in Iran (1974)
• Our Own Metaphor: A Personal Account of a Conference on the Effects of Conscious Purpose on Human Adaptation (1972)
• Arabic Language Handbook (1967)

^[1][2]

• Papers of Mary Catherine Bateson, 1954–2004 (inclusive), 1975–2001 (bulk): A Finding Aid. Schlesinger Library, Radcliffe Institute, Harvard University.