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== Earliest form ==
== Earliest form ==
{{main|Pop music#Stylistic evolution}}
{{main|Pop music#Stylistic evolution}}
Early pop music drew on the [[sentimental ballad]] for its form, gained its use of vocal harmonies from [[gospel music|gospel]] and [[soul music]], instrumentation from [[jazz]] and [[rock music]], orchestration from [[classical music]], tempo from [[dance music]], backing from [[electronic music]], rhythmic elements from [[hip-hop music]], and spoken passages from [[rap music|rap]].<ref name=Firth2001>S. Frith, W. Straw, and J. Street, eds, ''[[Cambridge Companions to Music|The Cambridge Companion to Pop and Rock]]'' (Cambridge: Cambridge University Press), {{ISBN|0-521-55660-0}}, pp.&nbsp;95–105.</ref>{{verification needed|date=February 2017}}
Early pop music drew on the [[sentimental ballad]] for its form, gained its use of vocal harmonies from [[gospel music|gospel]] and [[soul music]], instrumentation from [[jazz]] and [[rock music]], orchestration from [[classical music]], tempo from [[dance music]], backing from [[electronic music]], rhythmic elements from [[hip-hop music]], and spoken passages from [[rap music|rap]].<ref name=Firth2001>S. Frith, W. Straw, and J. Street, eds, ''[[Cambridge Companions to Music|The Cambridge Companion to Pop and Rock]]'' (Cambridge: Cambridge University Press), {{ISBN|0-521-55660-0}}, pp.&nbsp;95–105.</ref>{{verification needed|date=February 2017}}


== Subgenres ==
== Subgenres ==
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| cultural_origins = Late 1970s
| cultural_origins = Late 1970s
}}
}}
The mentions of the fusion of [[disco]] with pop music under the term "disco-pop" can be traced back to the late 1970s, during the peak of the disco's popularity, where the 1976–1979 works of [[Michael Jackson]]<ref>{{Cite web |title=100 Greatest Songwriters of All Time |url=https://www.rollingstone.com/interactive/lists-100-greatest-songwriters/#michael-jackson |access-date=2024-09-09 |website=Rolling Stone}}</ref>, [[ABBA]]<ref>{{Cite web |last=Martoccio |first=Angie |date=2021-09-02 |title=Flashback: ABBA Break Through With 'Waterloo' at Eurovision in 1974 |url=https://www.rollingstone.com/music/music-features/abba-breakthrough-waterloo-flashback-reunion-1974-1219984/ |access-date=2024-09-09 |website=Rolling Stone |language=en-US}}</ref>, [[Elton John]]<ref>{{Cite web |last=Jahr |first=Cliff |date=1976-10-07 |title=Elton John Comes Out as Bisexual in Rolling Stone's 1976 Cover Story |url=https://www.rollingstone.com/feature/elton-john-lonely-at-the-top-rolling-stones-1976-cover-story-238734/ |access-date=2024-09-09 |website=Rolling Stone |language=en-US}}</ref>, [[Boney M.]],<ref name=":42">{{Cite news |last=Rockwell |first=John |date=1978-12-01 |title=The Pop Life |url=https://www.nytimes.com/1978/12/01/archives/the-pop-life-disco-queen-forges-links-to-other-music.html |url-status= |archive-url= |archive-date= |access-date= |work=The New York Times |language=en-US |issn=}}</ref> the [[Salsoul Orchestra]]<ref>{{Cite news |last=Palmer |first=Robert |date=1979-07-08 |title=The Beat That's Latinizing Disco and Pop |url=https://www.nytimes.com/1979/07/08/archives/the-beat-thats-latinizing-disco-and-pop-latinizing-pop.html |url-status=live |archive-url=https://web.archive.org/web/20240627172643/https://www.nytimes.com/1979/07/08/archives/the-beat-thats-latinizing-disco-and-pop-latinizing-pop.html |archive-date=2024-06-27 |access-date=2024-06-25 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> are all referred to as "disco pop". By 1979, the dominance of high-pitched, mainstream disco-pop on the charts and the increasingly exclusive and individualistic nature of the dance scene caused many recent disco enthusiasts to reevaluate their connection to the disco genre.<ref>{{Cite |last=Lawrence |first=T. |title=In Defence Of Disco (Again) |date=2006 |journal=New Formations: A Journal of Culture, Theory, Politics |issue=58 |pages=128-146 |url=https://repository.uel.ac.uk/item/8677z |via=UEL Research Repository}}</ref>
Disco-pop is a music genre that emerged in the 1970s,<ref>{{Cite news |last=Palmer |first=Robert |date=1979-07-08 |title=The Beat That's Latinizing Disco and Pop |url=https://www.nytimes.com/1979/07/08/archives/the-beat-thats-latinizing-disco-and-pop-latinizing-pop.html |access-date=2024-06-25 |work=The New York Times |language=en-US |issn=0362-4331 |archive-date=2024-06-27 |archive-url=https://web.archive.org/web/20240627172643/https://www.nytimes.com/1979/07/08/archives/the-beat-thats-latinizing-disco-and-pop-latinizing-pop.html |url-status=live }}</ref>{{notinsource|date=June 2024}} blending elements of disco and pop music. It integrates disco's rhythmic base and dance-oriented beats with the melodic and vocal characteristics typical of pop music. Key features of the genre include the use of synthesizers, drum machines, and a pronounced bassline, which produce an energetic and joyful sound. Smooth vocals and catchy hooks are often layered over this musical backdrop.<ref>{{Cite web |last=Brook |first=K. A. |title=Disco Savvy: A Diversity of Sounds in Disco Music |url=http://www.discosavvy.com/diversesounds.html |access-date=2024-06-25 |website=www.discosavvy.com |archive-date=2024-06-25 |archive-url=https://web.archive.org/web/20240625213535/http://www.discosavvy.com/diversesounds.html |url-status=live }}</ref>{{rs|date=June 2024}}


disco-pop hits, such as "[[Sing It Back]]" by [[Moloko]]<ref>{{Cite web |last=Dalton |first=Stephen |date=2005-09-12 |title=Moloko : Sing it back |url=https://www.nme.com/reviews/reviews-nme-4300-340386 |access-date=2024-06-25 |website=[[NME]] |language=en-GB |archive-date=2024-06-25 |archive-url=https://web.archive.org/web/20240625213535/https://www.nme.com/reviews/reviews-nme-4300-340386 |url-status=live }}</ref> or "[[Murder on the Dancefloor]]" by [[Sophie Ellis-Bextor]]<ref>{{Cite web |last=Campbell |first=Tina |date=2024-04-20 |title=Sophie Ellis-Bextor working on 'happy disco music' amid Saltburn success |url=https://www.standard.co.uk/showbiz/sophie-ellis-bextor-twickenham-murder-on-the-dance-floor-saltburn-new-music-album-red-roses-rugby-b1152716.html |access-date=2024-06-25 |website=Evening Standard |language=en |archive-date=2024-06-25 |archive-url=https://web.archive.org/web/20240625213535/https://www.standard.co.uk/showbiz/sophie-ellis-bextor-twickenham-murder-on-the-dance-floor-saltburn-new-music-album-red-roses-rugby-b1152716.html |url-status=live }}</ref><ref>{{Cite web |last=Zellner |first=Xander |date=2024-01-09 |title=Hot 100 First-Timers: Sophie Ellis-Bextor Debuts With ‘Murder on the Dancefloor’ Thanks to ‘Saltburn’ |url=https://www.billboard.com/music/chart-beat/sophie-ellis-bextor-hot-100-debut-murder-on-the-dancefloor-saltburn-1235578361/ |access-date=2024-06-25 |website=Billboard |language=en-US |archive-date=2024-06-25 |archive-url=https://web.archive.org/web/20240625213535/https://www.billboard.com/music/chart-beat/sophie-ellis-bextor-hot-100-debut-murder-on-the-dancefloor-saltburn-1235578361/ |url-status=live }}</ref>, high positions .
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Following a marked decline in popularity during the 1980s, disco-pop occasionally saw rare hits in the 2000s|date=June 2024}}, such as "[[Sing It Back]]" by [[Moloko]]<ref>{{Cite web |last=Dalton |first=Stephen |date=2005-09-12 |title=Moloko : Sing it back |url=https://www.nme.com/reviews/reviews-nme-4300-340386 |access-date=2024-06-25 |website=[[NME]] |language=en-GB |archive-date=2024-06-25 |archive-url=https://web.archive.org/web/20240625213535/https://www.nme.com/reviews/reviews-nme-4300-340386 |url-status=live }}</ref> or "[[Murder on the Dancefloor]]" by [[Sophie Ellis-Bextor]].<ref>{{Cite web |last=Campbell |first=Tina |date=2024-04-20 |title=Sophie Ellis-Bextor working on 'happy disco music' amid Saltburn success |url=https://www.standard.co.uk/showbiz/sophie-ellis-bextor-twickenham-murder-on-the-dance-floor-saltburn-new-music-album-red-roses-rugby-b1152716.html |access-date=2024-06-25 |website=Evening Standard |language=en |archive-date=2024-06-25 |archive-url=https://web.archive.org/web/20240625213535/https://www.standard.co.uk/showbiz/sophie-ellis-bextor-twickenham-murder-on-the-dance-floor-saltburn-new-music-album-red-roses-rugby-b1152716.html |url-status=live }}</ref><ref>{{Cite web |last=Zellner |first=Xander |date=2024-01-09 |title=Hot 100 First-Timers: Sophie Ellis-Bextor Debuts With ‘Murder on the Dancefloor’ Thanks to ‘Saltburn’ |url=https://www.billboard.com/music/chart-beat/sophie-ellis-bextor-hot-100-debut-murder-on-the-dancefloor-saltburn-1235578361/ |access-date=2024-06-25 |website=Billboard |language=en-US |archive-date=2024-06-25 |archive-url=https://web.archive.org/web/20240625213535/https://www.billboard.com/music/chart-beat/sophie-ellis-bextor-hot-100-debut-murder-on-the-dancefloor-saltburn-1235578361/ |url-status=live }}</ref> During the late 2010s and early 2020s, the genre experienced a significant resurgence,<ref>{{Cite web |last=Sinclair |first=Kristen |date=2020-05-20 |title=Disco Fever Strikes Again |url=https://www.indiependent.co.uk/disco-fever-strikes-again/ |access-date=2024-06-25 |website=The Indiependent |language=en-GB}}</ref><ref>{{Cite web |last=Kornhaber |first=Spencer |date=2020-12-23 |title=The Eeriness of the 2020 Disco Revival |url=https://www.theatlantic.com/culture/archive/2020/12/how-disco-defined-2020/617478/ |access-date=2024-06-25 |website=The Atlantic |language=en |archive-date=2021-01-01 |archive-url=https://web.archive.org/web/20210101121926/https://www.theatlantic.com/culture/archive/2020/12/how-disco-defined-2020/617478/ |url-status=live }}</ref> when artists like [[Dua Lipa]] and [[Jessie Ware]], among others,<ref>{{Cite news |last=Snapes |first=Laura |date=2022-07-12 |title=Carly Rae Jepsen review – huge, feel-good highs for the disco-pop faithful |url=https://www.theguardian.com/music/2022/jul/12/carly-rae-jepsen-review-huge-feel-good-highs-for-the-disco-pop-faithful |access-date=2024-06-25 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref><ref>{{Cite news |last=Morris |first=Damien |date=2022-07-24 |title=Lizzo: Special review – next-level irresistible disco-pop |url=https://www.theguardian.com/music/2022/jul/24/lizzo-special-review-next-level-irresistible-disco-pop |access-date=2024-06-25 |work=The Observer |language=en-GB |issn=0029-7712}}</ref><ref>{{Cite news |last=Beaumont-Thomas |first=Ben |date=2021-08-06 |title=The Weeknd: Take My Breath review – an instant disco-pop classic |url=https://www.theguardian.com/music/2021/aug/06/the-weeknd-take-my-breath-review-an-instant-disco-pop-classic |access-date=2024-06-25 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref> released albums that garnered high chart positions and critical acclaim.<ref>{{Cite web |last=Kaplan |first=Ilana |date=2020-12-23 |title=How Dance Music Defined a Year When We Couldn’t Dance |url=https://www.theringer.com/music/2020/12/23/22196518/dance-music-quarantine-dua-lipa-jessie-ware |access-date=2024-06-25 |website=The Ringer |language=en |archive-date=2021-01-03 |archive-url=https://web.archive.org/web/20210103212015/https://www.theringer.com/music/2020/12/23/22196518/dance-music-quarantine-dua-lipa-jessie-ware |url-status=live }}</ref>
During the late 2010s and early 2020s, the genre experienced a significant resurgence,<ref>{{Cite web |last=Sinclair |first=Kristen |date=2020-05-20 |title=Disco Fever Strikes Again |url=https://www.indiependent.co.uk/disco-fever-strikes-again/ |access-date=2024-06-25 |website=The Indiependent |language=en-GB}}</ref><ref>{{Cite web |last=Kornhaber |first=Spencer |date=2020-12-23 |title=The Eeriness of the 2020 Disco Revival |url=https://www.theatlantic.com/culture/archive/2020/12/how-disco-defined-2020/617478/ |access-date=2024-06-25 |website=The Atlantic |language=en |archive-date=2021-01-01 |archive-url=https://web.archive.org/web/20210101121926/https://www.theatlantic.com/culture/archive/2020/12/how-disco-defined-2020/617478/ |url-status=live }}</ref> when artists like [[Dua Lipa]] and [[Jessie Ware]], among others,<ref>{{Cite news |last=Snapes |first=Laura |date=2022-07-12 |title=Carly Rae Jepsen review – huge, feel-good highs for the disco-pop faithful |url=https://www.theguardian.com/music/2022/jul/12/carly-rae-jepsen-review-huge-feel-good-highs-for-the-disco-pop-faithful |access-date=2024-06-25 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref><ref>{{Cite news |last=Morris |first=Damien |date=2022-07-24 |title=Lizzo: Special review – next-level irresistible disco-pop |url=https://www.theguardian.com/music/2022/jul/24/lizzo-special-review-next-level-irresistible-disco-pop |access-date=2024-06-25 |work=The Observer |language=en-GB |issn=0029-7712}}</ref><ref>{{Cite news |last=Beaumont-Thomas |first=Ben |date=2021-08-06 |title=The Weeknd: Take My Breath review – an instant disco-pop classic |url=https://www.theguardian.com/music/2021/aug/06/the-weeknd-take-my-breath-review-an-instant-disco-pop-classic |access-date=2024-06-25 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref> released albums that garnered high chart positions and critical acclaim.<ref>{{Cite web |last=Kaplan |first=Ilana |date=2020-12-23 |title=How Dance Music Defined a Year When We Couldn’t Dance |url=https://www.theringer.com/music/2020/12/23/22196518/dance-music-quarantine-dua-lipa-jessie-ware |access-date=2024-06-25 |website=The Ringer |language=en |archive-date=2021-01-03 |archive-url=https://web.archive.org/web/20210103212015/https://www.theringer.com/music/2020/12/23/22196518/dance-music-quarantine-dua-lipa-jessie-ware |url-status=live }}</ref>


=== Folk-pop ===
=== Folk-pop ===

Revision as of 19:01, 9 September 2024

Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.[1] The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. Rock and pop music remained roughly synonymous until the late 1960s, after which pop became associated with music that was more commercial, ephemeral, and accessible.

Although much of the music that appears on record charts is seen as pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles such as rock, urban, dance, Latin, and country.

Below is a list of styles of pop music.

Stylistic origins

Traditional pop

Traditional pop (also known as classic pop and pre-rock and roll pop) is Western popular music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "standard" can be applied to any popular song that has become very widely known within mainstream culture.

AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music".[2]

Rock and roll

Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s.[3] It originated from black American music such as gospel, jump blues, jazz, boogie woogie, rhythm and blues,[4] as well as country music.[5] While rock and roll's formative elements can be heard in blues records from the 1920s[6] and in country records of the 1930s,[5] the genre did not acquire its name until 1954.[7]

Earliest form

Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and spoken passages from rap.[1][verification needed]

Subgenres

Below are genres that exclusively considered as subgenres of pop.

Note that music styles like dance, electronic, opera, and orchestra are not considered as standalone genres.

Art pop

Brill Building

Bubblegum pop

City pop

Cringe pop

Dance-pop

Electropop

Indie pop

Bedroom pop

Sapphic pop

Twee pop

Operatic pop

Orchestral pop

Schlager

Sophisti-pop

Sunshine pop

Teen pop

Wonky pop

Fusion genres

Below are styles of pop music that mixed with other standalone genres.

Ambient pop

Country pop

Dancehall pop

Disco-pop

The mentions of the fusion of disco with pop music under the term "disco-pop" can be traced back to the late 1970s, during the peak of the disco's popularity, where the 1976–1979 works of Michael Jackson[8], ABBA[9], Elton John[10], Boney M.,[11] the Salsoul Orchestra[12] are all referred to as "disco pop". By 1979, the dominance of high-pitched, mainstream disco-pop on the charts and the increasingly exclusive and individualistic nature of the dance scene caused many recent disco enthusiasts to reevaluate their connection to the disco genre.[13]

In the 2000s, a number of disco-pop hits, such as "Sing It Back" by Moloko[14] or "Murder on the Dancefloor" by Sophie Ellis-Bextor[15][16], have achieved high positions in the international charts.

During the late 2010s and early 2020s, the genre experienced a significant resurgence,[17][18] when artists like Dua Lipa and Jessie Ware, among others,[19][20][21] released albums that garnered high chart positions and critical acclaim.[22]

Folk-pop

Hip pop

House-pop

House-pop (sometimes also called "pop-house")[23] is a crossover of house and dance-pop music that emerged in early '90s.[24] The genre was created for make house music more radio friendly.[25] The characteristic of house-pop is similar to diva house music, like over-the-top vocal acrobatics, bubbly synth riffs, and four-on-the-floor rhythm. House-pop also has hip-hop influence.[24]

Jazz pop

Pop-R&B

Pop rock

Baroque pop

Cowboy pop

Emo pop

Goth pop

Jangle pop

Pop metal

Pop punk

Power pop

Pop soul / Motown

Pop soul / Motown is a genre of soul music that has upbeat tempo and given a commercially viable, crossover production.[27] The vocals are still raw, but the material and the sound of the record could easily fit onto pop radio stations' playlists. Motown was the pioneering label of pop soul, and through much of the 1960s, it was one of the most popular pop music genres. In the 1970s, pop soul became slicker, and it eventually metamorphosed into disco.[28] Luther Vandross is an example of pop soul musician.[29]

Beach pop

Psychedelic pop

Hypnagogic pop

Reggae-pop

Space age pop

Street pop

Street pop, or street hop, is an experimental, hybrid rap genre that blends Nigerian street music, Nigerian hip hop, Afrobeats and pop with African and Western electronic dance music elements like gqom. It features uptempo beats, including slower-paced beats and variation styles. The genre combines Western and Nigerian pop influences to create a distinctive, evolving sound. Key musical artists like Olamide, Asake, Zinoleesky, Naira Marley and Seyi Vibez, highlight its fusion of traditional and modern elements.[30][31][32]

Synth-pop

Worldbeat

Below are pop music that related to avant-garde culture.

Experimental pop

Hyperpop

Industrial pop

Noise pop

Progressive pop

Regional scenes and subgenres

Contemporary Christian music

Motown

New wave

Rock music

Smooth jazz

Smooth soul

Other genres

Below are 'pop' genres that are not considered as pop musics.

Avant-pop

Bitpop

Britpop

Chamber pop

Dream pop

Futurepop

Swamp pop

References

  1. ^ a b S. Frith, W. Straw, and J. Street, eds, The Cambridge Companion to Pop and Rock (Cambridge: Cambridge University Press), ISBN 0-521-55660-0, pp. 95–105.
  2. ^ "Traditional Pop | Music Highlights". AllMusic. Archived from the original on 2017-10-19. Retrieved 2016-04-10.
  3. ^ Farley, Christopher John (July 6, 2004). "Elvis Rocks But He's Not the First". Time. Archived from the original on August 17, 2013. Retrieved July 3, 2009.
  4. ^ Christ-Janer, Albert, Charles W. Hughes, and Carleton Sprague Smith, American Hymns Old and New (New York: Columbia University Press, 1980), p. 364, ISBN 0-231-03458-X.
  5. ^ a b Peterson, Richard A. Creating Country Music: Fabricating Authenticity (1999), p. 9, ISBN 0-226-66285-3.
  6. ^ Davis, Francis. The History of the Blues (New York: Hyperion, 1995), ISBN 0-7868-8124-0.
  7. ^ "The Roots of Rock 'n' Roll 1946–1954". 2004. Universal Music Enterprises.
  8. ^ "100 Greatest Songwriters of All Time". Rolling Stone. Retrieved 2024-09-09.
  9. ^ Martoccio, Angie (2021-09-02). "Flashback: ABBA Break Through With 'Waterloo' at Eurovision in 1974". Rolling Stone. Retrieved 2024-09-09.
  10. ^ Jahr, Cliff (1976-10-07). "Elton John Comes Out as Bisexual in Rolling Stone's 1976 Cover Story". Rolling Stone. Retrieved 2024-09-09.
  11. ^ Rockwell, John (1978-12-01). "The Pop Life". The New York Times.
  12. ^ Palmer, Robert (1979-07-08). "The Beat That's Latinizing Disco and Pop". The New York Times. ISSN 0362-4331. Archived from the original on 2024-06-27. Retrieved 2024-06-25.
  13. ^ Lawrence, T. (2006), "In Defence Of Disco (Again)", New Formations: A Journal of Culture, Theory, Politics (58): 128–146 – via UEL Research Repository
  14. ^ Dalton, Stephen (2005-09-12). "Moloko : Sing it back". NME. Archived from the original on 2024-06-25. Retrieved 2024-06-25.
  15. ^ Campbell, Tina (2024-04-20). "Sophie Ellis-Bextor working on 'happy disco music' amid Saltburn success". Evening Standard. Archived from the original on 2024-06-25. Retrieved 2024-06-25.
  16. ^ Zellner, Xander (2024-01-09). "Hot 100 First-Timers: Sophie Ellis-Bextor Debuts With 'Murder on the Dancefloor' Thanks to 'Saltburn'". Billboard. Archived from the original on 2024-06-25. Retrieved 2024-06-25.
  17. ^ Sinclair, Kristen (2020-05-20). "Disco Fever Strikes Again". The Indiependent. Retrieved 2024-06-25.
  18. ^ Kornhaber, Spencer (2020-12-23). "The Eeriness of the 2020 Disco Revival". The Atlantic. Archived from the original on 2021-01-01. Retrieved 2024-06-25.
  19. ^ Snapes, Laura (2022-07-12). "Carly Rae Jepsen review – huge, feel-good highs for the disco-pop faithful". The Guardian. ISSN 0261-3077. Retrieved 2024-06-25.
  20. ^ Morris, Damien (2022-07-24). "Lizzo: Special review – next-level irresistible disco-pop". The Observer. ISSN 0029-7712. Retrieved 2024-06-25.
  21. ^ Beaumont-Thomas, Ben (2021-08-06). "The Weeknd: Take My Breath review – an instant disco-pop classic". The Guardian. ISSN 0261-3077. Retrieved 2024-06-25.
  22. ^ Kaplan, Ilana (2020-12-23). "How Dance Music Defined a Year When We Couldn't Dance". The Ringer. Archived from the original on 2021-01-03. Retrieved 2024-06-25.
  23. ^ "R3HAB Releases "My Pony," A Dancefloor and Radio Friendly Soulful House-Pop Gem". 12 April 2022.
  24. ^ a b "A Brief History of House Pop, Inspired by Robyn's Honey". Pitchfork. 5 November 2018. Archived from the original on 4 July 2019. Retrieved 5 May 2022.
  25. ^ "The 100 Best Dance Songs of All Time". Slant Magazine. 15 June 2020. Archived from the original on 22 April 2023. Retrieved 5 May 2022.
  26. ^ "Beach Music Genre Overview". AllMusic. Archived from the original on 2021-11-27. Retrieved 2021-11-27.
  27. ^ "30 Pop Soul Anthem Songs (Playlist)". 19 May 2016. Archived from the original on 27 November 2021. Retrieved 27 November 2021.
  28. ^ "Pop-Soul Music Genre Overview". AllMusic. Archived from the original on 2021-12-27. Retrieved 2021-11-27.
  29. ^ Holden, Stephen (3 October 1982). "Luther Vandross: Pop-Soul Pyrotechnics". The New York Times. Archived from the original on 30 November 2021. Retrieved 30 November 2021.
  30. ^ "The rise of street-hop, Lagos' evolving dance sound". DJ Mag. 2021-04-15. Archived from the original on 2024-07-31. Retrieved 2024-08-11.
  31. ^ "Sounds From This Side Street Pop". The NATIVE. Archived from the original on 2021-09-02. Retrieved 2024-08-11.
  32. ^ Ihejirika, Uzoma (2023-02-07). "For Its Next Lap, Nigeria's Street Pop Is Pushing Into Experimental Fields". The NATIVE. Archived from the original on 2023-06-09. Retrieved 2024-08-11.