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[[File:02 Francesco Vecellio (attribuzione), Sant'Antonio fa trovare il cuore dell'usuraio nel forziere.JPG|thumb|Attributed to Francesco Vecellio, ''Saint Antonio Searches with Great Interest for the Heart in the Coffin'']] |
[[File:02 Francesco Vecellio (attribuzione), Sant'Antonio fa trovare il cuore dell'usuraio nel forziere.JPG|thumb|Attributed to Francesco Vecellio, ''Saint Antonio Searches with Great Interest for the Heart in the Coffin'']] |
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'''Francesco Vecellio''' (1475/83–1560) was an Italian painter of the early [[Renaissance]], best known as the elder brother of the painter [[Titian]]. In his youth, he was a soldier. As a painter, he was |
'''Francesco Vecellio''' (1475/83–1560) was an Italian painter of the early [[Renaissance]], best known as the elder brother of the painter [[Titian]]. In his youth, he was a soldier. As a painter, he was in 1530 the organ shutters of ''San Salvatore'' in [[Venice]]. He painted an ''Annunciation'' for San Nicola di Bari, now in the [[Gallerie dell'Accademia]], along with ''[[Madonna and Child with Saint Jerome and Saint Dorothy]]'' (Glasgow). |
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== In popular culture == |
== In popular culture == |
Revision as of 14:47, 7 October 2022
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Francesco Vecellio (1475/83–1560) was an Italian painter of the early Renaissance, best known as the elder brother of the painter Titian. In his youth, he was a soldier. As a painter, he was mainly active in 1520-1530s in Cadore. In 1524, he signed an altarpiece for San Vito in Cadore. In the 1540s, he painted a polyptych at Candide. In 1530 he painted the organ shutters of San Salvatore in Venice. He painted an Annunciation for San Nicola di Bari, now in the Gallerie dell'Accademia, along with Madonna and Child with Saint Jerome and Saint Dorothy (Glasgow).
In popular culture
- Francesco Vecellio debuts in the video game Assassin's Creed: Project Legacy and appears again in Assassin's Creed: Memories. In the game, he is featured as an Assassin training under the Master Assassin Ezio Auditore da Firenze. After he retires from the Brotherhood, he takes up the job of a painter, although he would not be as successful as his younger brother Titian.
References
- Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 639.
- Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500-1600. Penguin Books. pp. 345–346.
- Ettore Merkel, Francesco Vecellio's Organ Door Schutters in San Salvador, in Save Venice, 1995, pp. 22-27