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Review

by Callum May,

The Slime Diaries: That Time I Got Reincarnated as a Slime

Synopsis:
The Slime Diaries
Rimuru returns once again in this slice-of-life spinoff of That Time I Got Reincarnated as a Slime adapted from The Slime Diaries 4-koma manga. Instead of embarking on grand adventures and diplomatic missions, the titular Slime is finally taking the time to relax alongside the townspeople of Tempest. Now it's not malevolent demon lords or crafty human empires that threaten the peace, but the rambunctious and conflicting personalities within this town of monsters. Can Rimuru bring everyone together by sharing his favourite Japanese seasonal events?"
Review:

The Slime Diaries feels like a reward. We've watched Rimuru tackle hardships and make new friends, resulting in the peaceful monster town of Tempest. When shows like Attack on Titan or Demon Slayer want to indulge in a slice-of-life spin-off, they tend to move the characters to a different setting (usually a high school). But Slime Diaries succeeds in fitting into the canon of That Time I Got Reincarnated as a Slime almost seamlessly.

Set in between Seasons 1 and 2, the spinoff focuses on the daily lives of the people of Tempest and Rimuru's attempts to introduce them to his favorite parts of Japanese culture. This clash of cultures and the receptiveness of the townspeople leads to plenty of situations that are equal parts amusing and wholesome. This likely couldn't have been achieved if not for the storytelling and comedic character writing of the main series. Nothing in Slime Diaries feels particularly out of place, because we're already used to seeing how each of these characters interact with each other. Likewise, while comedy spinoffs can often turn characters into a parody of themselves, Slime Diaries is able to resist the urge.

Therefore, the main draw of Slime Diaries is simply the chance to spend some quality time with its characters: twelve episodes in which Rimuru doesn't go on a big adventure, but instead stays home to spend roughly a year with his friends. This ends up being a bigger appeal than you'd expect. The main series is always moving forward, introducing new characters and new conflicts, but that means that we often don't have the time to see how the new members of the town are settling in. We got the occasional check-in with Gabiru, and we saw Geld trying to redeem himself at the start of Season 2, but now we have plenty of opportunities to peek into their daily activities.

Cycling through each of the seasons can make events feel a little predictable, but it allows the show to change sceneries without having to change locations. In some ways, this can sometimes make Slime Diaries more visually appealing than the main series. Both the background art and the lighting effects achieve their goal in making Tempest feel like a place that's worth spending time in. This is an essential component to any slice-of-life, and the artists clearly took this to heart. Rimuru regards the town and its people as precious, and after watching The Slime Diaries, so will you.

Both the spinoff and main series are created at Studio 8-Bit, but with different teams in charge. Although The Slime Diaries is directed by the graphic design lead and CG producer of the main show Yūji Haibara, the appeal of the 2D art remained a focus. With new character designs, the whole cast looks a little more fresh-faced, smoothing over the sharper details from their more action-focused adventures. The result is a show that still has plenty of well-animated moments, but in a different form. The appeal of Slime Diaries is therefore not explosions or awesome sword battles (although they have plenty of excellent examples), but moments such as a memorable Gabiru dance or an adorable goblin girl climbing upon the shoulders of a large orc. The character animation acts as both a draw and an essential storytelling device.

Rimuru himself ends up being a new type of icon within this iteration. He's a different kind of protagonist than we're used to from isekai anime with a cute character design and a wholesome outlook, and that's only been expanded upon. We've seen hints at his ambiguous gender expression after his melding with Shizu in the first season of the main series, but Slime Diaries indulges in having him don plenty of seasonal outfits. While the main series tries to focus on the fantasy aspects of the premise, Slime Diaries can be somewhat of a fashion show at times, with some members of the cast appearing in both modern and traditional outfits. Much like the background artists, it's another way of demonstrating that this is a living, breathing world.

Slime Diaries is not only wholesome, but also genuinely funny. Of course, comedy is always going to be subjective, but here it's reliable in the sense that it mostly expands on the comedy from the main show. It helps that the manga was written by Fuse, giving a sense of consistency to the character writing. No matter the gag, nothing the characters do will change your perception of them. Milim is still rash and immature, but now we get to see more of how that would manifest in normal, day-to-day life. Souei is still serious and brooding, but how long can he really keep that up? He's got to unwind sometimes.

The Slime Diaries adds to the experience of watching That Time I Got Reincarnated as a Slime. Of course, you can skip it without really missing anything plot-relevant, but it helps to increase the dramatic weight of the events in Season 2. More cynically, I imagine it would also encourage more people to purchase Slime merchandise and roll for their favorite characters in the Lord of Tempest gacha game, but it's a welcome addition nonetheless. Slime is already becoming an increasingly popular franchise, and if the anime were to continue, then so should The Slime Diaries. If nothing else, it is a way of giving us a wholesome check-in on all the new townspeople as the story advances. I imagine we'll be needing it.

Grade:
Overall : A-
Story : B+
Animation : B+
Art : A
Music : A-

+ A genuinely funny and wholesome addition to the Slime series that shows new sides to existing characters
Seasonal structure can feel a little predictable. Animation outside of standout scenes can feel stiff.

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Production Info:
Director: Yūji Haibara
Series Composition: Kotatsumikan
Script: Kotatsumikan
Storyboard:
Yūji Haibara
Akihiro Ino
Shintaro Inokawa
Yasuhito Kikuchi
Masashi Kojima
Claire Launay
Yoko Matsuo
Tomomi Mochizuki
Satoshi Shimizu
Takayuki Tanaka
Shin Tosaka
Yūsuke Yamamoto
Episode Director:
Shige Fukase
Kōsuke Hirota
Shintaro Inokawa
Kazuo Miyake
Ryo Nakamura
Munenori Nawa
Noriyoshi Sasaki
Hiroshi Tamada
Shin Tosaka
Yūsuke Yamamoto
Unit Director:
Yūji Haibara
Shintaro Inokawa
Munenori Nawa
Music: R.O.N
Original creator:
Fuse
Shiba
Original Character Design: Mitz Vah
Character Design:
Atsushi Irie
Risa Takai
Art Director: Ayumi Satō
Chief Animation Director:
Atsushi Irie
Yukiyo Komito
Kazuaki Morita
Keiya Nakano
Miyuki Nakayama
Risa Takai
Yūichi Tanaka
Hideki Yamazaki
Animation Director:
Sinomin
Kyōko Furubayashi
Aisa Hagiwara
Seiji Hagiwara
Asumi Hashimoto
Riku Honda
Masanori Iizuka
Shintaro Inokawa
Atsushi Irie
Hitoshi Kamata
Kenichirō Katsura
Yasuhito Kikuchi
Toshimitsu Kobayashi
Masahiko Komino
Yukiyo Komito
Miki Konno
Kazuhisa Kosuge
Mitsutoshi Kubo
Ayumi Kurokawa
Yasunori Matsumura
Junko Matsushita
Etsushi Mori
Kazuaki Morita
Miyuki Nakayama
Hikaru Naraoka
Miki Nishikawa
Takeshi Noda
Takeo Ōhira
Kaori Saito
Hideki Sakai
Kei Sakai
Hiroya Sasaki
Hiroaki Satō
Zearth Sato
Masahiro Sekiguchi
Hideaki Shimada
Nozomu Shimazaki
Hiroyuki Sugawara
Yūichi Takahashi
Risa Takai
Junichi Takaoka
Akiko Takihara
Shin Tosaka
Makiko Uemura
Yui Ushinohama
Shūhei Yagisawa
Chie Yamazaki
Hideki Yamazaki
Sound Director: Jin Aketagawa
Cgi Director:
Fūma Aizawa
Yūji Haibara
Tsukasa Saitō
Director of Photography: Hiroshi Satō
Executive producer:
Yukio Haruyama
Tsutomu Kasai
Satoshi Matsumoto
Shunichi Morishita
Ken Ōkawara
Tomoya Takeda
Shizuo Takeuchi
Katsuya Tasaki
Producer:
Yōhei Itō
Nobuaki Sugimoto
Licensed by: Crunchyroll

Full encyclopedia details about
Slime Diaries (TV)

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