Little Miss Sunshine

Once every few years it happens that an inconspicuous film unexpectedly hits a golden vein in the form of great audience interest and favourable critical response, but at the same time the buzz and the aura of "wonderful comedy" created around it far outweighs its real value. Recent examples include My Big Fat Greek Wedding and now Little Miss Sunshine, the most overrated comedy of recent years. A pleasantly tedious 97 minutes, with completely banal humour, a few blatant constructs (the somewhat belated discovery of colour blindness) and one of the most incomprehensible Oscar nominations for Alan Arkin as a cackling grandfather. An over-hyped affair that will certainly not become a classic in the future. The dance of the cute Abigail Breslin won’t save it. (2007-02-25)

Funny, intelligent, pleasantly paced, well acted, and scored with a magnificent soundtrack. While being an indie, it is accessible to everyone. In addition, it has a large dose of gradually built up sympathy for the individual characters, so in the end you care about them and have a hard time saying goodbye to them... Everything is as it should be and, moreover, in above-standard quality. UPDATE: After Little Miss Sunshine, you will be left with such a great feeling of well-being for much longer than after seeing any other picture recently, and the second viewing has the same effect. That's why I'm adding another *. (2006-11-05)

Definitely one of the most successful road movies of all time. There are few movie scenes that I can't and won't stop laughing at. One of them is the "stage one" from Little Miss Sunshine. Abigail Breslin is incredible! But other than that scene, there are unfortunately too many dry spots for the movie to make 100%. (2011-07-20)

One of the best feel-good road movies I have seen. :) especially Steve Carell never disappoints...8/10! (2016-04-08)

A similar "sensation" as, for example, Sideways. Meaning a slightly bitter in places, but mostly reliable comedy, where either love adventures or family troubles are dealt with. The filmmakers cannot be denied a flair for situational humour and solid dialogue, as well as well-drawn characters, mostly well acted. It’s nothing groundbreaking or revolutionary for the genre, but it delivers solid entertainment with one American redneck family. (2023-04-20)

A hilariously bitter film with lots of funny moments and neatly intertwined fates of all kinds. Perhaps only the color blindness seemed to me too grafted on and as if unnaturally sticking out of the otherwise beautifully flowing story of one "normally strange" family. Of the cast, I want to praise the amazing Steve Carell and the diminutive Abigail Breslin the most, but the truth is that none of them were bad. (2015-04-14)

A very satisfying and original family drama with a charming humorous side and six well-written characters, whose disparity and forced coexistence is the dominant element of the narrative. The simple story doesn't stand out from other crazy road movies, but thanks to the imaginative direction and the excellent performances of all the cast, it delivers such an endearing and non-violent picture of life's little escapades that you just can't resist devouring it whole. Kinnear is already a household name and the role of the uptight father suited him perfectly, Carell surprised me again and confirmed his considerable acting talent, and the veteran Alan Arkin is simply flawless. They all work impressively well and, together with the smart script, they made an impressive film, unforgettable despite its naivety and absurdity... 80% (2013-03-30)

Nothing particularly subversive, a person with such a banal premise about not being afraid to be oneself and blah blah blemc blemc. Fortunately, a character written and played with great grace. I especially couldn't take my eyes off Toni Colette, who faithfully captures all the broken mothers of the world with every gesture and look. Otherwise, the situations and individual characters are absolute constructs that will only succeed if you admit that they were created solely to create an entertaining scene. The key to enjoying the film was simply finding it in stopping comparing it to Life Aquatic with Steve Zissou and starting to compare it to Captain Fantastic. (2023-02-12)

A great mixture of comedy and drama about a very quirky family. The dad comes across as a real jerk, Peggy Bundy is an excellent cook compared to the mom, the grandpa is a heroin addict, the uncle a suicidal homosexual, and the kids follow their peculiar dreams. Against all odds, this near-dysfunctional family is brought together as they take chubby little Olive to a beauty pageant. I enjoyed the trip to California, Grandpa's awesome one-liners were the highlight of the car conversations, and even "mute" Dwayne was great. It was just becoming increasingly obvious what Olive's talent performance would be like. I found the beauty pageant itself a little baffling, suddenly there were all these little Terminators everywhere and I was surprised to find Olivia's performance the least creepy. Steve Carell played probably the most serious character in this film, and dmittedly, he was very good. I had a great time watching the film. (2018-01-17)

This is the kind of classic inconspicuous film where interesting actors come together to play even more interesting roles. Mainly, Steve Carell fascinates me in such roles. It's fun, it's playful, sometimes it's quirky, occasionally hard to believe, but altogether it forms a great whole. And yet it's really "just" a road movie. It’s a beautiful example that something beautiful can have very diverse forms. (2014-04-01)

A charming tragicomedy built on brilliant characters, an unconventional soundtrack, and some very emotional scenes. Basically, it's a kind of unassuming ode to life's losers, demonstrating in a very appealing way the contrast between the so-called "better or higher social class" and the "lower or worse social class". At the same time, it does not portray the "objectively weaker" as some kind of victims or inferior beings. Instead Little Miss Sunshine poignantly shows how, in such families so often faced with existential problems, there comes a certain point when its members become so much more capable of understanding each other and can stick together at the right moment. The final dance number is absolutely fabulous and captures in the truest sense what is called "the art of bringing down even the most deeply rooted conventions". (2015-02-22)