USA,
(2017–2024), 13 h 25 min
(Length: 45–60 min)
Cast:
Jessica Lange,
Susan Sarandon,
Judy Davis,
Alfred Molina,
Stanley Tucci,
Sarah Paulson,
Kathy Bates,
Jackie Hoffman,
Alison Wright,
Catherine Zeta-Jones, Reed Diamond, Ken Lerner, Kevin Fabian, Robert Catrini, Lizz Carter, Twink Caplan, Kiernan Shipka, Owen Conway, Radek Lord, Mark Valley, Paul Haitkin, Molly Price, Veronica Mannion, Jeff Rector, Scott Vance, Brian Dare, Toby Huss, John Ducey, Gildart Jackson, Mark Beltzman, Daniel Hagen, Serinda Swan, John Rubinstein, Anthony Tyler Quinn, Meredith Thomas, Charlie Schlatter, Mario Diaz, Gigi Edgley, Jason Alan Smith, Brooke Star, Chelsea Summer, Stephen Holland, John Waters, Raymond J. Barry, Matthew Glave, James Morosini, Earlene Davis, Mark L. Taylor, Charlie Dell, Van Epperson, Molly Hagan, Tim Conlon, Cameron Dye, Salvator Xuereb, Audrey Moore, Curtis Andersen, Dominic Burgess, Philip Boyd, James DeAngelo, Anthony Crivello, Kenzie Dalton, Cameron Cowperthwaite, Brian Kimmet, Doug Hurley, Jason Lott, Jim Hanna, Beth Geiger, Jayne Entwistle, Ralph Michael Brekan, Dan Gilvezan, Kevyn Bashore, Alan Brooks, Charlie Bodin, Alisha Soper, Kris Black, Kaleina Cordova, Robert Arce, Roger Hewlett, Josh Plasse, Cheryl Francis Harrington, Lou George, J. Paul Boehmer, Giuseppe Russo, Seth Coltan, Matt Austin, Donna Pieroni, Tony Rossi, Greg Winter, Brian Cogley, Tom Hollander, Naomi Watts, Diane Lane, Demi Moore, Molly Ringwald, Chloë Sevigny, Calista Flockhart, Treat Williams, Christine James Walker, Russell Tovey, Joe Mantello, Rebecca Creskoff, Clifton Samuels, Dustin Lewis, Scott Zimmerman, Vito Schnabel (more)
Make-up:
Dawn Victoria Dudley,
Michele Tyminski Schoenbach,
Eryn Krueger Mekash,
Stacy Bisel,
Laverne Caracuzzi,
Lisa Rocco,
Jackie Risotto,
Chris Clark,
Joshua Gericke,
Sean Flanigan,
Ralph M. Abalos,
Shutchai Tym Buacharern
(more professions)
This is about acting performances of today that are based on acting performances of yesterday. Much has been written on this account and I would be glad if there were more people interested in the real careers of Bette and Joan before 1945, as their swan songs were really only one chapter of many. Either way, Murphy is a good guide to the classics for today's pop enthusiasts who would otherwise ignore classic Hollywood.
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