Evil

If Harry Potter weren’t a fantasy, this could be its perfect “bully" adaptation. I felt each one of those blows physically, which I think is a first for a movie. And if Andreas Wilson wasn’t just acting himself, then he is the most talented actor I know right now. Personally, I would have ended it with the fadeout as the door closes behind him and his step-father. What follows it just SO terribly unnecessary... (13/04/2009)

The only thing undermining this film a bit is the unclear temporal setting. For the events not to look unrealistic and exaggerated from today’s point of view, it uses Bernard Herrmann-like music and is set approximately shortly after World War II. But the costumes, hairstyles and behavior of many of the characters, as well as the technical aspect of the film, correspond to the present in order to be attractive for today’s (more perceptive) teenage viewers, for whom it can become the film of their life... If we look past these inconsistencies, however, Evil becomes an emotionally powerful and perfectly filmed (beautiful camerawork), cast and acted drama, the formalistic aspect of which matches that of the best Hollywood productions. (12/02/2009)

My friend recommended this movie to me and insisted that I definitely watch it. It is true that this film is for a very wide audience because it captivates with its visuals, story, and emotions. You might think Erik is a handsome scoundrel, but in a minute, you will find yourself on his side, sympathetically rooting for him. As POMO mentioned here, it is not at all clear what period the story is set in, so it cannot be judged whether it would theoretically be possible for teachers at that school to have not prevented the unforgivable violence that the student council perpetrates on younger students. In my opinion, it is impossible for this to happen at school, no matter what, without punishment. But I'm not all-knowing, so I won't dwell on it. Håfström mainly portrays emotional means in this film such as deep friendship, love, hatred, and thanks to excellent actors, the viewer quickly gets sucked into the story. It's simply a film about life, albeit one that no one would want to live. Excellent filmmaking, but as I say, a bit absurd in some respects for me. (04/02/2015)

I have to say that I expected something a bit more emotional. Klass, a film that deals with a similar topic, was a lot more interesting because the situation in Czech grammar schools is more similar in it than in the boy’s boarding school in Evil, i.e. I could relate better (and to be honest, I don’t believe something like this can happen in civilised Europe). Of course, it did arouse some emotions too, but compared to Klass, the enjoyment is barely half. (26/11/2008)

This Swedish gem easily ranks among my top ten favorite (most precious) films. I can't describe it, nor can I pinpoint exactly what makes Evil so special and brilliant for me in perhaps every respect. Part of it may be that, although it is not only a powerful but also a rather cruel drama, I didn't feel "manipulated" and pitifully begged for sympathy for the main character throughout the entire film. In short, the entire film is conceived as one very harsh human fate (a punishment all too disproportionate to the initial transgression) that the vast majority would buckle under, which is (un)fortunately not the case for Erik Ponti. The overall attitude or character of the protagonist – especially his "proud defiance" – struck me as almost "Promethean" at times, and I wouldn't be afraid to compare his unshakable endurance and resistance to higher "authorities" and arbitrariness to ancient heroism. However, the character of Erik goes even further in his struggle than the ancient heroes and is thus much closer to the Prometheus of the 19th century, who (unlike the ancient myth) in P.B. Shelley's did not submit to malice and proudly resists it to the end. I hope I didn't get too carried away by that literary interlude. ;) (04/04/2011)