Sex Drive

A great comedy from the days when Americans were still doing cool stuff. It's a bit like American Pie, and it's funny and crazy enough. I enjoyed the nudity, the decent wisecracks, the nice pacing, and James Marsden as an assassin. I had a good laugh. 8/10. (07/03/2021)

This was a real blast, and I haven't seen a better comedy since We’re The Millers. Sean Anders (We’re The Millers, Daddy's Home, Instant Family) delivers a comedy that has morals somewhere deep in its ass and every second throws out jokes and incredibly comical scenes, and when I say there were over a hundred bare asses, dicks and tits, that's still not enough. The uncensored, extended directors cut is insanely perverted and when there's nothing to see on set, a naked woman just runs into the scene and disappears two seconds later. An oddity of the highest caliber. For the kind of film it is, it's actually a fine road movie at its core, it makes sense, has a good story, great characters, cleverly sketched relationships, and a finale that's completely over the top. The fine cast featuring James Marsden, Josh Zuckerman and Clark Duke just top off the final result. I'm satisfied and I don't think I can find a better comedy. (04/03/2021)

A classic, easygoing American comedy. Sure, the plot’s predictable (like most comedies in this genre), which is why making something even a bit original isn’t easy these days—no one wants to watch American Pie rehashed over and over. But Sean Anders managed to put together a solid, refreshingly different take. Sex Drive is definitely a good pick for some lighthearted fun. (05/03/2009)

A pretty average dose of typical American cliché based on the loss of virginity, with a lot of predictable scenes following each other, but on the other hand, the soundtrack is great and James Marsden was practically killing it (in a good way). In short, a textbook example of an American comedy that doesn't surprise with anything, but doesn't offend either. (15/02/2011)

It’s very predictable, but in many moments also damn truthful and above all outrageously entertaining. It’s a rather late burial of genre films developed long ago, which scores points with its sincerity, sensual curves, and wonderful music. And James Marsden unleashed to the max. The funniest film of winter 2008/09. (16/02/2009)