Frontier(s)

After watching it for the second time, I found that Frontiers is quite an underrated film, even though everything works almost excellently there. This naziohixploitation mainly offers the desired explicitness and a lot of disgust, although it sticks to some of its limits and does not cross the boundaries. Apart from the intense gore, the visuals are also a great attraction. I enjoyed the film a lot and the excellent music contributed to everything. The dinner shootout scene gave me goosebumps. (06/13/2012)

A cheap French answer to overseas exploitation that goes to the very limit of audience tolerance. In visually frenzied garb, Gens skillfully mixes fear (the shaft) with unrestrained bursts of violence (the rest of the film), and the only thing that brings it down is his own script, which causes problems, especially at the end thanks to an unnecessary Nazi motif. I wouldn't look for any perspective or humor (as others do) here. Gens definitely brought it to a winning end with seriousness. It’s unfortunate about the talent muted by the Hollywood air in the subsequent Hitman adaptation. (04/04/2008)

Constructed primarily on the premise of Eli Roth’s poorly made Hostel, Frontier(s) offers a tangle of plot twists slavishly copied from the Texas Chainsaw Massacre flicks. Add mutant children in the cellars and the treatment of a French historical complex from the rivalry with Germany. Brutal butchery with characters on our side whom we don’t care a fig about and characters on the other side that do not evoke horror, but embarrassment. (06/08/2008)

Ultimately a 3, even though it's really screwed up potential. I haven't seen such a bunch of losers as bad guys in a long time. The fault of the script, which had a tendency to wrap the carnage in at least some sort of storyline and hopefully point out some contemporary issues, which is just incredibly unnecessary. The fossil who acted as the "father of the family" deserves a special chapter. The script asks him to do such nonsense that it makes the film become truly absurd at times. The downright stupid behavior of the characters ("Now I'm going to kill you!" and the like) and the cretinous illogic (there's always a pickaxe, hammer, or axe lying around when needed; the main character takes several horrible beatings from 150-pound dudes that would simply make a normal person cease to exist, and leave virtually no consequences for her) bring the film down terribly. I would also have a few reservations about the direction. Gens knows how to set a scene and construct a spectacular shot, but unfortunately his filter jerking is all too noticeable and the action scenes are opaque due to overblown editing. The three stars, then, are for the utterly fascinating and well-crafted gore (the axe-and-circular saw scene is one of the greatest fatalities to be seen in cinema for quite some time), which the French simply know how to do. (07/18/2009)

I've seen a lot of stupid horror movies, but this was really extreme. The story is an amalgamation of all the clichés we have seen a million times in similar murder mysteries, and not only lacks any logic, but mainly emotion, suspense or at least a tiny glimmer of originality. All the twists and turns are ridiculous and lifted from other famous horror films, the expected explicit scenes come in the last few minutes and are worthless, and the behaviour of the characters is a entire chapter in itself. I'm sure you’ve seen a bad guy standing over his defenceless victim pointing a loaded gun in their face, and instead of firing, he starts talking tough and the situation mysteriously gets out of hand – that's exactly what director Gens packs into every action scene. I was going to give it at least that 1*, but then I realized I didn't have a single reason why. The film didn't bring anything new. Some screenwriter just scribbled a few lines on paper after a bender and then they made Frontier(s) based on that. This time I was very happy to give a Boo! 5% (04/14/2022)