Directed by:
Barry LevinsonScreenplay:
Art LinsonCinematography:
Stéphane FontaineComposer:
Marcelo ZarvosCast:
Robert De Niro, Sean Penn, Catherine Keener, Bruce Willis, John Turturro, Robin Wright, Stanley Tucci, Kristen Stewart, Michael Wincott, Jason Kravits (more)VOD (3)
Plots(1)
WHAT JUST HAPPENED? follows film producer Ben (Robert De Niro) as he deals with precocious directors and stars, tends to the needs of various ex-wives, and makes multi-million-dollar deals from his car. The film mixes fantasy and reality, with Sean Penn and Bruce Willis playing themselves, while a fictional director (played by Michael Wincott) and producer (played by Catherine Keener) feud over the editing of a new feature. Ben finds himself stuck in the middle of their wrangling while also striving to persuade the cantankerous Willis to shave off a newly grown beard, or else face the cancellation of a huge-budget feature. (official distributor synopsis)
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Reviews (2)
An endearing Hollywood satire poking fun (not only) at Hollywood, pulled above average mainly by De Niro's performance and the bearded, choleric, fantastic Willis. What Just Happened isn't a salvo of jokes, and it certainly won't entertain everyone, but if you're in the right mood for it (and if you're not expecting a completely different movie), I think it'll easily take hold. "Okay. Let's go tell him to shave." ()
Producers are people too – Levinson’s adaptation of the book by Art Linson (a producer by trade) doesn’t offer anything particularly innovative. The intertwining of the story involving an unsuccessful film (don’t kill children and dogs) with Ben’s effort to make things right is imaginative except for the use of an unimaginative soundtrack, but it fails to take advantage of the analogy between the self-reverence of art and that of certain people. The film doesn’t have a proper beginning or ending; it rather goes in circles and allows the unchanging characters to behave only in the way we would expect from actors in a Hollywood comedy. The problem lies in the nature of the work, which is not exclusively comedic, as it plucks a not straightforwardly sad but somehow sadly deaf string. This is also due to De Niro’s tired performance, whose Ben doesn’t give the impression of being aggressive enough to succeed in the face of overwhelming competition. I like films set in the world of filmmaking, the biting ones showing us that not even the biggest stars lack a sense of humour. Unfortunately, however, this satire has only a set of poorly fitting dentures. 65% ()
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