Kingsman: The Golden Circle

I still like it, but it finally gets going somewhere in the middle (not even thanks to the action scene), then it trots elegantly to the inevitable conclusion. It's still true that Vaughn can serve action on a silver platter without seams, but it's a pity that his provocations no longer have such balls. Only Elton John, who thoroughly did a lot of coke and is fighting for his life, but it’s still not as good as Kingsman: The Secret Service... (12/18/2017)

I like the first Kingsman, I like Matthew Vaughn, I like movies that aren't afraid to go their own way and have fun with an extremely violent scene in which Colin Firth dispatches a church full of religious fanatics. The director of this action flick hasn't given me any reason to doubt his abilities so far, so I was looking forward to the second installment, but alas, this time Vaughn stumbled. Or rather, it looks like he doesn't care where he steps. The Golden Circle is almost two and a half hours long, has about three action set-pieces (one great, one decent, and one pointless), but completely disappoints in its handling of the new characters. The Statesmen don't impress much, the main villain and her devious plan are quite a sad sight to behold, and it all lacks the lightness, wit and quirkiness of the first film. This one managed to be cool and engaging in every other scene. It's awful to see them trying to do the same thing this time around, and it rarely works. Otherwise, it's mostly talk, everyone is serious, and as the minutes go by it becomes more and more clear that this sequel doesn't really have much to offer. Just Vaughn's lucid action, a good Taron Egerton and an excellent Firth. You know that feeling when you have to make tea out of a used bag? That's it. It's still got some flavour, but it was better in every way last time. And if you had to make it a third time, you might want to give it a miss... (07/27/2018)

Excellent fun carrying on riding the wave of part 1, pushing it to greater extremes, which sometimes is a shame, but you will easily forgive the Kingsmans. Vaughn again delivers us imaginative action, this time with a robotic arm and a jump-rope (pardon, lasso), a genius car chase in the taxi at the beginning. Again he successfully created an original idea about a villain wanting to redeem the world (I not talking about Poppy here) and the president is really cool. The eyesore of the movie in the form of a Cambodian temple with a retro bistro makes for an interesting setting. In acting terms, it takes no chances. Sometimes I have the feeling that some movies were made especially for me, and the Kingsmans are certainly one of them. See you in Sweden. (09/20/2017)

In his first sequel, Vaughn had a unique opportunity to play with the "rules" and vices of the sequel, just as he had in the past with fairy-tale, comic, and bond rules. But instead of addressing them, he made fun of them and took advantage of them, so he is slightly defeated by "sequel illness". The result is a film suffering from all the maladies of the sequel, namely more of everything, bigger, longer, more grandiose, more populated, crazier, more excessive and ... And as a result less entertaining (not to be confused with not entertaining). Mainly because the concept did not level up, the length is unjustified, the joke with Elton is repeated until it becomes annoying, Julianne is excellent, but detached from all interaction with others. It is too excessive this time to work as an (almost) regular Bond movie (which the first movie managed to balance), the original characters do not develop at all, there are no emotions except for "Merlin´s singing" sequence and most of the new characters are caricatures without any hint of personality. Does that mean that Vaughn lost his driving force, his ideas and made a pointless average movie? No, it doesn´t. He's a way too good director to do that, and the cast which clearly enjoys it helps him a lot, but the movie is very close to the above-mentioned. (09/20/2017)

Kingsman goes America! Given the stupidity of its premise and particular details reminiscent of Wild Wild West, this movie is surprisingly high-quality fun. Epic locations, stellar casting, a fast pace, a shitload of filmmaking ideas and especially witty pop-culture references, proving Matthew Vaughn’s intelligence and ability to reflect the current state of society and audience tastes. (10/02/2017)