Inhalte(1)

Auch die größten Mythen brauchen Menschen, die ihnen erst Gestalt verleihen. Jack Crabb (Dustin Hoffman), seines Zeichens bereits stattliche 121 Jahre alter Veteran der Indianerkriege, hat allerhand erlebt. Als er Besuch von einem Reporter erhält, beginnt Crabb dem jungen Mann seine Geschichte zu erzählen - ein Leben zwischen Legenden, Helden und jeder Menge Lügen. (Paramount Pictures Germany)

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Kritiken (7)

NinadeL 

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Deutsch Ein klassischer revisionistischer Anti-Western. Seiner Zeit ein wichtiges Werk, eine Adaption des gleichnamigen Romans von Thomas Berger (1964). Doch heute muss man glücklicherweise nicht mehr die Mängel der damaligen Zeit dulden. Unglaubwürdige Masken, unlogische Fortsetzungen einzelner Kapitel, einige absolut schreckliche schauspielerische Leistungen. Die Leichtigkeit, mit der dieser zeitgenössische Forrest Gump in Kombination mit Der Hundertjährige, der aus dem Fenster stieg und verschwand den amerikanischen Westen durchquert, ist bei weitem nicht so charmant, sie ist nur geradlinig und selbstzweckmäßig. Ich bin wirklich froh, dass die Fortsetzung "The Return of Little Big Man" (1999) nur in Buchform erschienen ist. ()

Malarkey 

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Englisch Another one from the *1001 Movies You Must See Before You Die* list, so I didn’t hesitate. The premise is pretty wild right from the start—Dustin Hoffman, barely disguised as a 110-year-old man, tells a reporter his unbelievable life story from the Wild West. And "unbelievable" is definitely the right word, but that’s kind of the point. The filmmakers seemed to lose track of the timeline a bit, though—since Hoffman looks the same throughout, it feels like the whole story takes place over a week. Despite that, it’s a great tale. The comparisons to Forrest Gump are spot on, just with less memorable dialogue. ()

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Kaka 

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Englisch 1970s cringe. I could quibble that creating a Forrest Gump character in the Wild West and lethargically floating the overall mood of the film back and forth constantly might be a great idea, but that's probably only for nostalgia fans and big admirers of Dustin Hoffman's over-the-top performance. The movie is objectively poorly written, unengaging, and fundamentally dysfunctional. Above all that, it's technically incredibly poorly shot; so many directorial and cinematographic errors all at once – I can't recall seeing anything like this anywhere else, in any other film. An absolute waste of time and a disaster. ()

Lima 

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Englisch One of the few westerns that shatters the conventional view of the conquest of the Wild West as a heroic period in American history (the slaughter of an Indian village by ruthless American soldiers, General Custer as a psychopathic despot, etc.), and it also has many funny situations. Dustin Hoffman as a shy young man, a drunkard, an Indian, a bearded drifter or a centenarian old man – he is extremely convincing in all these roles. I think its his best film role. ()

gudaulin 

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Englisch For a long time, I claimed that I didn't have a positive relationship with the western genre. I was bothered by its clichés, heroism, and black-and-white characters. Later, I had the privilege to get acquainted with films that significantly revitalized the classic western and disproved my prejudices that the western genre is dead. Little Big Man, in my opinion, belongs to the best creations in this genre. It's not a parody, but Arthur Penn looks at the conquest of the Wild West and the famous figures of that era through a comedic lens. Jack Crabb, as the film's protagonist, represents the absolute opposite of the beloved western heroes. He is actually a nobody who navigates on the border between white and Native American civilization. He doesn't really belong anywhere and changes his ethnic affiliation and life role several times. Penn cunningly satirizes the myth of the Wild West and legends of that era. General Custer is an excellent narcissistic psychopath, and the devout pastor's wife, played by Faye Dunaway, is a perfect example of hypocrisy and rightfully meets a tragic fate. The film depicts the inevitable decline of the Native American civilization and the massacres that accompanied the settlers' westward expansion. The director alternates between humorous moments and scenes of violence and tragic death. Penn handles this uncommon and quite demanding combination of genres excellently, while authentically portraying the receding Native American culture without succumbing to sentimentality and fascination. The presence of the always-excellent Dustin Hoffman definitively tips the scale in favor of five stars. Overall impression: 90%. ()

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Verwandte News

Schauspieler W. Emmet Walsh gestorben

Schauspieler W. Emmet Walsh gestorben

21.03.2024

Der altgediente Schauspieler M. Emmet Walsh ist im Alter von achtundachtzig Jahren in Vermont, USA, gestorben. Er war vor allem in Nebenrollen in Filmen wie Blade Runner, Blood Simple und Raising… (mehr)