Biografía (1)
Robert Rossen started his career writing socially conscious films noirs that provided implicit left-wing commentary on the anti-communist investigations taking place in Hollywood. He moved into directing in the late 1940s – his third film, All the King’s Men (1949), won the Academy Award for Best Picture – before being blacklisted for his association with the Communist Party. This decision was overturned after Rossen identified 57 current or former communists, and… (más)
Galería (1)
La ultima hora (1947)
Photo © Columbia Pictures
Guionista
| Películas | |
|---|---|
| 1964 |
Lilith |
| 1963 |
The Cool World - obra de teatro |
| 1962 |
La fragata infernal |
| 1961 |
El buscavidas |
| 1959 |
Llegaron a Cordura |
| 1956 |
Alejandro el Magno |
| 1954 |
Mambo |
| 1949 |
El político |
| 1947 |
La hija del pecado |
La ultima hora |
|
| 1946 |
El extraño amor de Marta Ivers |
| 1945 |
Un paseo bajo el sol |
| 1943 |
Al filo de la oscuridad |
| 1941 |
Blues en la noche |
Out of the Fog |
|
The Sea Wolf |
|
| 1939 |
A Child Is Born |
Dust Be My Destiny |
|
Los violentos años veinte |
|
| 1938 |
Heart of the North |
Racket Busters |
|
| 1937 |
Mujer marcada |
They Won't Forget |
|
Director
| Películas | |
|---|---|
| 1964 |
Lilith |
| 1961 |
El buscavidas |
| 1959 |
Llegaron a Cordura |
| 1957 |
Una isla al sol |
| 1956 |
Alejandro el Magno |
| 1954 |
Mambo |
| 1951 |
Toros bravos |
| 1949 |
El político |
| 1947 |
Body and Soul |
La ultima hora |
|
Productor
| Películas | |
|---|---|
| 1964 |
Lilith |
| 1961 |
El buscavidas |
| 1956 |
Alejandro el Magno |
| 1951 |
Toros bravos |
| 1949 |
El político |
The Undercover Man |
|