Chvilky
Director:
Beata ParkanováGuión:
Beata ParkanováCámara:
Martin DoubaReparto:
Jenovéfa Boková, Jaroslava Pokorná, Viktor Tauš, Alena Mihulová, Martin Finger, Lenka Vlasáková, Marek Geišberg, Ladislav Trojan, Taťjana Medvecká (más)Sinopsis(1)
It might seem that Anežka’s life is not her own – her entire family want to get involved in every aspect of it. The young woman tries to please everyone, but she is gradually losing what is most important – herself. This confident debut deftly captures the pitfalls of family life, which are interpreted with humour, understanding and a remarkably mature sense of situations we experience so often that we aren’t even conscious of them. (Karlovy Vary International Film Festival)
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Reseñas (7)
Desviación social por todas partes, pero absolución en ninguna. La heroína principal (excelente Jenovéfa Boková) está afligida por una abuela pesimista, una madre que no hace nada, un padre exigente y un amante casado tanto que ni siquiera puede expresarlo con palabras a un psicólogo, y como solución decide guardárselo de manera completamente estúpida y peligrosa para sí misma. Todo el mundo se mete con ella y socava su confianza en sí misma, pero ella siempre lo acepta pasivamente, no le dice nada a nadie y finge llorar en algún lugar en privado. Muchos espectadores, también hasta cierto punto oprimidos y manipulados emocionalmente por su propia familia, ciertamente reconocerán esto, pero la película no les dará una salida a esa trampa, solo un sufrimiento silencioso. La película, que es clara y en un principio bastante notable por su autenticidad y sentido del diálogo, finalmente se ve envuelta por una fría depresión, cuyos "momentos" con familiares ofrecen una luz al final del túnel pero no muy evidente y titubeante
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Dos estrellas para dos estrellas de cine checas, Jenovéfa Boková y Jaroslava Pokorná, por sus actuaciones precisas. De lo contrario, busco en vano lo positivo: muchas escenas innecesarias y aburridas (lideradas con autoridad por las tomas de leñadores y bosques), diálogos sin sentido y estúpidos, un guión débil. Y por eso no me sorprende que solo se hable de Boková en relación con esta película. Por otro lado, me gusta mucho otro punto de vista de la usuaria emma53 y respeto totalmente ese comentario, aunque sea diametralmente diferente al mío. Justo hoy leí una entrevista con Jenovéfa Boková, diciendo que se está tomando un descanso de la actuación, lo cual es un poco una lástima.
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Seven short episodes in the battle for the treasure of Agnes of Bohemia, preceded by at least 93 similar exhausting nothings. Beata Parkanová presents the difficulty of defining the boundaries of human integrity with a terrifying naturalness. It’s just a pity that towards the end it runs out of steam, and an ill-fitting offer of "perspective" is introduced. The male species takes the hit once again. The only commendable act might be grandpa’s dry diaper.
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I would like to see more of this kind of variety in Czech cinema. A civil, sadly funny film, which rests on its dialogue and the personality of the main character. I've always liked Jenovéfa. I like how she is her own person, how great irony sounds coming out of her mouth, and also how "normal" she is. Yeah, I was missing a bit more of an ending, but on the other hand I appreciate that for once someone isn't telling us how to live. 3.5 stars.
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I thank the creators of 3Kino festival for enlivening the premiere of this movie with a nice discussion after the viewing with Jenovéfa Boková and Beata Parkanová - It is a shame that there aren’t more discussions like this one and the Czech viewer isn’t really used to them. It explained many things about the movie, and it forced me to think about it more. The film isn’t badly managed from a technical standpoint, Jenovéfa not only gave a bombastic and, for Czech standards, unbelievably depressive performance, she also showed how fine a person she is; just like Beata, who talked very openly about the movie. It is a shame, then, that the movie opens up the psychological side of Jenovéfa’s character but isn’t really looking for answers. It doesn’t actually communicate with the viewer. It only points stuff out and that bummed me out a bit in the final context of the movie. The dialogues were, however, at times brilliant and made me laugh in points where only a Czech film could make me laugh. When it comes to irony, we are the masters of humor. When it came to my rating, I was thinking hard between 3 and 4 stars. The ending, however, confirmed for me that the mental insights aren’t enough, and I ended up with really solid 3 stars. However, the movie together with the discussion was a really nice experience, which I would like to experience more of in the future with the filmmakers. There is nothing better than getting to know the creators through discussions, not through questionable tabloids and newspapers. That’s what I miss a bit when it comes to Czech movies.
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