Director:
Peter SegalCámara:
Robert M. StevensMúsica:
Ira NewbornReparto:
Leslie Nielsen, Priscilla Presley, George Kennedy, O.J. Simpson, Fred Ward, Anna Nicole Smith, Ellen Greene, Earl Boen, Rosalind Allen, Andre Rosey Brown (más)Streaming (3)
Sinopsis(1)
Tercera entrega de la diparatada y humorística saga del agente Frank Drebin, al que da vida Leslie Nielsen. En esta ocasión, Frank piensa que es el momento oportuno para jubilarse y disfrutar del tiempo libre. No obstante, parece que el veterano agente tendrá que esperar un poco más para retirarse del mundo laboral, ya que en poco tiempo se verá inmiscuido en una nueva trama en la que deberá detener a un peligroso terrorista que pretende atentar en plena Ceremonia de los Oscar. Ni corto ni perezoso y en medio del gran escenario de las estrellas de cine, Frank no dudará en interrumpir el espectáculo si con ello logra salvar a media humanidad. (Universal Pictures España)
(más)Videos (1)
Reseñas (7)
The final installment of a trilogy about the life, adventures, and sexual exploits of Lieutenant Frank Drebin may not have been the best of the three, but still easily worth four stars. Again, I felt that some of the jokes were past their zenith and sounded a bit cringeworthy, but most of them still worked for me. I never really expected a profound (or even artistic) experience of this type of comedy, and thankfully the creators didn't even pretend to aim at anything like that, so I got exactly what I expected even the third time around. An unpretentious yet entertaining film, which makes me just relax and enjoy myself, with a goofy grin on my face the whole time. / "Why don't you want a child?" "Didn't I try to adopt that 18-year-old Korean girl?" / Lesson learned: Being in a relationship isn’t without obstacles. Your partner may be quite difficult to please.
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A lot crazier than the first two. There are more crazy gags, crazy situations and references to Hollywood films, which are mostly really good (the opening parody of The Untouchables is awesome). What remains, however, is the determined Lieutenant Leslie Nielsen, a.k.a. Frank Drebin, who once again belts out one catchphrase after another, showing that there was no better comedian in American cinema in the 1990s. Peter Segal has a different style than David Zucker, and the goofiness of the main characters is probably more purposeful and important than ever before, but if any director could make a threequel to two legendary comedies of this quality, I certainly wouldn't complain. 4.5*
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I think this part is the best of the whole trilogy. The scene at the Oscars is unforgettable. Zucker made a comedian out of Leslie Nielsen, Leslie Nielsen made a buffoon of himself in his other films.
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The third time is the charm with no less quality entertainment provided by Frank Drebin, the hero of all villains. He may have softened at first glance, but he still knows how to set off a merry-go-round of crazy events to keep our diaphragm busy. The sequence from the sperm bank didn't quite work for me, but the rest of the film was nice entertaining. The Oscars scene with its many references (not only) to contemporary films was not bad. P S: the Golden Raspberry for Anna Nicole Smith was definitely on point – she was very, very bad.
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When you watch films with Frank Drebin, you wonder what happened to those crazy American comedies that used to be so damn funny. Nowadays, it's not the same, and out of ten comedies, maybe only one stands out if even that. And by "stands out," I mean that you actually have something to laugh about. When a film like American Hustle is labeled as a comedy, it's quite strange indeed. The Naked Gun films are wonderfully zany comedies, and this is confirmed by the third installment, which manages to be incredibly entertaining and surprises with new and relatively fresh jokes even in its third outing.
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