Ohjaus:
Joe WrightKäsikirjoitus:
David FarrKuvaus:
Alwin H. KuchlerNäyttelijät:
Saoirse Ronan, Eric Bana, Cate Blanchett, Olivia Williams, Michelle Dockery, Tom Hollander, Cyron Melville, Jessica Barden, Álvaro Cervantes (lisää)Suoratoistopalvelut (2)
Juonikuvaukset(1)
Paljolti Suomessa kuvatun jännityselokuvan nimihenkilö Hanna (Oscar-ehdokas Saoirse Ronan) on teinityttö, jolla sattuu olemaan sotilaan voimat, kestävyys ja äly; sellaiseksi hänet on Pohjois-Suomen karuissa erämaissa kasvattanut hänen isänsä (Eric Bana), entinen CIA-agentti. Eristyksissä ja poikkeuksellisissa olosuhteissa vietetyllä nuoruudella sekä kaikella hänen kasvatuksellaan ja koulutuksellaan on ollut vain yksi päämäärä – koulia Hannasta täydellinen salamurhaaja. Pian koittaa hänen nuoren elämänsä käännekohta, kun isä lähettää hänet maailmalle suorittamaan tehtävää. Kaikessa hiljaisuudessa hän matkustaa halki Euroopan vältellen agentteja, jotka hänen peräänsä on lähettänyt häikäilemätön tiedustelupalvelun päällikkö (Oscar-voittaja Cate Blanchett), jolla on omat salaisuutensa. Kohdetta lähestyessään Hanna saa hätkähdyttäviä tietoja omasta taustastaan ja joutuu lopulta pohtimaan koko perimmäistä olemustaan. (Walt Disney Nordic Fin.)
(lisää)Videot (3)
Arvostelut (13)
It felt like Saoirse Ronan was trying to channel a bit of Natalie Portman in Léon: The Professional, but just trying. Eric Bana was fantastic, though—his action scenes were spot-on, and Hanna herself pulled off some pretty wild stunts. The camera work was surprisingly smooth too, not the shaky kind that makes you dizzy. But overall, everything felt a bit too polished. Compared to Léon, this movie lacks that natural, gritty feel. Still, Hanna is a solid film—until the ending, which really dropped the ball.
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I admire Joe Wright's work and I think that, despite his last two mediocre films, he's the greatest British talent of our time, but I just don't give a damn about delicate little girls who can beat up a guy a head taller and 50 kg heavier in hand combat. Such stupidly naive screenplays probably don't even belong in contemporary cinema (I hereby salute the 80s).
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An interesting way to create a film. I had the feeling that someone had come up with a very smart story, sent it via “Chinese whispers” through several morons and then they filmed the result. The border between genius and idiocy can be very thin sometimes and this film steps on both sides of it throughout. It is superbly made, but all too often I shook my head at the stupid things happening on screen (and yet it would be enough to correct the script a little). By the end I laughed out loud several times. Also, the way the final chase with the two female protagonists is put together is nonsense and confusing. PS: Mild thumbs up only for Blanchett’s character – that’s how a charismatic villain should look like. 5/10
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An art-action film about a hit girl searching for her own female identity. I'll probably never understand how someone could push a script like this past the studio bosses, but I won't hide the fact that I loved it. There probably won't be many conquerors of this film in the "weird" box this year. In any case, it's clear that one box is very small for Wright. The chemical music is great, and Saoirse is an excellent actress, but Cate should ditch the negative roles. The Soviet agent has been replaced by an American, the black hairstyle by a red one, but the tragedy is the same. 4 ½.
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Progressive, superb work by the director, an excellent soundtrack by The Chemical Brothers and a goodlooking cast meet a mediocre B-movie script. Hanna could have been the most intriguing action blockbuster of the year, if someone had bothered to back it up with a correspondingly interesting story. The story that it does have is no better than that of Salt, for example. Nevertheless, it remains a cool, dynamic experience. If Tom Cruise wished to truly revive the M:I series, he should have entrusted Ghost Protocol to Joe Wright!
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