The Queen

  • Grande-Bretagne The Queen (plus)
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Résumés(1)

Dimanche 31 août 1997. La princesse Diana meurt des suites d'un accident de voiture survenu sous le pont de l'Alma à Paris. Si cette disparition plonge la planète dans la stupeur, elle provoque en Grande-Bretagne un désarroi sans précédent. Alors qu'une vague d'émotion et de chagrin submerge le pays, Tony Blair, élu à une écrasante majorité au mois de mai précédent, sent instantanément que quelque chose est en train de se passer, comme si le pays tout entier avait perdu une soeur, une mère ou une fille. Au château de Balmoral en Ecosse, Elizabeth II reste silencieuse, distante, apparemment indifférente. Désemparée par la réaction des Britanniques, elle ne comprend pas l'onde de choc qui ébranle le pays. Pour Tony Blair, il appartient aux dirigeants de réconforter la nation meurtrie et il lui faut absolument trouver le moyen de rapprocher la reine de ses sujets éplorés. (texte officiel du distributeur)

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Critiques (6)

DaViD´82 

Toutes les critiques de l’utilisateur·trice

anglais God Save the Queen After the controversial, fiercely filmed Dirty Pretty Things, it comes as rather a surprise that Frears filmed such a harmless, conservative and low-key story. Without great emotion of shocking revelations, we are give a peek into the royal family’s “mourning" over the death of Diana. The traditionally great performance by Helen Mirren would certainly equal and exceed the harshest of yardsticks and so it is no surprise that she won so many awards, deservedly. Thanks to the attractive topic and perfect actin performances, this is certainly an above-average picture and so neither the all-too-obvious parable with the deer, the exaggerated veneration of Her Majesty nor the enthusiasm for Tony Blair matter too much. It’s all a sort of an over-sumptuous theatre play. But a very good one, mind you. Exactly this type of play would fit perfectly in the repertoire of the Vinohrady Theatre in Prague. It would be a huge success, especially with the more mature end of the audience age spectrum. The Queen is the type of movie that you can watch with your (grand)parents, and not even the younger family members will get bored. ()

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D.Moore 

Toutes les critiques de l’utilisateur·trice

anglais Great performances by Helen Mirren and Michael Sheen (whom I've seen before as Blair in the equally good The Special Relationship), a nourishing, almost theatrical script that is not afraid of satire, Desplat's fine music and Frears' direction skillfully mixing period footage with film footage... That is what you get with Queen. A riveting hour and a half in which there is "only" talking. ()

novoten 

Toutes les critiques de l’utilisateur·trice

anglais A one-sided appeal to a mainstream audience, a transparent idea in the overall intention, and disappointment at how predictably academically desirable a promising-looking film can be. I just can't get rid of the feeling that The Queen mainly works because she is portrayed as a human. But so clumsily and cheaply that I can't take her seriously. Regarding Diana's funeral, she stubbornly stands by her decision, ignores advice, and when she encounters a deer, she softens and starts thinking in a completely different direction? I can't believe that. I am equally saddened that everything is turned into a semi-documentary form and yet the viewer is manipulated into being a Tony Blair supporter from the very beginning, without a deeper understanding of the political context, it is impossible to form a more accurate picture. I understand the worldwide success, but I attribute it to the intriguingly controversial plot and the fact that Helen Mirren looks like Elizabeth and Michael Sheen looks like Tony Blair (which, however, does not deny that most of the positives they are owed). And I wonder when was the last time I felt as conflicted as when I observed the Queen Mother in the position of a comic supporting character. ()

Malarkey 

Toutes les critiques de l’utilisateur·trice

anglais If I had seen The Queen back in 2006, I might have found it more compelling. Having watched the excellent series The Crown since then, not much in this film surprised me. However, it remains true that Princess Diana's death pushed the royal family to express emotions more openly. Helen Mirren and Michael Sheen are fantastic, portraying their characters with great respect. ()

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