Résumés(1)

Honza Rambousek is quite likable swindler, who is in the underworld acclaimed as an expert on locks, computers, electronics and cars. He is also incorrigible womanizer and women loves him though... He is recently in a trouble, because he owns a lot of money to a mobster Vytloukal. If Honza doesn't steel a painting „Girl in Blue" from a gallery, he is done... But he is saved by an accident, somehow he meets his double, high school teacher Richard Prospal, pedant and a good guy, very hard to find. Richard miraculously changes live to both of them. Honza is enjoying Richards live at home and teaching in school, otherwise Richard is followed by mobsters, because they don't believe him he isn't Honza Rambousek. And by the time that even his daughter Natálka falls in hands of the mafia, there is nothing left to Richard then making up a plan, how to find the head of mafia and trick both him and his fellow sidekicks, getting back his daughter and the painting to safety... Comedy full if surprising and funny moments, unexpected twisted situations and messy conflict can start! (Bioscop)

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Vidéo (3)

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Critiques (6)

Filmmaniak Boo !

Toutes les critiques de l’utilisateur·trice

français J'aime bien Monsieur Nárožný, mais lui confier un rôle de dangereux mafieux était l'erreur de casting de l'année. Sinon, la réalisation et le scénario ne peuvent être décrits que comme de l'amateurisme. Tout, des performances d'acteurs au montage et à la musique, est désolant et je ne peux penser à rien que je puisse souligner comme étant même légèrement positif. Peut-être Messieurs Čtvrtníček et Šteindler. Mais leurs quelques minutes de présence ne peut sauver la situation que difficilement. ()

claudel 

Toutes les critiques de l’utilisateur·trice

français Je m’attendais à un film de divertissement et c’est exactement ce à quoi j’ai eu droit. J’ai pas mal ri et, bien que Dvojníci n’échappe pas à certaines maladresses, j’en ressors avec une impression générale positive. Le thème des sosies et de la confusion d'identités est idéal pour le genre comédie, donc avec un minimum de compétence, il y a moyen d'obtenir un succès. J’aime bien Ondřej Sokol surtout pour ses prestations théâtrales au Club dramatique de Prague, mais il se défend plutôt bien dans les films et comédies également. J’évalue Dvojníci à trois étoiles et demie, mais comme j’ai passé un excellent moment, je vais arrondir vers le haut. ()

Annonces

Pethushka 

Toutes les critiques de l’utilisateur·trice

anglais For someone who wanted to pick up my feet and run out of the cinema during that first scene in the car, I ended up enjoying the film. In fact, if Kohák had been silent the entire time during those first few minutes, it would have been funnier. Believe it or not, before the transformation, the life of a teacher and his music-playing wife was a lot funnier than that of the thief Simona herself wants to get into the yoke. After the transformation, it's fun on both fronts. Sokol is having a blast and comes across as a natural. Etzler scores points too, giving me probably one of the biggest fits of laughter since I was a teenager. I'm just not sure about Nárožný. A stronger 3 stars. ()

Necrotongue 

Toutes les critiques de l’utilisateur·trice

anglais This seems to be an authentic Czech controversial film because the ratings of the users I follow cover almost the entire scale. A one-star rating was missing, but I quickly fixed that, and now it's complete. The humor was there, but the creators pushed it too much, to the point of wearing it thin. However, there were still moments here and there that made me laugh, so the film wasn't a complete flop, even though the screenwriter tried. Jakub Kohák has become a symbol of low quality for me; however, Ondřej Sokol balanced the situation. I didn't like him until recently, but I have become quite fond of his cheeky face. / "Those who won't bring anything tomorrow won't see the Big Bang." / Lesson learned: If you want to see mind triumph over matter, you will like this film. ()

Gilmour93 

Toutes les critiques de l’utilisateur·trice

anglais Jiří Chlumský serves up a strange tangle of simplistic domestic entertainment from the 21st century, crazy comedies from the seventies, and early Ritchie films through non-actors and overacting actors. No kidding! Petr Nárožný from the waterworks is a complete Brick Top! The decent theme of mistaken identity was somewhat explored in the middle section, but I can't believe that Ondřej Sokol, with his weakness for McDonagh, enjoyed this. However, his mouth bacteria definitely did enjoy it as they repeatedly multiplied towards the Schneiders and Krains. ()

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