Tartalmak(1)
Cavalcantiék filmjét tekintik az avantgardista dokumentumfilmek első megnyilvánulásának. A vázlatos cselekmény inkább csak ürügy a rendezőnek, hogy Párizs köztéri óráit megmutathassa, hajnaltól, napestig... (Örökmozgó)
Recenziók (1)
Made with avant-garde charm by Brazilian director Alberto Cavalcanti at a time when cinema was gaining its self-confidence, Nothing but Time is poetic realism anticipating the mosaic of Paris, the first in a series of urban symphonies (followed by Berlin: Symphony of a Metropolis, Man with a Movie Camera, À propos de Nice). The film doesn’t seem as cohesive as Ruttman's or Vertov’s contributions to the “genre” (despite its circular structure), but it very imaginatively and sometimes even humorously uses juxtapositions and the peculiarity of the film medium.
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