A Macskanő

A retardált forgatókönyvvel, karakterekkel és dramaturgiával rendelkező filmet csak Halle Berry mentette meg. Ő az egyetlen a színészek közül, akinek sikerül perspektívát adni a hősnőnek, nem tűnik merevnek és esetlennek, és főleg... pokolian szexi. Ha ő nem lenne, A Macskanő filmet végig nézni szó szerint megpróbáltatás lett volna. A szemet gyönyörködtető, bár időnként kissé túlzásba vitt látványvilág (ami ide bizonyára jobban illik, mint a Vidocq filmbe) és a digitális zselatin ellenére. (2005.05.19)

Two and a half stars in this case - unlike the genre-related Elektra - I'm rounding down. I didn't mind Halle Berry (she rehearsed her cat movements nicely, as well as various gestures and facial expressions - like staring at the fish in the aquarium) or Pitof's super-video direction (say what you want, but the guy knows how to create atmosphere - the resurrection of Catwoman is a great example). What sinks the film is the script. The silly cosmetic story isn't even remotely interesting and seems like something out of a parody, some of the characters (the super cop, the annoying gay work colleague) made me want to murder them with my gaze. Even Sharon Stone, who was tolerable for most of the film, becomes so horrifyingly unbearable at the end that one gets sick. This is a missed opportunity.__P.S. Klaus Badelt's music was great. But why does she play annoying RnB during the fights instead her music?__P.P.S. Of course, Michelle Pfeiffer still remains the only real movie Catwoman. But we'll see if Nolan and his third Batman do anything about that. (2010.10.24)

The film was preceded by a truly terrifying reputation as the worst comic book adaptation of all time, with incredibly scathing reviews, so I watched it out of sheer curiosity and masochism. The film is not as terrifying as its image suggests, but that doesn't mean it's a decent genre piece at all. The script is terrible above all else, and neither the direction nor the casting can save it. A justified flop for one of the most expensive films of the year, which harvested golden raspberries, and was an exceptionally bitter pill for the already successful and Oscar-winning Halle Berry... Overall impression 25%. (2008.04.18)

It needed a bit of time to forget about Catwoman. Or rather, about my disappointment from her first solo film. There is no reason to remember her explicitly negatively, it's just a comparable film to one of many Hulk films. The approach to comic book adaptations was still being discovered, and this was one of many dead ends. I can imagine that the same team could have made a pretty decent romantic comedy and alongside it (maybe with the same cast) some video game action. Unfortunately, here they tried to squeeze the same thing into the sleek DC mold, which didn't work out. Nevertheless, Sharon Stone, Frances Conroy, and Peter Wingfield definitely don't have to be ashamed of their supporting roles. (2023.02.08)

Very mixed feelings. When I saw the movie as a kid, then platonically in love with Halle Berry, of course I devoured the movie. From today's perspective, of course, I see it as a strange digital sob fest full of bizarre situations and so on, but hey, this Catwoman has something to it. In the end, it doesn't seem that bad, not even Daredevil, so... Out of nostalgia, 70%. (2015.04.21)