The Godfather
Regie:
Francis Ford CoppolaCamera:
Gordon WillisMuziek:
Nino RotaActeurs:
Marlon Brando, Al Pacino, James Caan, Richard S. Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, Al Lettieri, Diane Keaton (meer)Streaming (5)
Samenvattingen(1)
Don Vito Corleone staat aan het hoofd van een maffia familie in New York. Als een gangster van een andere familie besluit drugs te gaan verkopen in heel New York, ontstaan er problemen. Don Vito is tegen de handel in drugs en laat dit ook blijken. Dit leidt tot een poging om hem te vermoorden. Daarna wordt één van Don Vito's adviseurs gekidnapt, om zo z'n zoon te dwingen de drugsverkoop goed te keuren. (EYE Film)
(meer)Video's (2)
Recensie (18)
The Godfather is the ultimate gangster movie; there’s hardly anything more to add. Marlon Brando is spectacular and not even Al Pacino can surpass him. This is mainly because Marlon Brando’s performance is perhaps one of the greatest acting performances I have ever experienced in a film. Excellent from start to finish. Although the film has 175 minutes, what is it compared to one decade of in the lives of a mobster family, which is everything but boring.
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The Godfather is not only the best gangster saga, but also the best film about the games of men and the fate of women, and Al Pacino is the best actor I know. He can act with his eyes without even moving an eyebrow. I will never forget the look he gave Appolonia when he gave her the necklace during the courtship, or when he observed his adversaries at Don Corleone's funeral. Fantastico! Fenomenale!
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In terms of filmmaking, it’s flawless and brilliant, but the story didn’t captivate me that much and I didn’t care how it would all end. The best thing in the film is Marlon Brando’s performance, even when he’s laying down silent, he’s the most charismatic character on screen. Even though this film didn’t thrill me as much as I expected, I’m still quite curious about the second part.
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It was only the silver screen that finally allowed me to feel the greatness of this gem, which, in the limited and shallow surface of the TV screen, always felt kind of convoluted and without the depth of some of Coppola's other works. It was, of course, a mistake. The Godfather is an extraordinarily robust epic, a purely narrative film whose monumentality is full of fine details and scenes constructed with architectural precision (the way the director masterfully combines different elements of storytelling to amplify intense tension is unique). It cannot be consumed in parts, it cannot be turned off. Coppola is intense, the scenes logically blend into each other (the interlining edit is not self-serving), and it is fascinating to watch the transformations of characters who seem to have aged with the film and radically reshaped themselves internally. The Godfather is "film-life," a radical manifesto of a fictional time that, with its grip and power, can completely control the current time. A captivating, contemplative experience that really needs this great canvas.
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The Godfather is a classic that engages viewers not emotionally, but through revealing the fascinatingly depicted world of a New York mafia family and studies of its characters. And through elegant filmmaking that doesn’t rush anywhere, because it wants to devotedly savor every morsel of the story. Marlon Brando gives a standout performance with creative details in his speech that make his character magnetically interesting. The film is a loftily conceived and inwardly sad portrait of people with corrupt ideals whose only non-false value is family. And of the disintegration of the family, because the rule “like father, like son” does not always apply. My favorite passage (other than all of the scenes with Brando) is surprisingly the romantic one and the only explicitly nice one in the whole long film – the wooing of the Italian peasant girl by Al Pacino and his show of respect to her father.
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