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Het tragische verlies van hun ongeboren kind heeft Kate (Vera Farmiga) en John (Peter Sarsgaard) enorm aangegrepen. Zowel hun huwelijk als Kate’s fragiele psyche heeft eronder te lijden, omdat ze wordt geteisterd door nachtmerries en demonen uit haar verleden. Het stel doet er alles aan om weer een normaal leven te krijgen en besluit een kind te adopteren. In het plaatselijke weeshuis voelen John en Kate zich op een vreemde manier aangetrokken tot een jong meisje met de naam Esther (Isabelle Fuhrman). Al gauw na thuiskomst vindt er echter een reeks gebeurtenissen plaats, waardoor Kate begint te geloven dat er iets mis is met Esther. Dit ogenschijnlijk schattige kleine meisje is niet wat ze lijkt te zijn. Kate maakt zich zorgen over de veiligheid van haar gezin en probeert John en anderen te overtuigen van Esther’s duistere kant. Maar haar waarschuwingen worden in de wind geslagen totdat het te laat is… voor iedereen. (Warner Bros. Pictures)

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Recensie (11)

J*A*S*M 

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Engels My goodness, that was quite nerve-wrecking! And it starts so easygoing (if we don’t count the first scene, that is), an idyll with smart little Esther and her likeable parents and siblings; I almost didn’t want to believe anything could go wrong. And it does! In the course of half an hour, Esther turns from a cute girl into the kind of bitch you want to murder with a pickaxe between the eyes, and the psycho-terror begins. Among other things, I liked how the film builds tension – there are several times when the director gives the impression that there’s a about to be jump-scare, a chilling scene or a twist, but he rarely delivers them, which does great service to keeping and increasing the attention of the viewer. For someone like Jaume Collet-Serra, who’s made the average House of Wax, this kind of mature psychological horror is a massive surprise and a great promise for the future. ()

Zíza 

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Engels A reasonably good thriller with a thickened atmosphere – you can slowly see the rising of the heaviness, the dark atmosphere and despair. Of course, I enjoyed the film the most from about the time the two desperate parents meet Esther to the moment this sweetheart gets slapped in the hospital. Other than that, I wasn't really entertained; that’s right, I didn't care for the final "fight". Anyway, I rate it positively because it has a certain atmosphere. Don't expect anything supernatural, though, just a proper freak-out. ()

Reclame

Isherwood 

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Engels Jaume Collet-Serra, the loser responsible for the desperately routine House of Wax, is supposed to coach the evil kid, one of those who are now (theoretically) supposed to be popular? I have no idea if he’s been talked out of it since then, or kept sedated in Hollywood, but please keep on making films just like this in the future! Considering the subject matter, the film goes quite outside the established horror practices of recent years, and so we get to watch two hours of PRECISE psychological games that confirm the holy truth that horror is all about the characters. It takes courage today to make the viewer tense by having characters more or less just having a dialogue with each other, but if it gets a little rough every now and then, the scriptwriter is supported by perfect actors. The adults are flawless, and the kids too, but twelve-year-old Isabelle Fuhrman gives me the chills (although according to the photos on IMDb, she’s actually a cute girl). It’s too bad that in the end, Serra didn't have the balls to get rid of the traditional genre vice, the clichéd ending. Whether or not DiCaprio and Silver were properly aware of what they were putting out into the world, I say again: just like this! ()

DaViD´82 

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Engels Such a good idea for a punchline certainly deserves better than this family (non)idyll with a stupidly behaving herd of adults and zero atmosphere. Or if not better, in any case shorter. While the first hour still works great, it gradually starts limping during the last half hour from one dumb cliché to another, in the last ten minutes becoming a parody of all of the worst genre clichés known to man. An unintentional parody, I should add. P.S.: It’s crying out for a Czech remake, we even have a perfect main protagonist (!SPOILER!) already. ()

Malarkey 

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Engels Esther was breaking all the laws of nerves wracking moments and unexpected twists in my head. And it was mainly thanks to the father of the family, played by Peter Sarsgaard. Throughout the whole movie, he didn't believe a word of his own wife and just kept criticizing her. I am surprised that Vera Farmiga put up with it, but just for this fact, which actually made the film so brutally tense, it annoyed me. Even though it worked perfectly. Another thing is, I was looking forward to Roden and he only played a short role as an Estonian doctor. So, thank God for that, but he has more in him, that's clear. Still, Orphan is probably one of the most disgusting, nerve-wracking films I have ever seen. Half an hour before the end, I incredibly wished it was over, but then I would miss out on the heap of twists that unfolded. Well shot, perfectly played by young Isabelle Fuhrman. Hats off. I can't give it five stars, because I felt disgusted while watching it, my stomach was in knots, and I almost choked when I realized that I stopped breathing in several scenes. ()

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