Klíč svatého Petra

A simple fairytale. Nothing exceptional and nothing fundamentally problematic is to be found here. Among Janák's fairy tales, this one is definitely more acceptable. Similar projects having ambitions to entertain the whole family are long gone, but kids can definitely handle the simple messages, logically following situations, the duo of cunning villains, and the slightly emancipated princess together with the characterful water sprite. Meanwhile, adults can contemplate the meaning of a heavenly gate in today's times. (25.12.2023)

When Duke von Hastermann emerges from the water after his final task and no one finds it odd that he's dry, things are pretty clear. The cornered king isn’t the only one suffering from dementia in this kingdom! Water sprites and con artists are after the princess and salvation, with Saint Peter, who may master fire effects but otherwise is a naive fool who eventually bends heavenly laws to suit potato salad eaters. I appreciate the absence of forced songs and the extensive use of exteriors, but otherwise, the story and dialogue offer emptiness into which the characters are ruthlessly dragged. The positive or amendable characters are bland, and Zach Galifianakis and Janžurová's with their inflated pump don’t even get a chance. For over a decade, Karel Janák has been delivering Christmas Eve frustration compositions. (26.12.2023)