Skorumpowani

The seasoned embodiment of police practice turns a blind eye to crime so intensely that it borders on blindness. This is done to keep the precinct's arrest quotas in check, but mainly for personal gain. But how do you win over a new theoretical colleague? Making him look like a fool at breakfast, lunch, and dinner doesn't help, so what about a woman and clothes like Belmondo? The streets of Montmartre take center stage, with intelligent, slightly dark humor, the gentle Lai, and an excursion into police tricks (a phone book that leaves no trace of violence, lead sewn into the inside of a jacket, or handcuffs above the ankle). Some may have a problem with the romanticization of the central duo's actions, but you know what? Prisons are full, and the world wants to be deceived. (08.08.2024)

French classic, which I finally got to and as with all comedies or crime comedies by Claude Zidi, I was extremely pleased and entertained. Philippe Noiret excels, the role of René is tailor-made for him. And all the time I was thinking, his district must be somewhere around Barbes-Rochechouart and indeed it was. I am looking forward to the next sequels, which I will watch very soon. (16.01.2017)

It's not the kind of comedy that would make the viewer roll on the floor laughing, but when I look back now and replay the story in my head, I'm in a better mood and with a smile on my face. An excellent film about two cops who prefer to put the law in someone else's hands, with a superb performance by Noiret, an atmosphere of "street thieves" and ironic humour, the magic of which will probably hit harder after further screenings. The effective detective storyline and the emotional ending also deserve praise, they got deep under my skin in a completely unobtrusive way. It’s a pity that the French haven’t followed up with this kind of humour in the new century. 85% (20.04.2013)