Szósty zmysł

I must confess that, after the huge fuss around The Sixth Sense, I am rather disappointed with the result. It's a nice ghost story, some moments are chilling and the performances of Osment and Willis are excellent. Oddly enough, the final twist seemed far-fetched to me, though very original. Shyamalan obviously has a considerable talent for dramatic gradation of shots as well as the ability to play with the viewer's psyche, but it's not my type of film. (01.02.2004)

Innovative, suspenseful, and truly unique for its time. However, for me, The Sixth Sense is revolutionary mainly in the aspect of giving us M. Night Shyamalan. Although he belongs to my most beloved artists, his first hit is just a prelude to the dazzling stories he will one day serve to the audience. But it doesn't bear any shame, it's just a film good for one viewing compared to later pieces, one which amuses me, maybe even astonishes me at several points – but despite Bruce Willis' perfect performance, I won't have an infinite desire to watch it again. (24.05.2006)

After seeing the first showing on the day of the premiere, without any prior information this really was a powerful and utterly unforgettable experience. Paradoxically, unlike other Shyamalan movies, this is only watchable twice. After that it just doesn’t work. The Sixth Sense lacks what is to be found in Unbreakable for instance, which reveals newer and newer layers every time you watch it again. The actors, especially Osment, are absolutely convincing and also there is no sense in singing the praises of Night’s directing, which is perfect in every respect. The same applies to the atmosphere. Anyhow, I reiterate that the first time you watch it is an unforgettable experience (but maybe not anymore, because everybody knows what happens even if they haven’t seen it), and so I have no choice but to give it a full set of stars. (20.11.2003)

The Sixth Sense is an intimate little thriller that revolves around four troubled people. It is delicately frightening, spiritually romantic and fiercely sad. Even on repeat viewings, you will not find a scene in it that doesn’t work for both faces of the schizophrenically double-sided narrative, connected with the final point that changes everything. Everything is put perfectly in place and it is almost unbelievable how precisely the primary face of the film, perceived by the “virgin” viewer, can function in this condition. The Sixth Sense is Shyamalan’s smallest and most encapsulated film, which is perhaps the reason that many of his fans, myself included, rate it as being somewhat weaker than Unbreakable and Signs. But hand on heart: isn’t it an equal emotional bombshell built on the foundation of an equally perfectionist screenplay and form? Perhaps only James Newton Howard’s music doesn’t have quite the same distinctiveness and character-related connection with the film here as it does in the two aforementioned masterpieces. (19.05.2005)

The Sixth Sense seems like an unremarkable film throughout, but then in the last seconds comes a brilliant twist that turns the plot on its head. And it’s even better on a second viewing. If you haven't seen it yet and someone wants to tell you the ending, get a stick and chase them away from you. (13.04.2003)