Reżyseria:
Quentin TarantinoZdjęcia:
Andrzej SekulaObsada:
John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis, Harvey Keitel, Ving Rhames, Tim Roth, Amanda Plummer, Maria de Medeiros, Eric Stoltz (więcej)VOD (4)
Opisy(1)
Płatni mordercy, Jules (Samuel L. Jackson) i Vincent (John Travolta), dostają zlecenie, by odzyskać z rąk przypadkowych rabusiów tajemniczą walizkę bossa mafii. Nie dość tego, Vincent dostaje kolejną robotę - na czas nieobecności gangstera w mieście ma zaopiekować się jego poszukującą wrażeń żoną Mią (Uma Thurman). Vincent i Jules niespodziewanie wpadają po uszy, gdy przypadkowo zabijają zakładnika. Kłopoty ma też podupadły bokser (Bruce Willis), który otrzymał dużą sumę za przegranie swojej walki. Walkę jednak wygrywa, a Los Angeles staje się od tej chwili dla niego za małe. Specjaliści od mokrej roboty będą mieli co robić... (Pro-Motion)
(więcej)Recenzje (15)
A handsome and sexy definition of pulp poetics that said everything it had to say, and also everything it could say. All plagiarism is just a useless repetition of the same thing - this is literally a biblically bloated folio. It was definitely Tarantino who popularized the atypical narrative form and brought into play all the declining pop-cultural emblems and mechanisms that until then had somehow remained on the fringes of generally accepted culture. The only flaw in the beauty of the Pulp Fiction poetics is that they go completely beyond me. But definitely Tarantino's best film. ()
Pulp Fiction is the most distinctive signature of the most original contemporary filmmaker and it most faithfully defines his screenwriting and directorial excellence. One of the films without which there would be no FilmBooster. ()
I first saw it in the cinema at the Czech premiere, when nobody had heard of Pulp Fiction and the name Tarantino was unknown. My friend and I walked out of the cinema and I was overjoyed to have seen something original again after a long time. My friend looked puzzled and told me he had to let it soak in overnight, he didn't know what to do. The next morning he came running to my room (in the college dorm) and excitedly announced: "Dude, it's been going through my head. It was awesome!” He ran to everyone he knew and recommended it to them and went back every day for the rest of the week with an ever growing crowd of curious people. They wrote lines from the film on pieces of paper and taped them to their walls – maybe that’s also how a cult classic is born. I really don’t know why I’m writing this, but Pulp Fiction is in my TOP 10 and I felt an almost moral obligation to say something without being repetitive. This film is like a refreshing spring in the middle of a desert of uniformity and deserves only words of praise. ()
Very well deserved cult status. There’s no need to add anything else, everything has already been written. ()
An untouchable aura that surprisingly does damage. Although John Travolta is irresistible and Bruce Willis flawless, the glory of the most cultish cult bothered me to such an extent that I probably won't be able to enjoy Pulp Fiction without some biases. A weaker four stars and the need for another viewing. ()
A breakthrough film of the 90s that gave birth to the Quentin Tarantino cult and marked the transformation of its genre. A skillful mix of violence and vulgarity combined with a clever screenplay that skillfully intertwines storylines and connects individual storylines. It became the most financially successful American film made in the 90s outside of major studios. Audiences appreciated Tarantino's inventiveness, as film production in the previous decade had been desperately sterile and unoriginal. They were fascinated by the raw violence and harsh lines that were unprecedented at the time. The film could rely on several stars who played their roles with great enthusiasm, with Samuel L. Jackson becoming one of the most sought-after actors. In this film, Tarantino capitalized on the thousands of hours he spent watching B-movies from around the world. It was evident that he could make something out of these ideas... Overall impression: 80%. ()
A cult-classic that passed me by in a hundred kilometer arc. For me, it's nothing more than some solid dialogue, solid performances and Tarantino's direction, which I generally don't find very appealing. ()
The magic of Pulp Fiction doesn't fully hit you until you've watched it for the tenth or eleventh time and realise that you still can't get enough; whether it's the incredibly witty dialogue, the framed narrative, the performances, the pop culture nods, or simply the execution of each scene with a perfect sense of visual punctuation and musical underscoring. One iconic shot after another, the camera breaks down the space with the ingenuity of Thomas Edison, the absurd game with the motif of "twisted" coincidence is turned into an amazingly coherent experience and it makes you wish it lasted twenty or forty minutes longer. While from the most from the holy year 1994 I prefer the humane Shawshank, the clear winner in the field of cinephile delight is this Tarantino treasure. ()
Warned by experiences from Lord of the Rings cinema marathons, accompanied by spontaneous chanting, bursts of laughter at seemingly random places, quoting centuries-old memes, and addressing the screen, I approached the full movie theater of people in Pulp Fiction t-shirts during the re-premiere with great caution. Not that there wasn't a desire from the audience to "own" the film, but it came with a significantly more humble intensity than expected, disappearing completely by the middle of the movie, perhaps except for the unfortunate guy who loudly growled "Zed's dead." to himself in one of the essential scenes, only to be embarrassed right after. The captivating power of the world of Pulp Fiction stems, among other things, from the fact that you want to believe in it for the twentieth time and experience its moments, not just take them in. How else can you prove the quality of a film than when its fans want to make it their own, but instead the film takes them over and over, the one they naively thought they knew from top to bottom. At the same time, Pulp Fiction, despite its drastic themes, still proves to be just as good as an ideal couples movie, containing three episodes mostly built on three best and most beautiful types of couple interactions: mutual cool and mischievous provocation (Mia and Vince), infantile hyperactive us vs. them (Honey Bunny and Pumpkin, notice how the former sweetens her coffee) and the down-to-earth cuddly cuddly romance between beauty and the beast (Butch and Fabienne). And all of this with the understanding that they are all either exemplary jerks or utter idiots you would never want to meet in real life. ()
As far as I remember, Pulp Fiction was the first Tarantino film I ever saw, and it was love at first sight. An excellent film with an incredible number of great lines, a perfect cast, and an amazing plot. It's simply a film that grabs my attention right from the opening scene and doesn’t let go until the closing credits. Even now that I know exactly what's going to happen and when, and how it’s all going to end. A real treat! ()
My 500th review happens to be about this film. Is that a coincidence? I wouldn’t say so; it feels more like fate. Until now, I couldn’t consider myself a complete film fan, but after watching Pulp Fiction, I can. I don’t even need to say that it’s Quentin Tarantino’s best film ever. The term cult classic should be in the title, and you should always refer to it with that clearly designated descriptor. Tarantino called up his favorite actors in the industry, and they delivered something unheard of and unrepeatable here. It’s impossible to choose who performed best, but Travolta had something special. I loved how all the stories eventually came together as one. And what’s the best thing about the film? Of course, it’s the dialogues, which are so filled with funny lines that I sometimes couldn’t help but laugh out loud. Anyone who hasn’t seen this film must rectify that immediately. And the music? Once again, a perfect gem. Nothing like this will ever be made again. I give it 90%. Correction for 2020: Django is the best. ()
No, even after watching it several times, I just couldn't change the title of this film. The individual stories and scenes are so meticulously crafted that it's unbelievable this was made by someone who had only one film under their belt. The dialogue is impeccable, and acting-wise, Tarantino got exactly what he needed out of everyone. He is truly a master at making every scene perfect, and there is something breathtaking to be found in every scene. ()
When it comes to Pulp Fiction, I immediately think of the great Samuel L. Jackson and his iconic lines. Tarantino is the king of gangster and violent themes and can offer great entertainment, so crude yet satisfying at the same time. For me, this director becomes a god of dialogues, whose talent is always palpable from a distance, and even though some of his films are not exactly my cup of tea, I always appreciate the dialogues. Pulp Fiction, however, is a diamond among films and we won't come across anything similar or even better on this topic. ()
I can't figure out why, but other great movies can be characterized by words such as brilliant, perfect or fantastic. But when you say the word CULT, only two things come to my mind: Star Wars, and most importantly Pulp Fiction. A cult movie which has everything: cult scenes, lines, characters, the whole package. Plus, it was made by the most original director in Hollywood. ()
This movie was mind-boggling. I really don’t know what to make of it. The most accurate words to describe my emotions about the movie are "a boring watch". I’m sorry, but I really don’t know why everybody enthuses so much about this. About this really regular but overrated movie. The movie stands on rather uninspiring stories with a touch of brutality and a couple of gritty (and sometimes cringe-worthy) one-liners. I was unable to find any magic in this movie, and I doubt there is any. A massive disappointment and purely objective score of a mediocre 3*. ()
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