Reżyseria:
Christos NikouZdjęcia:
Bartosz ŚwiniarskiMuzyka:
Alexander VoulgarisObsada:
Aris Servetalis, Sofia Georgovassili, Anna Kalaitzidou, Kostas Laskos, Babis Makridis, Alexandra Aidini, Kimon Fioretos, Angelos Andriopoulos (więcej)Opisy(1)
Współczesna i jednocześnie umieszczona poza czasem opowieść, która przenosi nas do Aten, gdzie panuje epidemia amnezji. Główny bohater, Aris, ma numer 14842 w szpitalnym oddziale dla osób z zaburzeniami pamięci. Pewnego dnia wyszedł z domu, wsiadł do autobusu i na pętli nie wiedział już, kim jest, gdzie mieszka, co przeżył. Takim jak on daje się szansę – mogą stworzyć sobie nową tożsamość i nowe wspomnienia. (Nowe Horyzonty)
(więcej)Materiały wideo (5)
Recenzje (3)
Oh boy, where to start without spoiling anything and ruining the experience for future viewers who might stumble upon this review? I'll tread lightly. I had to dock a star for the numerous logical inconsistencies or unexplained elements. Honestly, I could easily justify an even lower rating for these reasons, but I refrained because the film is both intriguing and unique. It successfully delivers subtle but noticeable humor at the expense of digital technologies, which made me enjoy the analog era once again. I'm not one to idolize the past, but there's something charming about the analog days when people actually looked around instead of constantly staring at their phone screens. Seeing these half-zombies on the streets today always reminds me of the classic method of dangling a treat in front of a donkey to get it moving (purely coincidental similarity, of course). I enjoyed this slow, quirky film despite its flaws, and although I wouldn't mimic the protagonist's actions, I fully understood his motives. / "Are you sure you know how to drive?" "I think so." / Lesson learned: If you lose your memory, go watch a horror movie. ()
One of the strongest dramas of this year's Karlovy Vary, excelling in absolute originality and a dystopian atmosphere enriched by quality casting. I absolutely love the fact that even if I didn't know which country this film comes from, I would definitely guess Greece, because that feel inside me unmistakably evoked the style of Yorgos Lanthimos and his sensitive absurd humor. Excellent in almost every aspect. Truly a beautiful delve into the depths of an individual's soul and the search for identity in the midst of mourning a loved one. This was truly a beautiful and dignified farewell to this year's Karlovy Vary festival, offering ample space for reflection. KVIFF 2021 ()
Apples is a pleasantly sedate and down to earth representative of the Greek Weird Wave, which does not feel rushed, revealing its very heart gradually with subtle hints, and it is almost therapeutic, after which you can feel at peace with everything. [KVIFF 2021] ()
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