O Génio do Mal: O Início

If redundant and unwanted prequels and remakes of genre classics have to be made because producers and the times demand it (too bad the audience doesn't), then please at least do it with care and in a form like the one here. It breathes the early seventies, it manages to evoke a dense disturbing atmosphere and specific imagery, and even if it doesn't avoid cheap scares, it doesn't build on them. The author is not afraid of more serious themes, so it's not "just consumer horror popcorn". The cast is excellent, the work with movement and (surround) sound is exemplary and it doesn't do the original any shame in any respect. Were it half an hour shorter, it would even reach for the lower rungs of the pedestal in the much-loved nun-horror subgenre of recent years. (04/06/2024)

A Bad Church breeding ground for Gregory Peck: Satan is about to come! Impressive combinations of muted daydreaming calm and brief, intense storms. At the 46-minute mark, a disco novice walks under a streetlamp, as if we were in another classic about the antics of The Horned One, but otherwise, it primarily draws that creeping ominousness from Donner's "Ave Satani." Not only because of the theme of bodily autonomy, there's a similarity on the table with the film twin Immaculate, but here, due to the absence of Sydney Sweeney, I didn't feel it could ever devolve into lesbian nunsploitation. (21/10/2024)

Honestly, Sydney would've probably preferred being in this film. Immaculate just couldn’t pull off a similar premise nearly as well. Sure, it could have been worse (looking at you, Mr. Green), but a month from now, you’ll probably forget where the Antichrist even came from or why. This little devil, though, plays a different tune. I’ll admit, I haven’t seen the 1976 original yet (which this story leads up to), but now I’m definitely intrigued. Arkasha Stevenson knows how to build tension—especially with sound design. The use of innocent children's laughter contrasting with dark, unsettling scenes was super effective. The supporting cast (Ineson & Dance) were spot-on, though it’s a shame their roles were more fleeting. Overall, it’s an unsettling but enjoyable theater experience, and I wouldn’t mind seeing the story expanded further. 70%. (04/04/2024)

The best religious horror ever, the best prequel ever, and without question the best mainstream horror genre stuff of the year. It was beginning to look like all horror movies with nuns were doomed, as few have managed to climb to at least above average, but this prequel to The Omen is a flash in the pan that is, above all else, also a great film rather than just a run-of-the-mill horror movie. It's got a wonderful period setting in 70's Rome. The setting is really very crucial to the whole film, great craftsmanship, amazing music, perfect acting – Nell Tiger Free is a great discovery, she is amazing, and the scene with the awakening of the demon in her body is downright Oscar-worthy. I enjoyed the plot, which is well thought out, the twists work, where the crucial one is quite shocking. It has a great dark atmosphere and steamy horror sequences. The triple suicide- jump-burn-hanging is perfection. There are two very unpleasant car crashes, one disgustingly creepy vision of a mutilated nun, two insane births that almost earned the film an NC-17 rating, well a blast that made me very happy. Uncomfortable feelings about horror for the first time in a while. Mission accomplished baby. 85%. (16/04/2024)

Much better than one would expect from an unsolicited prequel to a seventies classic. Nell Tiger Free follows up the gorgeousness of Servant, and Arkasha Stevenson makes a positive debut as a feature director. Stylistically, The First Omen is much more distinctive than competing mainstream studio horror films. Thus, the biggest problem is that, as a direct plot predecessor to the original The Omen, the film has a clearly laid out course and defined boundaries within which it can play. The scope for surprise is severely limited, though it must be admitted that even with the cards thus dealt, they do their best (for example, the explanation of why the bad guys are trying to manufacture the Antichrist is, for my money, totally awesome). (20/04/2024)