Slnko v sieti
Realização:
Štefan UherArgumento:
Alfonz BednárCâmara:
Stanislav SzomolányiMúsica:
Ilja ZeljenkaElenco:
Marián Bielik, Jana Beláková, Ondrej Vandlík, Oľga Šalagová, Eliška Nosáľová, Ľubo Roman, Pavol Chrobák, Adam Jančo, Peter Lobotka, Vladimír Malina (mais)Sinopses(1)
A lyrical story of the shy love of two young people. They try to hide their doubts, lack of experience and fear by pretended cynicism and negative attitudes. But the truth is their inner worlds are full of emotions that they are afraid to reveal. (texto oficial do distribuidor)
Vídeos (1)
Críticas (3)
A delicate feast of images that doesn’t need any philosophising character to speak to receptive viewers and communicate its ideas. Hypnotic direction in perfect harmony with the camera, for which there are perhaps not enough words of praise – the work with details and with the mise-en-scène, the intelligent symbolism or experimentation with sharpness and angles, that was a real balm for my cinematic soul. The story is unimportant, which is perhaps a bit of a pity in this case, but the message is nice. If someone like Antonioni or Bergman made an identical film, it would be a prized cinematic masterpiece with at least an Oscar nomination, I bet, given their reputations. 85%
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A somewhat unjustly forgotten gem nowadays, though not for connoisseurs. A film that inspired an entire generation of filmmakers and started the Czech (Slovak) New Wave. Visually captivating, the camera works magic even when capturing seemingly ordinary panel impressions with a dense forest of TV antennas, and the solar eclipse scene is hauntingly beautiful. And all this is underscored by a slightly industrial soundtrack with discordant elements that is several decades ahead of its time in terms of boldness and sonic timelessness. Zeljenka was, in short, something like the Slovak Zdeněk Liška, albeit several levels less artistically potent. And the two leads, with their endearing slang and natural acting, give this film a sense of desired authenticity. At the Summer Film School a few years ago, on the big screen, it was a real treat.
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The Sun in the Net struck me as very average in the context of poetic films, which is why I decided to give it three stars. To be honest, none of the scenes stuck in my mind in any significant way, which is a bit of a problem with a film like this, but then again I can't say it was shallow or dull, but it just didn't impress me as a viewer. In short, it’s a film that started the Czechoslovak New Wave, and even though it didn't impress me, I recommend it for viewing on that basis alone.
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