O Veredicto

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Sinopses(1)

When attorney Frank Calvin (Newman) is given an open-and-shut medical malpractice case that no one thinks he can win, he courageously decides to refuse a settlement from the hospital. Instead he takes the case, and the entire legal system, to court. (texto oficial do distribuidor)

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Críticas (3)

gudaulin 

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inglês Although this is an honestly filmed and equally well-acted classic courtroom drama, it is somehow predictable and conventional. The "surprising" twist is not surprising at all, and the viewer expects it from the beginning. Not to mention that in the American legal environment, the suing party is actually at an advantage, often successfully seeking financial compensation for the most bizarre injuries, and there is even a hit parade of the most bizarre legal proceedings. Paul Newman was one of the biggest stars of American cinema at the time of filming, and his acting performance corresponds to that. He managed to imbue credibility into his alcohol-soaked and unambitious lawyer living by nature, but the script pulls him toward melodramatic gestures and improbable actions. It is definitely time well spent, but this film did not bring me to ecstasy in any way. Overall impression: 65%. ()

kaylin 

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inglês I guess what bothers me is that the film is much more interesting in terms of personal drama than in terms of the courtroom case that unfolds before us, which I expected to be the main focus. Paul Newman, however, ensures that the film fully focuses on him because he is excellent in this interesting and somewhat unconventional role for him. ()

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Gilmour93 

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inglês A courtroom drama classic. Sidney Lumet maintains his unhurried pace for the entire two hours, which suits the story of a life-worn man determined to take on the corrupt principles of an out-of-court settlement armed only with truth and honor. Let’s be honest, though—it might also be about claiming a third of the settlement fee, but let’s not ruin a beautiful evening full of idealism. Andrzej Bartkowiak delivers pure, static shots, and as the camera zooms in on the divine Newman during his final speech, I felt it captured his very aura. Casting the kindly uncle James Mason as the “Prince of Fucking Darkness” was an outstanding choice, and you’ll savor all the more the moment he disregards the classic legal adage: “Never ask a question if you don’t know the answer.” ()

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