The Location Managers Guild International has announced the winners of its 9th annual Lmgi Awards with HBO’s Succession, Netflix’s Stranger Things and HBO Max’s Station Eleven topping the television categories, and House of Gucci and No Time To Die receiving the Motion Picture honors.
Hosted by Paul Scheer, the awards ceremony and reception took place tonight at the Los Angeles Center Studios before an audience of 400, including Lmgi members, industry executives and press.
The Lmgi Awards spotlight international features, television and commercials in which the creative use of filming locations set the tone, enrich the character and enhance the narrative.
Ridley Scott’s House of Gucci, which was filmed throughout Italy, won for outstanding locations in a period film, and James Bond pic No Time To Die, which was filmed in London, Norway and Jamaica, The Faroe Islands and Italy, was honored for outstanding locations in a contemporary film.
Hosted by Paul Scheer, the awards ceremony and reception took place tonight at the Los Angeles Center Studios before an audience of 400, including Lmgi members, industry executives and press.
The Lmgi Awards spotlight international features, television and commercials in which the creative use of filming locations set the tone, enrich the character and enhance the narrative.
Ridley Scott’s House of Gucci, which was filmed throughout Italy, won for outstanding locations in a period film, and James Bond pic No Time To Die, which was filmed in London, Norway and Jamaica, The Faroe Islands and Italy, was honored for outstanding locations in a contemporary film.
- 8/28/2022
- by Denise Petski
- Deadline Film + TV
“Stranger Things” and “Succession” were among the top winners at the 9th annual Location Managers Guild International (Lmgi) awards on Saturday evening.
The awards ceremony and reception took place at the Los Angeles Center Studios before an audience of 400 attendees, including Lmgi members, industry executives and press.
“Succession,” which shot part of its third season on location in Italy, took home the award for outstanding locations in a contemporary television series, while “Stranger Things” won for period television series.
Last season’s awards contenders “No Time to Die” and “House of Gucci” also took home awards.
The Ridley Scott film, which was shot on location in Italy, won for outstanding locations in a period film. The James Bond entry, which was filmed in London, Norway and Jamaica, picked up the award for outstanding locations in a contemporary film.
The Lmgi Awards spotlight international features, television and commercials in which the...
The awards ceremony and reception took place at the Los Angeles Center Studios before an audience of 400 attendees, including Lmgi members, industry executives and press.
“Succession,” which shot part of its third season on location in Italy, took home the award for outstanding locations in a contemporary television series, while “Stranger Things” won for period television series.
Last season’s awards contenders “No Time to Die” and “House of Gucci” also took home awards.
The Ridley Scott film, which was shot on location in Italy, won for outstanding locations in a period film. The James Bond entry, which was filmed in London, Norway and Jamaica, picked up the award for outstanding locations in a contemporary film.
The Lmgi Awards spotlight international features, television and commercials in which the...
- 8/28/2022
- by Jazz Tangcay
- Variety Film + TV
This reboot of the 1981 movie of the same name (starring Brooke Shields) was also based on the same book by Scott Spencer that the first film was based on. The movie tells the story of Jade (Gabriella Wilde), a sheltered and well-off girl, and David (Alex Pettyfer), a charismatic and less well-off boy whose instant desire sparks a love affair made only more reckless by parents trying to keep them apart. To bring her vision for Endless Love from script to screen, director Shana Feste assembled a behind-the-scenes team led by cinematographer Andrew Dunn, production designer Clay Griffith and … Continue reading →
The post VOD Spotlight: Endless Love appeared first on Channel Guide Magazine.
The post VOD Spotlight: Endless Love appeared first on Channel Guide Magazine.
- 5/27/2014
- by Meredith Ennis
- ChannelGuideMag
“Tracking Shot” is a monthly featurette here on Ioncinema.com that looks at a dozen or so projects that are moments away from lensing and with September being a major production month for the fall, most projects listed here are thinking of film festival submissions between Cannes and fall fests for 2014. Here are some productions worth signaling out.
On the American indie front we’ve got the latest from Alex Ross Perry (helmer behind 2011′s The Color Wheel) and who we might catch at Tiff as he recently dabbled as an actor and writer for Raya Martin & Mark Peranson’s La última película. His NYC set drama Listen Up Philip focus on titular character played by Jason Schwartzman and those affected by his poor decisions — in particular his successful art-photographer girlfriend Ashley (Elisabeth Moss). Damien Chazelle (Guy and Madeline on a Park Bench) will be taking his 2012 Black List script,...
On the American indie front we’ve got the latest from Alex Ross Perry (helmer behind 2011′s The Color Wheel) and who we might catch at Tiff as he recently dabbled as an actor and writer for Raya Martin & Mark Peranson’s La última película. His NYC set drama Listen Up Philip focus on titular character played by Jason Schwartzman and those affected by his poor decisions — in particular his successful art-photographer girlfriend Ashley (Elisabeth Moss). Damien Chazelle (Guy and Madeline on a Park Bench) will be taking his 2012 Black List script,...
- 9/3/2013
- by Eric Lavallee
- IONCINEMA.com
Remember those rumors from a few months back about Cameron Crowe directing an adaptation of Benjamin Mee's memoir We Bought a Zoo ? It's looking more and more likely that the buzz was true.
Crowe, the Oscar-winning writer of Almost Famous, hasn't directed film since Elizabethtown way back in 2005 -- and while it hasn't officially been announced that he's helming this one, the guys over at ComingSoon.net have unearthed some interesting details that seem to indicate Crowe will be sitting in the director's chair once filming begins.
The first piece of evidence was yesterday's announcement that the film will open on December 23rd, 2011. This doesn't necessarily mean Crowe would be directing, but setting a release date for the project would seem to indicate that someone has been or is close to being hired for the job. Christmas is where movies with high expectations open and seems a perfect slot...
Crowe, the Oscar-winning writer of Almost Famous, hasn't directed film since Elizabethtown way back in 2005 -- and while it hasn't officially been announced that he's helming this one, the guys over at ComingSoon.net have unearthed some interesting details that seem to indicate Crowe will be sitting in the director's chair once filming begins.
The first piece of evidence was yesterday's announcement that the film will open on December 23rd, 2011. This doesn't necessarily mean Crowe would be directing, but setting a release date for the project would seem to indicate that someone has been or is close to being hired for the job. Christmas is where movies with high expectations open and seems a perfect slot...
- 5/17/2010
- by Alison Nastasi
- Cinematical
A couple months ago, there were rumors that director Cameron Crowe (Almost Famous, Jerry Maguire) was interested in directing an adaptation of Benjamin Mee's bestselling memoir We Bought a Zoo. ComingSoon has noticed that some of Crowe's regular crew (for instance, production designer Clay Griffith) have recently been hired for the production, which 20th Century Fox has now set a release for on December 23th 2011. This pretty much confirms that the project is Crowe's next. Previously: Almost Famous is one of my favorite movies of all time, and Cameron Crowe used to be one of my favorite writer/directors. It is not that the filmmaker had a huge fall from grace -- I actually liked Elizabethtown more than most, despite Orlando Bloom's best efforts. It's that the filmmkaer is starting to become a distant memory. Aside 2005's Elizabethtown, which many would like to forget, and the filmmaker's few...
- 5/15/2010
- by Peter Sciretta
- Slash Film
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