After being released from prison, notorious thief Roy Earle is hired by his old boss to help a group of inexperienced criminals plan and carry out the robbery of a California resort.After being released from prison, notorious thief Roy Earle is hired by his old boss to help a group of inexperienced criminals plan and carry out the robbery of a California resort.After being released from prison, notorious thief Roy Earle is hired by his old boss to help a group of inexperienced criminals plan and carry out the robbery of a California resort.
- Awards
- 3 wins
Elisabeth Risdon
- Ma
- (as Elizabeth Risdon)
Storyline
Did you know
- TriviaThis was the last movie Humphrey Bogart made where he did not receive top billing. The studio thought that Ida Lupino should have top billing because she had been such a big hit in They Drive by Night (1940) (which also featured Bogart), and so her name ended above Bogart's on the title card. Bogart was reportedly unhappy about receiving second billing.
- GoofsWhen Roy Earle, traveling under an alias, first meets Pa Goodhue at the gas station in the desert, he introduces himself only as "Collins". However, when they meet for the second time after the car accident in Tropic Springs, Pa immediately greets him as "Roy," even though Earle had never offered a first name.
- Crazy credits"Pard" as Portrayed By "Zero"
- Alternate versionsBecause this movie made Humphrey Bogart a major star, re-releases billed him ahead of Ida Lupino.
- ConnectionsEdited into Roadblock (1951)
- SoundtracksI Get a Kick out of You (1934)
(uncredited)
Written by Cole Porter
Played on a record at Velma's Home
Danced to by Joan Leslie and John Eldredge
Featured review
'High Sierra' belongs in genres that have been held in long-term high regard by me. It also has Humphrey Bogart in the film that properly propelled him to stardom and fully established his comfort zone. Raoul Walsh was a gifted director, evident in two of his best known films 1924's 'The Thief of Baghdad' and 1949's 'White Heat' (two of the best films in their respective genres) amongst others. John Huston was another fine director and was equally good at script-writing as seen here. Talented cast in general too.
All done justice here in 'High Sierra' and far from wasted. To me and many others, this is a very good and often excellent film and up there with Bogart's best films and performances. It has pretty much everything that makes me love film noir or similar films and the genres it falls into, and hardly anything disappointed. Regardless of any small imperfections that were not enough to ruin the film drastically. If asked whether the film is recommended to me, my easy answer would be yes.
Sure, the story is daft in places. Did feel too that although sweet and that it wasn't too sentimental, the Joan Leslie subplot was a little strange at times and didn't always fit.
On the other hand, Bogart is excellent and brings both hard-boiled intensity and in the right places an endearing softer side. It is very easy to see why he became such a big star after this. Ida Lupino also fares strongly, tough but also very easy to like. Although her subplot left me mixed, Leslie does a very good job in a role not easy to play and raises some smiles. As does the adorable dog, who brings so much charm to all the scenes it steals without any effort. Walsh gives some of his best directing here, especially in the suspenseful and cleverly staged final third.
Visually, 'High Sierra' is very well made, with very stylish and suitably eerie photography that helps open up and give atmosphere to the settings. The music is suitably ominous in the right places and Huston's script is taut and pacey with a lot of smart wit and edge.
The story as an overall whole is gripping and with the right amount of suspense. The final third especially leaves one glued to the edge of the seat. The characters carry the film really well and don't feel stock or like ciphers.
In conclusion, very, very good. 8/10
All done justice here in 'High Sierra' and far from wasted. To me and many others, this is a very good and often excellent film and up there with Bogart's best films and performances. It has pretty much everything that makes me love film noir or similar films and the genres it falls into, and hardly anything disappointed. Regardless of any small imperfections that were not enough to ruin the film drastically. If asked whether the film is recommended to me, my easy answer would be yes.
Sure, the story is daft in places. Did feel too that although sweet and that it wasn't too sentimental, the Joan Leslie subplot was a little strange at times and didn't always fit.
On the other hand, Bogart is excellent and brings both hard-boiled intensity and in the right places an endearing softer side. It is very easy to see why he became such a big star after this. Ida Lupino also fares strongly, tough but also very easy to like. Although her subplot left me mixed, Leslie does a very good job in a role not easy to play and raises some smiles. As does the adorable dog, who brings so much charm to all the scenes it steals without any effort. Walsh gives some of his best directing here, especially in the suspenseful and cleverly staged final third.
Visually, 'High Sierra' is very well made, with very stylish and suitably eerie photography that helps open up and give atmosphere to the settings. The music is suitably ominous in the right places and Huston's script is taut and pacey with a lot of smart wit and edge.
The story as an overall whole is gripping and with the right amount of suspense. The final third especially leaves one glued to the edge of the seat. The characters carry the film really well and don't feel stock or like ciphers.
In conclusion, very, very good. 8/10
- TheLittleSongbird
- May 28, 2020
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Su último refugio
- Filming locations
- Mount Whitney, California, USA(finale - chase)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $455,000 (estimated)
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.37 : 1
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