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As the format continues to gain traction, here’s our regularly-updated list of upcoming 4K Ultra HD disc releases in the UK.

Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.

We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.

Without further ado, here are the titles we know about…

Out now

7th October: The Boy And The Heron (Steelbook)

7th October: The Sword And The Sorcerer...

Ryan Murphy, Jon Robin Baitz, and Joe Baken’s Grotesquerie started in a rather unassuming fashion, but it was clear that a palpable darkness was brewing under the surface of its characters and setting, like a gaping chasm to Hell that could swallow the world at any moment. There’s been an emphasis on order ruling over chaos – particularly in the form of jigsaw puzzles – right from Grotesquerie’s first episode. Lois Tryon (Niecy Nash-Betts) and the rest of her family would innocently solve puzzles all season while she simultaneously tries to put together the pieces of a grander serial killer mystery where Lois can’t see the forest for the trees. To Grotesquerie’s credit, it’s a series that’s routinely kept its audience guessing regarding how all these pieces possibly fit together and what the finished picture is supposed to look like. Grotesquerie certainly hasn’t been...

There are two types of confusing movies. On one hand are those films that do confuse you while keeping you entertained so that even if you don’t “get it,” the viewing experience feels fruitful. Some examples that come to mind are Donnie Darko, Mulholland Drive, Memento, Predestination, Tenet, Coherence, and Nocturnal Animals. If you tell me to explain what was going on in these movies, I will probably fail miserably, but if you ask me if I am up for rewatching them again and again, I’ll say, “Hell yes.” That said, on the other hand, you have films that confuse you while forgetting to engage you in any meaningful way. I am talking about I’m Thinking of Ending Things, Under the Skin, Primer, Vanilla Sky, Lost Highway, and what I consider my arch-nemesis, Enemy. I’ve rewatched these films more than I have rewatched some of my...

Patricia Arquette is set for a lead role in the limited series about the Murdaugh family at Hulu, Variety has learned.

The show was first reported to be in development at Hulu in November 2022. With Arquette’s casting, it has now officially been ordered to series.

Per the official description, the series “is based on Maggie (Arquette) and Alex Murdaugh’s stranger-than-fiction family drama, a riveting account drawing from countless hours of reporting by Mandy Matney – journalist and creator of the popular ‘Murdaugh Murders Podcast’ – as well as exclusive, insider knowledge from years spent following the case.”

The Murdaugh family were powerful players in the Lowcountry region of South Caroline, wielding great legal and political influence. But for the better part of a decade, the family has been accused of involvement in a variety of crimes, ranging from fraud to murder. In addition to the “Murdaugh Murders” podcast, they have...

After taking a look back at House II: The Second Story (a favorite of mine since childhood), House of 1000 Corpses (which celebrated its 20th anniversary last year), the awesomeness of Tales from the Crypt Presents: Demon Knight, the leg smashing in the Stephen King adaptation Misery, three separate moments from John Carpenter’s Big Trouble in Little China, the “Jason vs. Tina” battle in Friday the 13th Part VII: The New Blood, the “all hell breaks loose” sequence from the start of Zack Snyder’s Dawn of the Dead remake, the opening sequence of Pitch Black, and a memorable moment from The Crow, JoBlo’s own Lance Vlcek is continuing his The Best Scene video series with a look at a scene from director David Lynch‘s 1997 cult classic Lost Highway (watch it Here). To find out which moment Lance chose to highlight, check out the video embedded above.

I remember the moment I realized how much I love television. It was March 2, 2014, and for the first time in years, I skipped the Oscar telecast completely. I did it to watch a new episode of "True Detective," which was nearing the end of its phenomenal, influential, heavily-discussed first season. The show's grip on American pop culture that year was incredible: It won five Emmys, inspired countless parodies, and lit up the internet with theories and Easter egg hunts. People read Robert W. Chambers' "The King in Yellow" after the word "Carcosa" popped up in the show. Viewers made gifs and edits of every single shot of Matthew McConaughey's hilariously bleak protagonist. And, importantly, people in Hollywood clearly started searching for the next "True Detective."

In the years that followed the show's first season, a whole host of TV series appeared that clearly followed the "True Detective" rulebook: Slow-burn criminal investigations,...

Every discussion of horror in gaming requires a mention of one of the Silent Hill games. The franchise is not only one of the most popular but also one of the few to have multiple entries in the genre. With such a legacy, it’s only natural that gamers would want a deep dive into the creative process behind the series.

Silent Hill 2 is an original story, but that doesn’t mean the creators weren’t inspired by other forms of media. A well-known artist who worked on the game admitted that one of the most iconic movie directors inspired the events that happened in the game.

David Lynch Movies a Major Source of Inspiration for Silent Hill 2 Artists

Different forms of media are constantly inspiring and influencing each other, leading to an amalgamation of some of the best aspects of content. When two strong talents collide with each other,...

Taking a page from Lost Highway‘s long-ago trick of using “Two Thumbs Down” as a blurb for the poster, the trailer for Francis Ford Coppola’s Megalopolis pullquotes many of the negative responses to his work over the years, some from long-dead critics like Andrew Sarris and John Simon. (Here’s Vadim Rizov’s review from Cannes.) The film opens September 27 from Lionsgate. Update: Lionsgate has pulled the Megalopolis trailer originally included in this post after critics and outlets pointed out that the negative blurbs contained in the trailer could not be sourced from the original reviews and may be fabricated. In a […]

The post Trailer Watch: Megalopolis first appeared on Filmmaker Magazine.

Taking a page from Lost Highway‘s long-ago trick of using “Two Thumbs Down” as a blurb for the poster, the trailer for Francis Ford Coppola’s Megalopolis pullquotes many of the negative responses to his work over the years, some from long-dead critics like Andrew Sarris and John Simon. (Here’s Vadim Rizov’s review from Cannes.) The film opens September 27 from Lionsgate. Update: Lionsgate has pulled the Megalopolis trailer originally included in this post after critics and outlets pointed out that the negative blurbs contained in the trailer could not be sourced from the original reviews and may be fabricated. In a […]

The post Trailer Watch: Megalopolis first appeared on Filmmaker Magazine.

We love seeing which films rank among our favorite directors’ list of best ever — the ones that left a mark and steered them in the path of becoming some of the most renowned artists of the medium. But let’s face it, we don’t mind a little conflict, either. But Park Chan-wook wasn’t going after his fellow directors in a physical way but rather in a much more damming way — attacking their work!

In a recently unearthed slam session from 1999, Park Chan-wook called out 10 films that he considered the most overrated ever. Keep in mind that by this point, the South Korean director only had two features to his credit. So what’s on the list and what did he have to say? Let’s check it out:

Park Chan-wook primarily took issue with American films, opening the list with Oliver Stone’s Natural Born Killers, which can...

David Lynch has been making movies since the 1960s, when he was an art student who wanted to see his paintings move. Since then, he’s become one of the most recognizable and beloved auteurs in cinema history, a filmmaker who enjoys remarkable success, given his idiosyncratic work.

Because Lynch’s work is so personal, it has long been difficult for critics and fans to reach a consensus regarding which is his very best work. Every single one of his movies and TV series has value, and each one strikes different people in different ways. Indeed, even this writer finds himself changing his own personal ranking from time to time.

Like Lynch himself, his works are impossible to categorize and, thus, near impossible to rank, but we’ve given a go in order to celebrate the filmmakers long and celebrated career. We’re looking back at both his movies and...

David Lynch’s career as a renowned filmmaker, screenwriter, and artist is distinguished by his unique style, delving deeply into the human psyche with captivating, dreamlike visuals. As an auteur, he masterfully fuses experimental film techniques, blending unconventional horror and avant-garde cinema with box office profits.

Before making his first experimental shorts he studied painting at the Boston Museum of Fine Arts and the Pennsylvania Academy of Fine Arts in the sixties. His foray into film began with a one-minute short he created for a contest in Philadelphia that led him to the American Film Institute, where he made The Grandmother (1970) and started working on the indie cult classic, Eraserhead (1976).

Lynch went mainstream with The Elephant Man (1980) and ventured into science fiction with Dune, based on Frank Herbert’s novel and starring Kyle MacLachlan. Lynch would continue to collaborate with MacLachlan in future projects, including his next art house project,...

Twin Peaks, Blue Velvet and Mulholland Drive writer-director David Lynch has revealed he is housebound with emphysema but insisted on social media on Monday: “I will never retire.”

The American director, 78, posted on X after his condition emerged in a story in The Independent quoting from a new interview in Sight & Sound.

Lynch told the outlet, “I’ve gotten emphysema from smoking for so long and so I’m homebound whether I like it or not. It would be very bad for me to get sick, even with a cold.”

He added that the lung disase had left him unable...

David Lynch, the groundbreaking director of “Blue Velvet” and “Mulholland Drive” and the creator of “Twin Peaks,” says that it’s unlikely that he’ll direct again after being diagnosed with emphysema.

In an interview with Sight & Sound magazine (via The Independent), the 78-year-old director said, ““I’ve gotten emphysema from smoking for so long and so I’m homebound whether I like it or not. It would be very bad for me to get sick, even with a cold.” He is afraid of catching Covid-19 and doesn’t “go out” anymore. He also said that he can “only walk a short distance” before he’s “out of oxygen.”

Still, the director, who last helmed the ambitious third season of “Twin Peaks” for Showtime in 2017, leaves the door open for directing remotely. “I would do it remotely if it comes to it,” Lynch told the publication, although he did say,...

Humble Beginnings: Art School and Short Films For David Lynch, it began with painting. While some artists know from the very beginning that their path is filmmaking, Lynch was simply enthralled with artistic pursuits in general. Born in Montana and then raised in various different states and cities across the Midwest, Lynch is unsurprisingly no stranger to the ‘All-American’ mundanity that permeates the gleaming surface of many of his films. Over the course of many years and after a string of other artistic academic endeavors, Lynch would finally settle in his enrollment at the Pennsylvania Academy of Fine Arts. Here, the artist would finally turn into a director, creating numerous short films such as ‘The Alphabet’, ‘The Grandmother’, and ‘The Amputee’. All of these were wrought with the eerie, evocative imagery that would soon pervade his feature-length films. Oft-inspired by the surreal and/or macabre works of prominent painters like René Magritte or Francis Bacon,...

David Lynch hasn’t directed a feature film since Inland Empire in 2006, but he has directed many shorts since then, as well as all 18 episodes of Twin Peaks: The Return. A while back, we heard that he’s hoping to make an animated film called Snootworld, which was rejected by the Netflix streaming service… but while we wait to find out whether or not Snootworld is going to find a home, Lynch is working with Chrystabell to send a new music album out into the world. This album is called Cellophane Memories and has a street date of August 2nd. Copies are available to pre-order at This Link.

In a video posted to X at the end of May, Lynch said, “Ladies and gentlemen, something is coming along for you to see and hear. And it will be coming along on June 5.” As it turns out, that “something” was a...

In what could very easily be the opening of a classic horror film Audrey Mascina – previously featured on Directors Notes with her powerful exploration of sexuality I Am That I Am – presents us with a bold and unexpected depiction of what can happen to two women walking home drunk at night. In Ludo, her narrative debut, Mascina eloquently sets the scene, dark pulsing lights, stumbling feet and then that long shadowy stretch of road where the tension of dark possibilities builds incrementally through each encounter these women have as they try to get home. Ludo, instead of focusing on the assumed fragility of these women and the vulnerable position they find themselves in, uses its nocturnal mise en scène to house two potent performances and in so creates a film in which its female protagonists take charge, which is exactly what we need more of on screen. Women are strong,...

The decade of the 1990s was indeed fruitful for suspenseful thrillers that are now inscribed in cinema history. If you miss those years’ movies, here is some good news for you: here are 7 flicks that are gonna thrill you even now, almost 30 years later.

1. Misery (1990)

First comes a masterpiece based on Stephen King's psychological novel about a writer who becomes a prisoner of his obsessive fan. It’s clearly one of the best adaptations of the King of Horror’s novels and one of the creepiest thrillers of all time.

2. Basic Instinct (1992)

We all know the title of this seductive crime noir, but if you haven’t seen it yet, why not? Starring Michael Douglas and Sharon Stone, the story of a police detective who falls for his prime suspect is a must-watch for every fan of wild erotic thrillers.

3. Primal Fear (1996)

Next is Richard Gere’s court film...

It’s easy to get lost in the desert, a fate that befalls Joshua Erkman’s debut feature. While his protagonists eventually get dangerously close to some lurid, lethal goings-on, this self-described “neo-noir horror” leaves a vague and rudderless final impression despite its intriguing-enough buildup. “A Desert” aims for the enigmatic, supernaturally-tinged mystery of something like Lynch’s “Lost Highway,” but in the end lacks the tension and atmosphere to pull that tricky gambit off. Nonetheless, its arty sojourn through backroads-thriller terrain is likely to gain some supporters as a Tribeca Fest midnight section premiere.

An opening sequence expanded upon much later introduces the idea that what we’re watching is some sort of purgatorial film loop that traps the unwary. But like several other conceits here, it’s never developed enough to take finite shape. Still, we first meet Alex Clark (Kai Lennox) as he’s exploring a dark,...

Bill Pullman is a liar.

The star of “Murdaugh Murders: The Movie” doesn’t mean to be, but confesses he is one during our interview.

The two-part Lifetime movie in which Pullman portrays convicted murderer Alex Murdaugh wasn’t, by any means, a light-hearted project. And while focusing on heavier topics, some actors turn to “comfort” TV or movies.

One of mine, I tell him, is “While You Were Sleeping,” his 1995 rom-com with Sandra Bullock. But he doesn’t have one. And that might come as a surprise if you’ve watched recent FYC press he’s done. In fact, he was asked about it on a panel three days before our conversation.

“They asked a similar question, and I lied,” he whispers. “I just told my publicist today, I feel so bad! Something about that question, I couldn’t think of anything that was accurate. The only thing I...

"For some of us, it's always midnight." Based on the book of the same name by renowned author Barry Gifford (Wild At Heart), the fourth and final issue of Night People is coming out on June 12th from Oni Press, and we have an exclusive excerpt to share with Daily Dead readers ahead of its release!

You can see destinies cross paths and fates align when the kindly Arapaho White picks up young hitchhiker Marble Lesson on the interstate in our exclusive excerpt from Night People #4.

To learn more about Night People and all of the exciting releases from Oni Press, visit:

https://www.onipress.com/

Night People #4

Author/Artist: Chris Condon / Artyom Topilin

Publisher: Oni Press

Page Count: 32pp

Size: 7 x 10

Date of Publication: June 12, 2024

From acclaimed writer Chris Condon and rising star Marco Finnegan comes the final tale based on the novel by neo-noir icon Barry Gifford . . .

Marble...

David Lynch is one of the most critically acclaimed directors known for his surrealist and distinctive class of cinema. The filmmaker holds some masterpieces like Mulholland Drive, Blue Velvet, and Wild at Heart under his collar.

Despite his excellence in bringing some dark tales on-screen, Lynch is known to be a kind man on set. Being a reputed director, he is adored by his co-workers and fans except for that one instance where he lost his cool on a crew member.

A still from Twin Peaks: The Return I Showtime

The incident happened on the set of Twin Peaks: The Return when a crew member suggested the director cut a long scene. The viral clip featuring an infuriated David Lynch proved that the filmmaker has a strong distaste for chopping down scenes in his projects.

What led David Lynch to be so merciless against one of his crew members?

David...

A one armed man selling shoes, a lady with a log obsession, evil spirits called Bob who feed on pain and suffering, dwarves speaking backwards, a ton of doughnuts, plus a murder mystery with a killer reveal. It can only be one crazy series, can’t it? That’s right my fellow wonderful gore-hounds, we’re taking a psychedelic trip to the fictional Washington town of Twin Peaks. The original show ran from 1990 to 1991 and followed an investigation by FBI agent Dale Cooper, played to perfection by Kyle MacLachlan, into the murder of Sheryl Lee’s homecoming queen, Laura Palmer. The series didn’t end there though, no siree, writer / director David Lynch had grander plans for the residents of Twin Peaks.

In fact, in was only one year later, 1992, that Lynch unleashed his big screen movie based around the events leading up to the first season of the show; prequel,...

Trent Reznor and Atticus Ross have, in less than 15 years, established themselves as the most exciting composers working in contemporary film.

Their first score was David Fincher’s masterpiece “The Social Network.” The score was a haunting, atmospheric triumph, and it won them Oscars, an even more impressive feat given the Academy’s historic anti-rock band bias. And what began as an exclusive collaboration with Fincher soon blossomed outward – they have worked with Pixar and Ken Burns, scored a prestige TV version of Alan Moore’s “Watchmen,” and an animated “Teenage Mutant Ninja Turtles” movie. They can do it all, while remaining uniquely them.

They are unstoppable, too. This week “Challengers,” from Luca Guadagnino, is released alongside their soundtrack album. And they have a pair of scores still coming this year – for the big-budget Apple movie “The Gorge” and for Guadagnino’s “Queer,” starring Daniel Craig.

For the purposes of this list,...

Though Netflix ruined our hopes for another David Lynch movie––perhaps too much to ask from the people behind Zack Snyder’s Rebel Moon — Part Two: The Scargiver, now streaming––the man more or less never stops creating. (When we did an interview he Zoomed from his woodworking office and showed off a lamp he was making.) Today we have our first Lynch track in some years, albeit in remix form––part and parcel of him once telling me he’s “a non-musician musician.”

For Mylène Farmer’s Remix Xl album, out today, he’s stripped-down her 1999 track “Je te rends ton amour” to expose a fuzzy bass line, thrumming and slightly abrasive à la something from the Lost Highway or Inland Empire soundtracks. A small transmission from Lynchland that, if nothing else, shows his creative energies remain.

Listen below:

The post David Lynch Debuts New Remix — Listen first appeared on The Film Stage.

Bill Pullman probably isn’t the first actor you’d think would be cast to portray a drug-addicted sociopath who is convicted of killing his wife Maggie and son Paul, as he does playing Alex Murdaugh in the Lifetime two-part docudrama “Murdaugh Murders: The Movie.” This is, after all the same guy who played the heroic President of the U.S. in the 1996 blockbuster “Independence Day,” and his impressive career has found him playing an assortment of characters similarly defined by their inherent decency. This is also a man who has been married for 37 years – to the same woman. Not that Pullman necessarily sees himself as having a brand. “Everybody says, ‘Oh, you do’,” he admits. “But I think I’m available for (the whole of) human behavior. And it’s nice to live on the other side every once in a while.” Watch the exclusive video interview above.

To be sure,...

A couple decades ago, legendary filmmaker David Lynch – who we have to thank for Eraserhead, The Elephant Man, the 1984 version of Dune, Blue Velvet, Twin Peaks, Wild at Heart, Lost Highway, The Straight Story, and Mulholland Drive, among other things – started working with The Nightmare Before Christmas, Edward Scissorhands, The Addams Family, and Welcome to Marwen writer Caroline Thompson on the screenplay for an animated movie called Snootworld… and even though the Netflix streaming service recently turned down the chance to bring Snootworld into our world, Lynch told Deadline that he’s not giving up on getting the movie made.

Lynch said, “I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge. I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this...

Often hailed as one of the greatest filmmakers of this generation, David Lynch is a visionary director showcasing his bizarre and interesting vision in the world of cinema. His distinctive style features psychological depth and a spooky atmosphere that have captivated audiences for decades. These unique features are evident in Lynch’s 1997 erotic thriller, Lost Highway featuring Patricia Arquette.

David Lynch. Credits: Wikimedia Commons

The film was a David Lynch masterclass, where he effortlessly filled the audience with a sense of dread and uneasiness with every scene of the film. However, the actress had an eerie experience on the set of the film, where she had to do a n*de scene, but the men on Lynch’s crew were saying insensitive things about her, which all came to a halt when the director unleashed his fury on the crew.

David Lynch Was Fuming At His Crew For Their Demeaning Comments

With identity,...

Patricia Arquette didn’t lose sleep over her nude scenes from David Lynch’s 1997 psychological erotic thriller “Lost Highway.”

Arquette, who played two separate roles — 1) an adulterer cheating on her jazz-musician husband (Bill Pullman), and 2) a temptress seducing a mechanic (Balthazar Getty) — said during Series Mania (via Variety) that she found a strip scene in the film “terrifying.” Arquette credited Lynch for scolding crew members who made “gross” comments ahead of filming her nude sequences.

“I was so extremely modest: I would take a bath in the dark,” Arquette said. “The scene when my character had to strip was terrifying to me. Some of the guys were saying crude things and I told David, ‘I am not comfortable – they are saying gross things.’ He said, ‘You read the script.'”

As Arquette recalled, Lynch immediately switched to, “Wait, who said what?”

“When I came back, all these men were looking at their feet,...

The long wait is over: Patricia Arquette finally explained David Lynch’s “Lost Highway.” Kind of.

“I would ask David: ‘Am I playing two characters, am I playing a ghost?’ He would say: ‘What do you think, Patrish?’ It’s a woman looked at through the distorted view of a psychotic misogynist,” she said at Series Mania.

“He hates women, he doesn’t quite trust her, even though she is his wife. He kills her but can’t remember it, then he recreates himself as this virile young man and meets her again. And now, she actually wants to fuck him and she is in love with him. But even in this version, she is a dirty whore.”

“In this man’s mind, a woman is always the monster. No matter what. I thought about Jezebel and Salomé for this part, all these bad girls of the Bible.”

More explicit scenes in the cult classic,...

Oscar-winning actress Patricia Arquette chaired a career masterclass this afternoon at Series Mania in Lille, France, where she served as this year’s guest of honor.

Topics up for discussion during the session ranged from Arquette’s childhood growing up on a “hippie” commune with her parents in rural Virginia alongside her career as an actress, working with filmmakers like Martin Scorsese, Richard Linklater, and David Lynch.

“He gives you a lot of freedom,” Arquette said of Lynch, whom she worked with on his 1997 surrealist feature Lost Highway.

Lynch’s Lost Highway, like many of his films of the 90s, is a project focused on gender, sexuality, and sensuality. In the pic — which also stars Bill Pullman — Arquette’s character is involved in a prolonged nude scene. Arquette said that at the time, she had been “really uncomfortable with nudity.” However, she pushed on with the scene to challenge herself as an artist,...

The Criterion Collection has announced its slate of releases for June 2024, which is headlined by 4K restorations of two of the boutique label’s most popular Blu-rays and four new high profile additions to the collection.

David Lynch’s landmark 1986 neo-noir horror film, which marked his first collaboration with Laura Dern alongside her future “Twin Peaks: The Return” co-star Kyle McLachlan, will be re-released by Criterion with a new 4K transfer. It joins Lynch’s “Eraserhead,” “Mulholland Drive,” “Lost Highway,” “Inland Empire,” “The Elephant Man,” and “Twin Peaks: Fire Walk With Me” in the Criterion 4K library.

Also getting the 4K treatment is Terry Gilliam’s “Fear and Loathing in Las Vegas,” which sees Johnny Depp playing Hunter S. Thompson stand-in Raoul Duke in a psychedelic adaptation of the landmark countercultural novel.

New additions to the collection include Lana and Lilly Wachowski’s “Bound,” Rainer Werner Fassbinder’s “Querelle,” Emilio Fernández’s “Victims of Sin,...

I was about seven years old the first time I saw her — a leather-clad woman with half of a shaved head and mountains of muscle over her 5'6" frame. My eyes would be engrossed the second she appeared on screen, and despite living in an affirming household, I felt like there was something weird or wrong about my fixation. Her name was Luna Vachon (real name Gertrude Vachon), a professional wrestler who perfectly encapsulated the glamour and pageantry of the WWF (now WWE), without ever sacrificing God-like strength and muscle tone. American culture has a weird relationship with visibly strong women, but the tides have been changing over the last five years. No longer relegated solely to punchlines or objects of fetishization, beefy women are now praised with the same adoration as their male counterparts.

This is to say that Rose Glass's sophomore feature "Love Lies Bleeding" couldn't be arriving at a better time.

"For some of us, it's always midnight." Based on the book of the same name by renowned author Barry Gifford (Wild At Heart), Night People will debut the first of its four issues this March as one of the exciting new monthly comic book series from Oni Press, and we have a look at exclusive character designs as a special treat for Daily Dead readers!

Adapted by writer Chris Condon, Night People features illustrations by an all-star lineup of artists, including Brian Level, Alexandre Tefenkgi, Artyom Topilin, and Marco Finnegan, and below you can check out exclusive character designs of Elvis, Chihuahua, Sabine, and other eclectic characters from the macabre world of Night People.

We also have a look at the amazing cover artwork by J.H. Williams III, Joëlle Jones, Jacob Phillips, and Brian Level, as well as preview pages from the first issue of Night People, hitting shelves on March 6th from Oni Press!

David Schwimmer makes a bold choice with this ambitious, if not entirely seamless psychodrama. Starting out as a hyperactive life-in-crisis movie, like a more melancholy, introspective Fight Club, it swaps horses in midstream with a shocking twist that will likely alienate any viewers seduced by seeing the Friends star’s face on its promo imagery. Those willing to follow first-time director Jack Begert down the rabbit hole into the film’s surprising second half — which may seem completely unrelated at first, but soon reveals the film’s deeper themes of opioid use and the butterfly effects of addiction — will find it strangely satisfying.

In light of recent events involving Schwimmer’s former co-star Matthew Perry, Begert’s film has acquired an unintentionally meta level that, sadly, only underscores its main theme, which is the human cost of the pursuit of happiness in contemporary America. Schwimmer plays Martin Solomon, a screenwriter...

Love is one of the biggest anomalies in human evolution. On paper, it should merely be nature's byproduct of the biological urge to propagate the species, an endorphin-induced insurance trap. Love at its most powerful, however, instigates what seems like an almost total transformation within a person: they become stronger, braver, more impulsive, more reckless, and do things they never would have dreamed of doing alone.

One cinematic genre that routinely explores the core of this transformation is film noir. Unlike, say, the cuddlier version of love as seen in the rom-com or the adventure movie, noir tends to encapsulate both the exhilarating and disturbingly dangerous aspects of true love; it can be a character's greatest asset or their Achilles heel, sometimes all at once. It's all a matter of perception.

Perception is something that director and co-writer Rose Glass is explicitly concerned with, and it's her interest in the...

Love or loathe David Lynch, you have to admit that the former indie filmmaker has had one of the most unusual routes to fame in the history of Hollywood. Once king of the “midnight movies” in the 1970s, Lynch from plucked from that world by the Mel Brooks production company to helm the adaptation of the Tony Award-winning Broadway play “The Elephant Man” in 1980. What prompted Lynch to be chosen may be a question for the ages, but it launched a film career that has been nothing short of remarkable.

Lynch’s particular vision (which some critics have termed “narrow”) has produced some distinctive oddities (“Lost Highway” and “Inland Empire” among them), but when Lynch connects, such as in “Blue Velvet” and “Mulholland Drive,” he changes the limited notion of what some filmgoers think of as “the movies.” Both of those films brought him Oscar nominations for directing, while “The Elephant Man...

Like the piscine Guild Navigator who gets wheeled out in a tank at the start of the movie, David Lynch‘s adaptation of the Frank Herbert novel Dune is neither fish nor fowl. Lynch gets to play with some rather dense world-building, but Herbert’s critique of charismatic leaders gets pushed to the side while the demands of ’80s sci-fi fantasy don’t allow the director to create what would later become his signature dream states. As a result, Lynch’s Dune pleased no one, least of all Lynch himself. And while the film has its fans, especially in light of Denis Villeneuve‘s more faithful blockbuster, it remains an outlier in both Lynch’s oeuvre and in the history of Dune adaptations.

Still, the legend goes that if studio meddling and post-production issues not come to bear, Lynch would have been able to put more of his stamp on the sequel Dune II.

Searching for and listening to movie soundtrack music for the year is an active quest of curiosity, discovery, and collage. For those fatigued and pushing through the chilliest season, I hope this mix can provide both energy and warmth, as it did to me in making it.Trends in film music over the last decade are continuing strong in 2023, particularly in the ambition of independent auteurs using complex and unusual scoring. The foundation for this mix is Angela Schanelec's beautiful and aptly titled Music, which provides both diegetic and non-diegetic moments to guide us. Samples range from The Old Oak, in which classical choral choir meets Syrian guitar and words of hope that now hit harder than ever, to a mix of sentimental strings courtesy of the legendary Joe Hisaishi. Abstract experimental sounds by two completely different kinds of artists—Harmony Korine and Thomas Newman—are mixed with sliced...

Steven Spielberg famously told his life story with The Fabelmans. In that film, there was a scene where the budding young filmmaker got to meet the famous Hollywood director, John Ford. The scene featured Ford bestowing his knowledge onto the Spielberg avatar through his crotchety and quirky manner. It was a poignant way to punctuate the movie, and Spielberg had cast quirky, artistic filmmaker David Lynch in the role of Ford. The director is no stranger to appearing in front of the camera. Lynch would often appear in cameos in his own projects like The Elephant Man, Dune, Twin Peaks: Fire Walk with Me, Lost Highway and Inland Empire.

According to Deadline, Lynch would tell Empire magazine that his cameo in Spielberg’s autobiography came about when he had his request for a bag of Cheetos fulfilled. Lynch explained, “Well, Cheetos, number one, I love them. And any chance I can,...

David Lynch had some hesitations about acting in Steven Spielberg’s The Fabelmans. However, once he took on the role of John Ford, he had one simple request — a bag of Cheetos.

“Well, Cheetos, number one, I love them,” he told Empire magazine of his requirement for appearing in the film loosely based on Spielberg’s life. “And any chance I can, I get them. But I know that they’re not exactly health food. So when I do leave the house and I get a chance to… But I don’t get them that often, honestly.”

He continued, “If I do get them, I want a big bag. Because once you start… you need to have a lot before you could slow down and actually stop. Otherwise, with a small bag, then you’d be prowling for days to find more […] It’s incredible flavour.”

The director of films like Dune,...

Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSSambizanga.For the past six years, the Belgian film journal Sabzian has invited a guest to deliver an annual “State of Cinema” address. This year’s speaker will be Alice Diop. She will deliver her text on Thursday, December 7, in Brussels, alongside a screening of Sarah Maldoror’s film Sambizanga (1972). Learn more on Sabzian’s website, recently sleekly redesigned for the publication’s tenth anniversary. You can also watch previous State of Cinema speeches on Sabzian’s Screening Room, including last year’s address by Wang Bing.Recommended VIEWINGOutwardly from Earth's Center.Streaming on e-flux until November 30 is Outwardly from Earth’s Center (2007), a short pseudo-documentary by filmmaker and artist Rosa Barba. The film details the experiences of the inhabitants of a fictitious offshore island as...

In his latest podcast/interview, host and screenwriter Stuart Wright talks with documentary producer Charlie Phillips about how excited he is to be working with Jeanie Finlay, his love of Jeremy Deller, the Folkestone Documentary Festival and “3 Films That Have Impacted Everything In Your Adult Life”

Jubilee (1978) Gallivant (1996) Lost Highway (1997)

“3 Films That Have Impacted Everything In Your Adult Life” is about those films that made you fall in love with film. The guest selects their trio of movies and we talk for 5 minutes, against the clock. When the alarm goes off for five minutes we move on to the next film.

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Over the past several months, we've shared exclusive looks at the surgical obsessions of Cullen Bunn and Jesús Hervás' new Oni Press comic book series Invasive ahead of its anticipated premiere this December (and ongoing release next year), and as they recently announced, Oni Press also has plenty of other nightmares in store for readers in 2024 with an exciting slate of monthly comic book series, including Jill and the Killers, Cemetery Kids Don't Die, Night People, and Akọgun: Brutalizer of Gods, and we have a look at the main cover art and release details for the first issue of each series:

Press Release: Oni Press is proud to reveal Oni 2024—a high-intensity first wave of five propulsive new monthly comic series from a wide-ranging cast of award-winning creators and fast-rising stars that will fully embrace the potential of the comics medium to invert, collide, and reinvent the foundational genres of horror,...

The episode of Revisited covering Wrong Turn 2: Dead End was Written by Emilie Black, Edited by Juan Jimenez, Narrated by Niki Minter, Produced by Tyler Nichols and John Fallon, and Executive Produced by Berge Garabedian.

A long, long time ago, in a state deep in the woods, a bunch of people were eaten by cannibal hillbillies in a film called Wrong Turn. Soon, the locals to where the film was taking place got very angry about the depiction of their fellow mountain and wood residents, which they thought gave them a bad name. Horror fans responded by seeing the film anyways, making it a minor hit. The first film had a budget of $12.6 million and made $28.7 million at the box office. While this may lead to a sequel at times, it was not a given. Fast forward to 4 years later and we are gifted with the first of a long series of sequels.

Nate Ki’s shocking debut feature follows a man who revisits the grim flat where he grew up, which remains haunted with extravagant evil

This very creepy horror movie is the feature debut for director Nate Ki, who demonstrates both a talent for suggesting rather than spelling out backstory as well as an unabashed streak of cruelty. Where most film-makers would hold back a bit and refrain from traumatising the audience with images of child abuse, suicide, self-mutilation and rape, Ki jumps right in. At least the editing doesn’t linger too long on the worst of it, but there’s still plenty to disturb the viewer with a film that seems to draw as much on the horror traditions of Cantonese cinema as well as western film-makers. For instance, the use of space evokes David Lynch in Lost Highway mode, while the community full of secrets and evil trope...

The hotly-anticipated Saw X arrives in theaters on September 29, and Bloody Disgusting is excited to announce that Saw X – Original Motion Picture Soundtrack is also on the way.

Featuring original music by Saw mainstay Charlie Clouser, Lakeshore Records will release the soundtrack digitally on September 29, and we’ve got the first single for you today.

You can listen to “Blood Board” below, available Digitally on September 22!

Clouser, who built upon his already iconic reputation as a musician (Nine Inch Nails), and producer, as the composer of the first Saw films, returns with a crushing musical backdrop to the latest installment of the extreme franchise.

Lakeshore previews, “The score is unusually multi-faceted with Clouser providing warmer, more benevolent themes corresponding with John Kramer’s journey from his past.”

Looking for a Halloween costume this year? Pick up the Billy mask now!

Clouser tells us, “My score for Saw X goes to...

Oscar–winning actor and women’s rights activist Patricia Arquette will receive the TIFF Groundbreaker Award during the 48th edition of the Toronto Film Festival.

The honor will come during the 2023 TIFF Tribute Awards on Sept. 10 and is inspired by TIFF’s Share Her Journey initiative to spotlight women creators. Oscar–winning actor Michelle Yeoh received the tribute last year. “Being one of Hollywood’s most audacious talents, Patricia consistently challenges conventions and elevates the discourse on salary equity for women through her influential platform,” TIFF CEO Cameron Bailey said Wednesday.

Arquette is known for roles in Tony Scott’s True Romance, Tim Burton’s Ed Wood, David Lynch’s Lost Highway and Richard Linklater’s Boyhood, for which she won the best supporting actress Oscar. She also earned one Emmy for Medium and two Golden Globes for Boyhood and Escape at Dannemora.

Arquette has also campaigned over the years for equal pay for women,...

Arquette’s directorial debut Gonzo Girl premieres at fst on September 7.

Patricia Arquette will receive TIFF Share Her Journey Groundbreaker Award at the festival’s 48th edition and is the final honouree announced ahead of the TIFF Tribute Awards fundraiser gala on September 10.

The award, presented by Bulgari, recognises “a woman who is a leader in the film industry and has made a positive impact on women throughout their career”. It is inspired by TIFF’s Share Her Journey initiative addressing gender parity in the film industry. Michelle Yeoh was honoured at last year’s Awards.

“Being one of Hollywood’s most audacious talents,...

Do Androids Dream of Electric Sheep? is the name of the Philip K. Dick novel that Ridley Scott famously adapted into Blade Runner. Wading into similar dystopian sci-fi waters, Bertrand Bonello’s latest feature, The Beast (La Bête), tosses together so many ideas, time periods and genres, its source material could have been called: Do French Girls Dream of Androids While Trying to Escape from Incels in L.A. After the 1910 Paris Flood?

In reality, the auteur’s ambitious new 146-minute film is a very loose adaptation of the 1903 Henry James novella, The Beast in the Jungle, about a man who never pursues the woman he loves because he fears a terrible fate will befall him — until he realizes, way too late, that he made his fate come true by never pursuing her. Bonello takes that initial conundrum, slices, dices and remixes it, then tosses it into a time machine.