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Despite the decline in theatrical horror releases during the 1990s, the direct-to-video side of the genre was still thriving. So much so that something like Jeff Burr’s Night of the Scarecrow understandably slipped through the cracks after its unnoticed home-video premiere in ‘96. Even aficionados of this regularly dismissed decade of horror might not be aware of the movie’s existence. Nevertheless, longtime fans still consider this to be one of the more notable offerings of scarecrow horror.

It’s not hard to figure out why Night of the Scarecrow got so lost in the shuffle of ‘90s Dtv horror. Jeff Burr claimed only around 12,000 units were shipped back in the bygone days of video shops. Yet, if you came across this movie’s alluring box art in the horror aisle, you couldn’t be blamed for wanting to take a closer look. The alternative artwork — the titular, sickle-wielding villain...

Exclusive: Award-winning filmmakers Limbert Fabian (MLK: Now Is The Time) and Brandon Oldenburg (Lost Ollie) are partnering as directors, under the name InBetween, and have signed with Anonymous Content for representation.

A pair of longtime collaborators who have seen great success both with joint efforts and solo projects, Fabian and Oldenburg first met on the campus of Ringling College of Art and Design. Over the last 28 years, the pair have teamed on numerous projects across features, episodic, commercials, and interactive entertainment, including the Daytime Emmy-winning animated shorts Silent and Taking Flight, for Dolby and Radio Flyer respectively, and the Cannes Lions Grand Prix winner The Scarecrow for Chipotle.

Said Fabian in a statement to Deadline, “It’s a thrilling time for us as a directing duo. We share a common vision for filmmaking, and feel it’s time to tell stories as independent creators. We look forward to working with...

The history of Batman on film is well established at this point. Aside from his 1966 outing, we've had the Tim Burton era, the age of Joel Schumacher, the Christopher Nolan trilogy, and most recently, Matt Reeves' "The Batman." But things could have looked very different. Once Tim Burton's 1992 sequel and "weird experiment," "Batman Returns" proved successful, the director prepared to helm the next entry in the franchise. As he recounted in a making-of featurette, he actually met with Warner Bros. and pitched them his idea for a third film, before recognizing the lack of enthusiasm among the studio execs and saying, "You don't want me to make another one, do you?"

Burton was right. Warners didn't want him to make another one — especially since he'd upset the very demographic they and the toy companies were trying to target. Instead, the studio brought in Joel Schumacher to direct 1995's "Batman Forever,...

Film ‘Jupiter Ascending’ rises to absurd and hilarious heights

That sound you’re hearing is a massive sigh of relief from David Lynch. He no longer holds the dubious distinction of producing the most expensive B-movie in the history of Hollywood. That honor now belongs to The Wachowskis, whose Jupiter Ascending has officially displacedDune at the top (or bottom) of the heap. This isn’t necessarily a bad thing, however. Jupiter Ascending not only looks spectacular, it’s a laugh riot. Ridiculous dialogue, hammy performances, and enough mythology to baffle Zeus make this disaster a must-see for all lovers of cheese… read the full article.

The Conversation: Drew Morton and Landon Palmer Discuss ‘The Killing’

Stanley Kubrick’s The Killing (1956) is not my favorite work by the visionary director. In fact, the film probably wouldn’t even make it onto a list of my top five Kubrick films. Yet, with...

Quick…name a favorable film where the landscape is run by (or at least partially include) the demographic of little people as part of the instrumental storyline? C’mon…it should not be that difficult, okay? If you want to mention say Darby O’Gill and the Little People then that would fine. How about Bad Santa or Poltergeist for that matter?

In That’s Good Enough, Short Stuff: Top Ten Films Featuring Little People we will take a look at some of the mini megastars that inhabited these movies and contributed their fair share of entertainment value to the on-screen proceedings. The debate as to whether some of these selected films featuring these pint-sized performers are considered positive, exploitative or dismissive are not up for discussion (although one of these considerations could apply in the minds of a few folks). Instead, we want to celebrate the inclusion of...