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Metascore
17 reviews · Provided by Metacritic.com
- 60VarietyJoe LeydonVarietyJoe LeydonHelmer John Luessenhop ("Takers") and a small army of scripters go back to the bloody roots of the long-running franchise to concoct a better-than-average horror-thriller that relies more on potent suspense than graphic savagery or stereoscopic tricks.
- 58The A.V. ClubScott TobiasThe A.V. ClubScott TobiasThe mere presence of a second layer to the story gives Texas Chainsaw 3D an intriguing kick, and it adds a couple moments of visual wit that show a willingness to fiddle around with the genre. Not being irredeemable garbage counts as a modest achievement, but it's a small step in the right direction.
- 50Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanA sign of how desperate the series' producers have become is that the big twist here is that Leatherface, the slobby butcher-boy demon in his mask of human skin, is now...the good guy. (That's a ''jump the chainsaw'' concept if ever there was one.)
- Ms. Daddario is adequate, while Mr. Eastwood, as a lawman, strikes sinister notes. It's nice to see briefly Marilyn Burns, the record-holder in long-distance screaming in Tobe Hooper's original 1974 "Texas Chain Saw Massacre," and Gunnar Hansen, who played Leatherface in the same.
- 40The Hollywood ReporterFrank ScheckThe Hollywood ReporterFrank ScheckUnlike the restrained 1974 film which cleverly relied mainly on suggestion, this version piles on the graphic, often CGI-enhanced gore.
- The climax of Texas Chainsaw 3D is a bit more interesting and unpredictable than the usual horror-movie third act. But it feels like it's bred more out of desperation than anything organic; you can sense the gears turning in the screenwriters' heads as they try to figure out a way to breathe some fresh life into this franchise.
- 20New York Daily NewsJoe NeumaierNew York Daily NewsJoe NeumaierTexas Chainsaw 3D sees itself as over-the-top and knowing, but what we ultimately get is simply eyes without a face.
- 20EmpireKim NewmanEmpireKim NewmanA clunky, lumbering sequel that, like its masked protagonist, has no redeeming features.
- 20Time OutJoshua RothkopfTime OutJoshua RothkopfTime to fire up the critical Black & Decker: Somebody-there are six credited screenwriters-really wasn't clear on the concept.
- 12Slant MagazineNick SchagerSlant MagazineNick SchagerThere's no deliberate Texas Chainsaw Massacre 2-style comedy to the film, just dim-witted gruesomeness retrofitted with gimmicky contemporary trappings.