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Royal Opera House

November 2023

  • William Bracewell, Fumi Kaneko, Wayne McGregor's The Dante Project ©2023 ROH. Ph Andrej Uspenski (1)

    The week in dance: The Dante Project; Lay Down Your Burdens – review

    Everything comes together in an exhilarating Royal Ballet revival of The Dante Project, while Rhiannon Faith’s new work is all about sharing…
  • Mid Wales Opera’s production of Berlioz’s Beatrice and Benedict

    It’s a shame that opera remains stuck in the past

    Letters: Edward Lambert calls for a renewal of the genre to attract new audiences. Plus a letter from Helen Rooker on funding cuts to Mid Wales Opera

    • The week in classical: Jephtha; 7 Deaths of Maria Callas; Perfection, of a Kind: Britten vs Auden – review

    • Jephtha review – Clayton is magnificent as a wide-eyed zealot

    • Allan Clayton: ‘I’m your tortured tenor for hire’

October 2023

  • Lauren Cuthbertson (Jacqueline du Pré), Marcelino Sambé (The Instrument) in The Cellist

    The Cellist; The Limit review – a tale of two Royal Ballet dramas

  • Strict limitations … Francesca Hayward and Alexander Campbell in The Limit at the Royal Opera House.

    The Limit review – oppressed pair make words and steps count

  • a very young child sat in its father's lap smiles as a performer in red dungarees kneels down in front of them holding a green ball towards them

    The week in classical: Under the Little Red Moon; Helen Charlston & Sholto Kynoch; Rigoletto – review

  • Alexander Campbell and Francesca Hayward in rehearsal for The Limit at the Royal Opera House

    Lemons Lemons Lemons Lemons Lemons: the cult play about words becomes a ballet

September 2023

  • Beate Mordal and Cameron Shahbazi in Picture a day like this

    The week in classical: Picture a day like this; Peter Grimes; Carol Williams: Mad Rush – review

  • (WOMAN) Ema Nikolovska (LOVER 2) Cameron Shahbazi (LOVER 1) Beate Mordal ROH Picture a day like this 2023 © Camilla Greenwell 7145-BW

    Picture a day like this review – Benjamin’s modern fairytale of sparse and moving beauty

  • LA FORZA DEL DESTINO performed at the Royal Opera House

    The week in classical: La forza del destino; Bayerisches Staatsorchester/ Jurowksi; Chouchane Siranossian – review

  • Rose Knox-Peebles as Erda in the Royal Opera House’s production of Richard Wagner’s Das Rheingold

    Opera actor, 82, furious with critic for saying she looked a fright on first night

  • La Forza del Destino review – superb voices and slick dance routines for Loy’s reimagined Verdi

  • The week in classical: Das Rheingold; Lucerne festival review – all about oil

  • Vogue World to donate £2m to London-based arts organisations

  • ‘I threw my pop records in the bin’: George Benjamin on his defining moments – and his latest opera

  • Barrie Kosky’s Das Rheingold at the Royal Opera House – in pictures

  • Das Rheingold review – uncluttered staging is a compelling start to Kosky’s Ring cycle

  • ‘The most dangerous stage I’ve ever been on’: the wildest performances of Wagner’s Ring

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