Alice Bag

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Alice Bag
Bag at the Women Who Rock 2012 Conference in Seattle, March 2012
Background information
Birth name	Alicia Armendariz
Born	(1958-11-07) November 7, 1958 (age 66) Los Angeles, California, U.S.
Genres	Punk rock, Chicano punk
Occupation(s)	Singer, author, educator, feminist activist
Member of	Bags
Website	alicebag.com

Alicia "Alice" Armendariz (born 7th November 1958), also known as Alice Bag, is an American punk rock singer and author. She is the lead vocalist and co-founder of the Bags, one of the earliest punk bands to form in Los Angeles in the mid-1970s.

Bag has remained active in music since the late 1970s. She released her first book, Violence Girl: From East LA Rage to Hollywood Stage, in 2011 and her second book was published in 2015.^[1] She released Alice Bag, her debut solo album on Don Giovanni Records in June 2016.^[2][3] A second solo album, Blueprint, was released in 2018,^[4] followed by 2020's Sister Dynamite.

In 2024, her work is being shown in Xican-a.o.x. Body a comprehensive group exhibition on the experiences and contributions by Chicano artists to art narratives from 1960s to the present time. The show was on view at the Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, California, and the Pérez Art Museum Miami, Florida.^[5][6]

Bag was born and raised in East Los Angeles, California.^[7][8] Her father, Manuel Armendariz, was a self-employed carpenter who worked in the Bracero program, and her mother, Candelaria "Candy" Armendariz, was a homemaker. Both of her parents were from Mexico. Candy had five children from her first marriage, which ended after the death of her first husband.^[9] She had an older half-sister, Yolanda.^[1]

As a child, Bag was influenced by the music played by her family, including her father's ranchera music and her sister's soul music collections.^[10]

Bag was a victim of bullying throughout her adolescence. During her middle and high school years, she was picked on for her weight, teeth, and physical appearance. As a result, she was often alone, which influenced her taste in favor of music such as Queen, David Bowie and Elton John. After transferring high schools, she was often called "Ziggy" after David Bowie's persona.^[11][12]

After receiving her bachelor's degree in philosophy from California State University, Los Angeles, Bag began working as an English teacher in inner-city L.A. schools.^[13]

Bag is best known for being a member of the Bags, one of the first bands on the L.A. punk scene. The Bags were notable for having two female lead musicians (the group was co-founded by Bag and school friend Patricia Morrison) and for pioneering an aggressive sound and style that has been cited as an early influence on what would become the hardcore punk sound. The band's aggressive sound was later noted to have a Mexican/Chicano influence, which Bag unintentionally incorporated from her childhood.^[14] Members of the Bags appeared as the Alice Bag Band in director Penelope Spheeris's landmark 1981 documentary on the Southern California punk scene, The Decline of Western Civilization. As a lead singer of the Bags, she pioneered the first wave of California punk alongside Black Flag, X, the Germs, Phranc (then in Catholic Discipline), and the five musicians who would go on to form the Go-Go's.^[12] Bag went on to appear and perform in other Los Angeles–based rock bands including Castration Squad, The Boneheads, Alarma, Cambridge Apostles, Swing Set, Cholita – the Female Menudo (with her friend and collaborator, performance artist Vaginal Davis), Las Tres, Goddess 13 (the subject of a KCET/PBS produced documentary, "Chicanas in Tune"), and Stay at Home Bomb.^[15]

Later in Bag's career, she founded the "punk-chera" genre, fusing aspects of punk and ranchera performances.^[16]

Alice Bag began singing professionally at the age of 8, recording theme songs for cartoons in both English and Spanish.^[17] She did not gain exposure until forming the Bags.^[13] Alice collaborated with Patricia Morrison and Margo Reyes in what they first called Mascara, then Femme Fatale, and then finally the Bags.^[18] The Bags were active from years 1977–1981. They released a single "Survive" along with "Babylonian Gorgon".

The Bags Songs included:

• Survive (single)
• Babylonian Gorgon (single)
• Gluttony
• TV Dinner
• Why Tomorrow?
• We Don't Need the English
• Animal Call
• Chainsaw
• We Will Bury You
• Violent Girl
• Disco's Dead
• Sanyo Theme

The Bags broke up by the year 1981, leading Alice Bag to join the band Cholita in the late 1980s. The Bags were renamed the Alice Bag Band for the release of The Decline of Western Civilization, after Alice Bag and partner Patricia Morrison had a dispute about who had the right to use the band name. Following the birth of her daughter in the mid-1990s, Alice Bag chose to take a break from the music industry and become a stay-at-home mother. Soon after, she started her current project, Stay at Home Bomb.^{[citation needed]} Stay at Home Bomb is an all-female community centered around punk rock that exists to address social constraints that are put on women domestically and musically.^[17] The band features Alice Bag as Mothra Stewart on vocals, guitar and washboard, Judy Cocuzza as Judy Polish on drums, pots and pans, Lysa Flores as Lady Licuadora on vocals, guitar and blenders and Sharon Needles on vocals and bass guitar.

In 2016, Alice Bag released her debut solo album, Alice Bag, on the punk label Don Giovanni Records. A second album, Blueprint, followed in early 2018, and featured numerous guest musicians including Allison Wolfe and Kathleen Hanna. Wolfe and Hanna were featured on the track "77", which refers to the unequal pay that women receive for the same work as men.^[4][8] Another song on Blueprint, "Se Cree Joven", features backing vocals from Teri Gender Bender and Francisca Valenzuela.^[8]

Another album, Sister Dynamite was released by In the Red Records on April 24, 2020.^[19]

Bag has performed at events that celebrate women in punk rock, such as Women Who Rock in 2014.^[20]

She has also produced records such as Fatty Cakes and the Puff Pastries 2018 Self-Titled release and Fea's 2019 record No Novelties.^[21]

Bag's memoir, Violence Girl, From East LA Rage to Hollywood Stage – A Chicana Punk Story, was published by Feral House in fall 2011.^[22] Bag was inspired to write Violence Girl after attending a comic-con with her daughter in 2008.^[23] Her memoir is a compilation of short stories exploring her desire to be a punk artist. Her book contains stories of entering the punk rock scene at a more inviting time for women musicians. Violence Girl also reveals how domestic abuse fueled her desire for female empowerment and sheds a new perspective on the origin of hardcore, a style most often associated with white suburban males.^[24][25] Alice Bag's confrontational performance style is influenced by witnessing domestic abuse as a child. Bag channeled deeply rooted personal trauma into power on stage, refusing to be victimized or oppressed by men.^[26] Through punk music, Alice realized the extent to which she had internalized witnessing violence as a child, and she worked to overcome using violence as a mode of releasing rage. Music became both a process of healing her wounds and a way to extend power and support to her community.^[27]

Since 2004, Bag has also maintained a digital archive of interviews with women who were involved in the first wave of the Southern California punk scene in the 1970s, including musicians, writers, and photographers. The archive includes newspaper and magazine clippings, photos, and postcards relating to LA punk.

Bag was the keynote speaker at the 2012 Women Who Rock: Making Scenes Building Communities (un)Conference in Seattle, Washington.^[28] The event's speakers and activities aimed to empower and inspire not only Latina women but women of every ethnicity. Alice Bag discussed her rough childhood and touched on points from her biography, Violence Girl. She sang alongside both The Januariez, a local band, and Medusa, a well-known emcee and hip-hop artist. Bag explained at the conference that the place for punk in the feminist movement is to continue to challenge; punk is meant to draw attention to things that are wrong in society: "We don't live in a post-racism, post-feminism, post anything; punk allows us to speak our minds."^{[citation needed]}

She was also a part of the panel in the 2014 Women Who Rock (un)Conference.^[29]

Bag maintains part-time residency in Los Angeles, California, and Mexico City. She remains musically active and collaborates with artists including Teresa Covarrubias, Lysa Flores,Martin Sorrondeguy, Allison Wolfe, and others. She has recently begun exhibiting her oil paintings in gallery showings.^[23]

Bag began filming and sharing workout videos on Instagram,^[19] YouTube, and Facebook during the COVID-19 pandemic.^[30]

Bag is bisexual.^[31][32]

• Alice Bag (2016)
• Blueprint (2018)
• Sister Dynamite (2020)

• Alice Bag and the Sissybears (2017), pressing limited to 500

Singles

• Survive (1978)
• Disco's Dead (2003)

Collections

• All Bagged Up: The Collected Works 1977–1980 (2007)

Books

• Bag, Alice (2011). Violence Girl: East L.A. Rage to Hollywood Stage: A Chicana Punk Story. Port Townsend, WA: Feral House. ISBN 978-1-936239-13-9. OCLC 756484532.
• Bag, Alice (2015). Pipe Bomb for the Soul. Los Angeles: CPSIA. ISBN 978-0-692-43319-5. OCLC 940969636.

Journals

• Bag, Alice (July 2012). "Work that Hoe: Tilling the Soil of Punk Feminism". Women & Performance: A Journal of Feminist Theory. 22 (2–3): 233–238. doi:10.1080/0740770X.2012.721079. ISSN 0740-770X. OCLC 6894716507. S2CID 154993883.

Wikimedia Commons has media related to Alice Bag.

• Official website
• Alice Bag at AllMusic