Jimi Hendrix's unfinished fourth studio album

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The American musician Jimi Hendrix intended to release his fourth studio album as a double or triple LP before Christmas 1970. From June to August 1970, he made good progress on the realization of the planned album in his new Electric Lady Studios. Many songs were mixed on 20, 22 and 24 August. Four of these mixes were regarded as definitive versions and were presented at the opening party of Electric Lady on 26 August. Hendrix died on 18 September that year, leaving behind an enormous number of unreleased recordings in various stages of completion. It is impossible to know what Hendrix would have changed and what he actually would have released, but there is some documentation of the album configurations he had in mind. While a good amount of the designated tracks only needed some finishing touches, others only existed as rough recordings, and for some titles no recordings are known to exist. The Cry of Love (1971), Voodoo Soup (1995) and First Rays of the New Rising Sun (1997) are officially released attempts to reconstruct the planned album. First Rays of the New Rising Sun is usually regarded as closest to Hendrix's vision, but features a track that was probably never part of Hendrix's plans and omits some tracks that were definitely considered. The 2024 box set Electric Lady Studios: A Jimi Hendrix Vision contains 38 previously unreleased tracks from the album sessions and a 5.1 surround mix of First Rays of the New Rising Sun with 3 bonus tracks.^[1] Most tracks that are known to have been considered for the album have eventually been released in some form or other, except for a few unfinished and unidentified titles.

After finishing the double album Electric Ladyland in 1968, Hendrix recorded quite obsessively in several studios. The extensive sessions for Electric Ladyland had been a reason for Chas Chandler to quit his role of producer, and also soured Hendrix's relation with bass player Noel Redding.^[2] Redding eventually quit the band at the end of June 1969. Hendrix had already started recording with old-time friend and bass player Billy Cox. For much of 1969 and 1970 Hendrix was troubled by the constant touring, disappointment in the new band line-ups (first the Gypsy Sun and Rainbows—despite a successful performance at the Woodstock festival—and then the Band of Gypsys), demands of manager Michael Jeffrey, girlfriend troubles, the pressure of fame, heavy drug use and personal as well as professional insecurities. Hendrix's extensive use of hired studio time became very expensive and was not always fruitful.

In 1969, plans for Hendrix's own nightclub in New York City were converted into a plan for his own recording studio. Electric Lady's Studio A was designed to serve as Hendrix's personal creative space; an inspiring environment where he could develop his music from demos to final mixes, with a supportive team and the best equipment available. After being under construction for 13 months, the first session at Electric Lady's Studio A took place on 15 June 1970, while Studio B was still unfinished. The studio finally provided creative continuity in a safe haven, but also a place where he could find some rest. There was 24-hour security and engineer Eddie Kramer set strict rules to stop having hordes of guests in the studio. Despite the lack of pay for the sessions, Hendrix was mostly joined by the current Experience band members Billy Cox and Mitch Mitchell. Mitchell even had to battle Jeffrey for back royalties and tour receipts and it may initially have been unpleasant for him that many tracks that were worked on had Buddy Miles's drum parts, but eventually Mitchell got into the creative spirit of working on the album as much as Cox. Hendrix and his team soon showed much progress in the creation of a new album, so the studio time of August 1970 was almost exclusively used for mixing and overdubbing sessions to finish the recorded songs. On 26 August 1970, four complete songs with final mixes were presented at the Electric Lady opening party. The next morning, Hendrix left for Europe to perform at a couple of festivals and would never see his studio again: he died in London on 18 September 1970.^[3][4]

A 24 June 1970 memo by Hendrix listed 11 songs "having backing tracks completed", with the last entries "Drifter's Escape" and "Burning Desire" receiving question marks. This memo also noted to get the tape of "Highway Chile".^[5]

An expanded list of 25 titles was handwritten by Hendrix (reportedly on 14 August 1970)^[3] under the heading "Songs for L.P. Strate Ahead".^[5] The running order is the same for the 11 tracks of the previous list, but many tracks are added in between. The songs with complete backing tracks were marked with crosses. The list also had songs marked with ticks and dashes, but the meaning of those marks is unknown.

"Message to Love", "Power of Soul", and "Machine Gun" had been recorded in the studio before live versions were released on the Band of Gypsys (1970). Hendrix seemed to think that releasing studio versions of these songs would be regressive and not in tune with his ideas for the new album.^[6] Nonetheless, mixes of "Power of Soul" (with a new delay effect in the intro)^[7] and "Message to Love" were created on 22 August 1970.^[8]

Another list in someone else's handwriting on a tape box detailed the configuration for three sides of a double album with the title First Rays of the New Rising Sun. Side D was left blank and two tracks appeared twice, on different sides of the LP.^[9][10]

Although work in August 1970 was reserved for finalizing tracks for the album with overdubs and mixes, several tracks that were not on the lists received attention during these sessions (possibly because new recordings were made after the lists were compiled).

Almost all the recordings at Electric Lady were made with the planned album in mind, but some were incidental jams or compositions that were abandoned:

• "All God's Children": an instrumental backing track recorded on 1970-06-15 onto which Hendrix possibly wanted to overdub vocals later.^[11]
• "Messing Around": a funky instrumental that was abandoned after 20 takes on 1970-06-16,^[12] take 17 was released on the Electric Lady Studios box set in 2024^[1]
• "Farther Up the Road": a short cover of the blues standard, recorded on 1970-06-24 and released on the Electric Lady Studios box set in 2024^[1]
• "Bolero": an instrumental recorded on 1970-07-01 with a take on 1970-07-14 that was marked as DO NOT USE, no further work seems to have been done on the track until Kramer mixed it for release on West Coast Seattle Boy (2010) for which it was edited and flown together into "Hey Baby (New Rising Sun)" (this was seemingly an idea shared by Hendrix as shown by a jam session now available on the Electric Lady Studios box set).
• "Pali Gap": originally part of a circa 10-minute instrumental jam recorded on 1970-07-01. Hendrix realized it had some potential and overdubbed a second guitar and a solo to what would be marked as "Slow Part" on the tape box. Kramer claims it was never intended to be on the planned album. Jeffrey later gave it the title "Pali Gap" to tie it to the Hawaiian locale of the Rainbow Bridge film in 1971, when it was to be released on the accompanying soundtrack album.^[13]
• "Slow Blues": less than three minutes of a jam that was only recorded partly on 1970-08-20.^[14] A 1:46 edit was released on the Jimi Hendrix Experience box set in 2000.
• "Star-Spangled Banner": a single take was made on 1969-03-18 with no further work until it was mixed by Kramer for Rainbow Bridge in 1971 however the song was played regularly during live shows.
• "My Friend": although never intended for a Hendrix album, the song was first debuted in 1968 during the Electric Ladyland sessions, this version was later mixed and published on The Cry Of Love in 1971. A later recording made in 1970 was created for what would've been a new album by Noel Redding with Hendrix providing guitar on it, this version remains unreleased as does the rest of the recordings for this album.^[15]

Hendrix had preferred the title First Rays of the New Rising Sun since January 1969.^[5] Kramer believed this would have been the definitive title and it was used for the official reconstructed album release in 1997.

Hendrix christened his 1970 tour The Cry of Love Tour in an interview.^[16] During the tour, "Lover Man", "Hear My Train A Comin'", "Freedom", "Hey Baby (Land of the New Rising Sun)", "Ezy Ryder", "Machine Gun", "The Star-Spangled Banner", "Straight Ahead", "Midnight Lightning", "Dolly Dagger", "Room Full of Mirrors", and "In from the Storm" were performed, along with tracks from his previous albums and singles. Hendrix's first posthumous studio album, released in 1971, was named after the tour.

When work in his Electric Lady Studios advanced, Hendrix imagined the album could become a triple, under the title People, Hell and Angels.^[5] In 2013, this title was used for a compilation of unreleased material.

A memo from August 1970 in his handwriting had 25 titles under the heading "Songs for L.P. Strate Ahead".^[5]

On 13 April 1970, Reprise Records released "Stepping Stone" b/w "Izabella" as a 7-inch single credited to "Hendrix Band of Gypsys". It was reportedly recalled because it could interfere with the sales of the Band of Gypsys live album that was delivered to Capitol Records to fulfil a contractual obligation.

A single with "Dolly Dagger" b/w "Night Bird Flying" was mastered on 26 August 1970 but the planned release by Reprise Records was cancelled after Hendrix's death. This single was later issued in 1997 as promotion for First Rays of the New Rising Sun.

Of the ten tracks on The Cry of Love, nine songs were on Hendrix's lists and/or were being prepared for the album by Hendrix during the mixing sessions in August 1970. The other track, "My Friend", was recorded in 1968. After Michael Jeffrey had decided to hold back "Dolly Dagger" and "Room Full of Mirrors" for release on Rainbow Bridge, the tracks "My Friend" and "Straight Ahead" were selected instead.^[17] Kramer and Mitchell provided some finishing touches to "Drifting", "Angel" and "In from the Storm". A rough mix of a demo for "Belly Button Window" was included without alterations.

Voodoo Soup (1995) was producer Alan Douglas' attempt to compile the unfinished album. This included two tracks recorded in 1968, "The New Rising Sun" and "Peace in Mississippi", the first seems to be connected to Hey Baby only by name. All tracks were remixed from scratch and quite a few of them had new overdubbed drum tracks, erasing the original parts by Mitchell or Buddy Miles.

First Rays of the New Rising Sun (1997) is the officially released attempt by Experience Hendrix (his family estate's company), in collaboration with Kramer, to reconstruct the planned double album. It is a compilation of 17 songs that previously appeared on The Cry of Love, Rainbow Bridge (both from 1971) and War Heroes (1972). Like The Cry of Love, it includes the 1968 recording of "My Friend", while the other 16 tracks were more clearly intended for the album.

Many of the tracks have been released over the years in several different versions, including mixes that Hendrix made during the sessions of 20, 22 and 24 August 1970.