Wikipedia

Abbey Lincoln

Anna Marie Wooldridge (August 6, 1930 – August 14, 2010),[1] known professionally as Abbey Lincoln, was an American jazz vocalist and songwriter. She was a civil rights activist beginning in the 1960s.[2][3] Lincoln made a career out of delivering deeply felt presentations of standards, as well as writing and singing her own material.

Abbey Lincoln
Lincoln in concert, 1966
Lincoln in concert, 1966
Background information
Birth nameAnna Marie Wooldridge
Also known asAminata Moseka
Born(1930-08-06)August 6, 1930
Chicago, Illinois, U.S.
DiedAugust 14, 2010(2010-08-14) (aged 80)
New York City, U.S.
GenresJazz
Occupation(s)Singer, actress, civil rights activist
Years active1956–2007
LabelsRiverside, Verve, Marge

Career

edit

Music

edit

Born on August 6, 1930, in Chicago, but raised in Calvin Center, Cass County, Michigan, Lincoln was one of many singers influenced by Billie Holiday.[1] Lincoln's 1956 debut album, Abbey Lincoln's Affair... A Story of a Girl in Love, was followed by a series of albums for Riverside Records. In 1960, she sang on Max Roach's landmark civil rights-themed recording We Insist! (subtitled Freedom Now Suite), "regarded as the earliest full-scale protest record in jazz", as historian Nat Hentoff observed.[4] Lincoln's lyrics were often connected to the civil rights movement in America.[5] In 1970, the short film Max and Abbey profiled Lincoln as a composer, vocalist, actress, writer, and activist, as well as Roach's creative partner. Stan Lathan directed the documentary, broadcast on Black Journal.

After a tour of Africa in the mid-1970s, she adopted the name Aminata Moseka.[6]

During the 1980s, Lincoln's creative output was smaller and she released only a few albums. Her song "For All We Know" is featured in the 1989 film Drugstore Cowboy. During the 1990s and until her death, she fulfilled a 10-album contract with Verve Records.

These albums are highly regarded and represent a crowning achievement in Lincoln's career. Devil's Got Your Tongue (1992) featured Rodney Kendrick, Grady Tate, Yoron Israel, J. J. Johnson, Stanley Turrentine, Babatunde Olatunji and The Staple Singers, among others.[1] In 2003, Lincoln received a National Endowment for the Arts Jazz Master Award.[7]

Her lyrics often reflected the ideals of the civil rights movement and helped in generating passion for the cause in the minds of her listeners. In addition to her musical career, she ventured into acting as well and appeared in movies such as The Girl Can't Help It (1958), Nothing But a Man (1964) and For Love of Ivy (1968). Lincoln explored more philosophical themes during the later years of her songwriting career and remained professionally active until well into her seventies.[8] She often visited the Blue Note jazz club in New York City.[9]

Acting

edit
 
Greg Morris and Lincoln in Mission: Impossible, 1971

In 1956, Lincoln appeared in The Girl Can't Help It[10] —for which she wore a dress that had been worn by Marilyn Monroe in Gentlemen Prefer Blondes (1953)—and interpreted "Spread the World, Spread the Gospel", working with Benny Carter.[citation needed]

With Ivan Dixon, she co-starred in Nothing But a Man (1964), an independent film written and directed by Michael Roemer. In 1968, she co-starred with Sidney Poitier and Beau Bridges in For Love of Ivy, and she received a 1969 Golden Globe nomination for her appearance in the film.

Lincoln's television appearances began in 1968 with The Name of the Game. In March 1969, she appeared in Alice Childress's Wine in the Wilderness, the first of the 10-episode series "On Being Black" presented by WGBH-TV Boston, featuring individual dramas written, produced and performed by Blacks.[11] Lincoln appeared in Mission: Impossible (1971), the TV movie Short Walk to Daylight (1972), Marcus Welby, M.D. (1974), and All in the Family (1978).

In the 1990 Spike Lee movie Mo' Better Blues, Lincoln played the young Bleek's mother Lillian.

Personal life

edit

Lincoln was married from 1962 to 1970 to drummer Max Roach, whose daughter from a previous marriage, Maxine, appeared on several of Lincoln's albums.

Lincoln opened a national conversation by highlighting natural hair. When she was branded as a "glamour girl" by the media, she started to don her natural hair as a way of both asserting her agency as a person with values, opinions, and beliefs invested in celebrating Black womanhood.[12] Lincoln also produced the "Naturally 62" fashion show, which featured Grandassa models wearing natural hair. Before the mid-1960s, African-American women were expected to straighten their hair with the use of a hot comb. This fashion show aligned with the "Black is beautiful" movement that celebrated natural black beauty.[citation needed]

Lincoln died on August 14, 2010, in Manhattan, New York, eight days after her 80th birthday.[1] Her death was announced by her brother, David Wooldridge, who told The New York Times that she had died in a Manhattan nursing home after suffering deteriorating health since undergoing open-heart surgery in 2007. No cause of death was officially given. She was cremated and her ashes were scattered.[13]

Discography

edit

As leader

edit

As co-leader

edit
  • Sessions, Live with Buddy Collette and Les Thompson (Calliope, 1957–1958 [1976])
  • Love for Sale with Max Roach (West Wind, 1960 [1999])
  • Sounds as a Roach with Max Roach (Joker, 1968 [1977])
  • Painted Lady with Archie Shepp (ITM, 1980 [1987])

As guest

edit

With Max Roach

With others

References

edit
  1. ^ a b c d Fordham, John (August 15, 2010). "Abbey Lincoln obituary". The Guardian. Retrieved October 13, 2015.
  2. ^ Griffen, Anders (December 2012). "The Abbey Lincoln Collection, 1949-2008 (MC 101)". Institute of Jazz Studies, Rutgers University Libraries. Retrieved May 30, 2015.
  3. ^ Chinen, Nate (August 14, 2010). "Abbey Lincoln, Jazz Singer and Writer, Dies at 80". The New York Times. Archived from the original on July 7, 2011. Retrieved August 14, 2010.
  4. ^ Hentoff, Nat (March 3, 2002). "MUSIC/WANTED BETTER SONGS, SO SHE WROTE THEM; Memories of an Unlikely Young Firebrand". The New York Times. Retrieved July 9, 2024.
  5. ^ Placksin, Sally (August 17, 2010). "Abbey Lincoln: The Power Of Voice". NPR. Retrieved June 16, 2021.
  6. ^ Simmonds, Yussuf J. (August 21, 2010). "Aminata Moseka (Abbey Lincoln)". Los Angeles Sentinel. Bakewell Media. Retrieved November 3, 2015.
  7. ^ NEA Jazz Masters Awards Archived September 17, 2010, at the Wayback Machine, Arts.gov. Retrieved October 31, 2015.
  8. ^ "Abbey Lincoln Biography". 7infi.com. Archived from the original on December 1, 2017. Retrieved July 6, 2017.
  9. ^ "Abbey Lincoln". Verve. Archived from the original on May 17, 2007. Retrieved August 2, 2007.
  10. ^ Galloway, Cris (June 16, 2022). "The Girl Can't Help It". Criterion Forum. Retrieved November 10, 2024.
  11. ^ Selected Plays – By Alice Childress, Kathy A. Perkins. Northwestern University Press, IL. 2011. ISBN 9780810127517.
  12. ^ Walker, Susannah (2000). "Black Is Profitable: The Commodification of the Afro, 1960—1975". Enterprise & Society. 1 (3): 536–564. doi:10.1093/es/1.3.536. ISSN 1467-2227. JSTOR 23699596.
  13. ^ Notice of death of Abbey Lincoln, Thedeadrockstarsclub.com. Retrieved August 2010.
  14. ^ Yanow, Scott. "Abbey Lincoln's Affair: A Story of a Girl in Love - Abbey Lincoln". AllMusic. Retrieved October 9, 2019.
edit
 
Wikimedia Commons has media related to Abbey Lincoln.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Abbey_Lincoln&oldid=1256505004"