Max Klinger

Max Klinger
Irudi gehiago
Bizitza
Jaiotza	Leipzig, 1857ko otsailaren 18a
Herrialdea	Alemania
Bizilekua	Brusela Berlin
Heriotza	Großjena (en) eta Naumburg, 1920ko uztailaren 5a (63 urte)
Hobiratze lekua	Großjena (en)
Familia
Bikotekidea(k)	ikusi Elsa Asenijeff (en)
Hezkuntza
Heziketa	Petri school Leipzig (en) Academy of Fine Arts, Karlsruhe (en) (1874ko apirila - 1875) Prussian Academy of Arts (en) (1875 - 1876)
Hezkuntza-maila	katedraduna
Hizkuntzak	alemana
Irakaslea(k)	Karl Gussow (en) Ludwig des Coudres (en) Emile Wauters
Jarduerak
Jarduerak	eskultorea, margolaria, unibertsitateko irakaslea, idazlea, grabatzailea, volunteer serving one year (en) , exlibrist (en) eta artista bisuala
Enplegatzailea(k)	Academy of Fine Arts Leipzig (en)  (1897 -
Lan nabarmenak	ikusi Paraphrase on the Finding of a Glove (en)
Jasotako sariak	ikusi Arteetan eta Zientziatan Merituaren Ordena Bavarian Maximilian Order for Science and Art  (1910)
Kidetza	Berlin Secession (en) Municheko arte ederren akademia Berlingo Arteen Akademia Vienako Sezesioa
Mugimendua	sinbolismoa

Max Klinger (Leipzig, 1857ko otsailaren 18a - Naumburg, 1920ko uztailaren 5a) alemaniar margolari, eskultore, imprimatzaile eta grabatzailea izan zen. Sinbolismoarekin, Vienako Sezesioarekin eta Jugendstilarekin lotuta egon zen.

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  Elsa Asenijeffen erretratua
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  Johannes Brahmsen monumentua
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  Beethoven
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  Ama eta semea
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  Jaunaren erretratua, Österreichische Galerie Belvedere, Viena
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  Pissing Death (1880), Museum der bildenden Künste, Leipzig
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  A Legation (1882), Museum der bildenden Künste, Leipzig, Germany.
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  The Judgment of Paris (1885-87), Österreichische Galerie Belvedere, Viena
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  The Blue Hour (1890), Museum der bildenden Künste, Leipzig, Germany.
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  Christ in Olympus (1897), Österreichische Galerie Belvedere, Vienna, Austria.
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  Landscape on the Unstrut (1912), Lindenau-Museum, Altenburg, Germany.
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  The Drama
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  Elsa Asenijeff, ca. 1900.
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  Athlete, (1901)
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  Beethoven (c. 1883-1902), Leipzig
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  Beethoven Torso (1902), brontze
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  Galatea (1906)
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  Cupid, Death, and the Beyond, from the series Intermezzi, Opus IV, no. 12 (1881), etching and aquatint, 15.7 × 40.7 cm., Philadelphia Museum of Art
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  Anxieties from the series Paraphrase on the Finding of a Glove Opus VI, no. 7 (1881), etching, Albertina, Viena
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  Abduction from the series Paraphrase on the Finding of a Glove Opus VI, no. 9 (1881), Albertina, Viena
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  Intermezzo, from the series A Love, Opus X, no. 6 (1887), Museum of Fine Arts, Houston
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  First Future, from the series Eva and the Future, Opus III, no, 2 (1879–80), Saint Louis Art Museum
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  Third Future, from the series Eve and the Future, Opus III, no, 6 (1880), Art Institute of Chicago
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  Sitting Naked Woman with Dancing Phallus (1882)
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  Temptation, from the series A Life, Opus VIII, no. 4 (1884), Art Institute of Chicago
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  Downfall, from the series A Life, Opus VIII, no. 12 (1884), Art Institute of Chicago
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  Back into Nothingness from the series A Life, Opus VIII, no. 15 (1884)
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  Kiss in the Park, from the series A Love, Opus X, no. 4 (1887)
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  Evocation, from the series Brahmsphantasie, Opus XII, no, 2 (1894) National Gallery of Art, Washington D. C.
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  Sisifus (The Faculties) (1914)