4 Tantum ergo, WAB 41 (Bruckner, Anton)

Contents

Performances

Recordings

Original Version (1846)

MP3 file (audio)
Stenov (2019/6/1)

MP3 file (audio)
Stenov (2019/6/1)

MP3 file (audio)
Stenov (2019/6/1)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director/organist)
Publisher Info. Michael Stenov
Copyright
Misc. Notes Live recording from the Karmelitenkirche Linz
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Naxos

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Sheet Music

Scores and Parts

Original Version (1846)

PDF scanned by Bruckner-online
Cypressdome (2016/7/7)

Publisher. Info. Holograph manuscript, n.d.(ca.1846)..
Copyright
Misc. Notes ca.300dpi color images. Source: Stift St. Florian (CRSA), Bruckner-Archiv, A-SF20-51.
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PDF scanned by Bruckner-online
Cypressdome (2016/7/8)

Publisher. Info. Manuscript, n.d. (copyist's manuscript)
Copyright
Misc. Notes ca.300dpi color images. Source: Stift St. Florian (CRSA), Bruckner-Archiv, A-SF20-45. Includes complete vocal parts for no.2 (WAB 41.4) and additionally the tenor parts for nos.1 (41.3) and 4 (41.2).
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PDF scanned by Christian Kraus
Christian.kraus (2019/3/5)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI/XXI. Kleine Kirchenmusikwerke (pp.41-47)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
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PDF typeset by editor
Alexander Reuter (2016/7/8)

PDF typeset by editor
Alexander Reuter (2016/7/8)

PDF typeset by editor
Alexander Reuter (2016/7/8)

PDF typeset by editor
Alexander Reuter (2016/7/8)

Editor Alexander Reuter
Publisher. Info. Alexander Reuter
Copyright
Misc. Notes Edited from manuscripts stored at St. Florians Abbey under signatory SF20-51.
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Revised Version (1888)

PDF scanned by A-Wn
Sallen112 (2016/7/6)

PDF scanned by RTM
RTM (2011/7/26)

Editor First edition
Engraver Leipzig: C.G. Röder.
Publisher. Info. Innsbruck: Johann Gross, n.d.[1893]. Plate J.G.R. 140.
Copyright
Misc. Notes Pale printing, dusty paper.
Scanned at 600dpi grayscale, converted to monochrome. 600 dpi. (#111016) Page size is 7 x 10.5 inches. This file is based on high-resolution images obtained from the source using a method explained on this page. (#429372)
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PDF typeset by editor
Alexander Reuter (2016/7/8)

PDF typeset by editor
Alexander Reuter (2016/7/8)

PDF typeset by editor
Alexander Reuter (2016/7/8)

PDF typeset by editor
Alexander Reuter (2016/7/8)

Editor Alexander Reuter
Publisher. Info. Alexander Reuter
Copyright
Misc. Notes Edited from manuscripts stored at St. Florians Abbey under signatory SF20-51
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PDF scanned by A-Wn
Sallen112 (2016/7/6)

Publisher. Info. Manuscript, n.d.(ca.1888).
Copyright
Misc. Notes ca.160dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Composer manuscript parts. Mus.Hs.13467.
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PDF scanned by Bruckner-online
Cypressdome (2016/7/7)

Copyist Karl Aigner (1863–1935)
Publisher. Info. Manuscript, n.d. (copyist's manuscript)
Copyright
Misc. Notes ca.300dpi color images. Source: Stift St. Florian (CRSA), Bruckner-Archiv, A-SF20-44.
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PDF scanned by Christian Kraus
Christian.kraus (2019/3/9)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI/XXI. Kleine Kirchenmusikwerke (pp.150-154)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
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Arrangements and Transcriptions

For Flute and Organ (Mejsnar)

PDF typeset by arranger
Andreas Organista (2013/10/25)

PDF typeset by arranger
Andreas Organista (2013/10/25)

Editor Ondřej Mejsnar
Publisher. Info. Andreas Organista
Copyright
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Free Recordings

  • The 4 Tantum ergo (1888 version) by the Catholic Choir of South-Korea (2015)
Tantum ergo in Bâ™­ major
Tantum ergo in Aâ™­ major
Tantum ergo in Eâ™­ major
Tantum ergo in C major
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General Information

Work Title 4 Tantum ergo
Alternative. Title
Name Translations Four Tantum ergo, WAB 41; Quatre Tantum ergo, WAB 41; Tantum ergo (Bruckner, 1846, WAB 41)
Authorities Wikipedia
Composer Bruckner, Anton
Opus/Catalogue NumberOp./Cat. No. WAB 41
I-Catalogue NumberI-Cat. No. IAB 118
Key see below
Movements/SectionsMov'ts/Sec's 4 motets:
Tantum ergo [No.1] in Bâ™­ major, WAB 41.3
Tantum ergo [No.2] in Aâ™­ major, WAB 41.4
Tantum ergo [No.3] in Eâ™­ major, WAB 41.1
Tantum ergo [No.4] in C major, WAB 41.2
Year/Date of CompositionY/D of Comp. 1846 (Version 1)
1888 (Version 2)
First Publication. 1893 – Innsbruck: Johann Gross
Librettist Thomas Aquinas (ca.1225-1274)
Language Latin
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Version 1: mixed chorus (SATB), organ (ad lib.) (1846)
Version 2: mixed chorus (SATB) (a cappella) (1888)
External Links Wikipedia article

Navigation etc.

  • In the first edition of the revised version of 1888, the ordering for the 4 compositions deviates from the original ordering by the composer. The WAB ordering for the 4 compositions, as it is on the score, deviates also from the original ordering by the composer, as currently published by the Bruckner Gesamtausgabe. See Discography by Hans Roelofs. The fifth Tantum ergo in the fascicule is the 1888 version of Tantum ergo, WAB 42.


Motets by Anton Bruckner