Ashita no Joe

Joe Yabuki is a troubled youth, whose only solution to problems is throwing punches at them. What he lacks in manners and discipline, he makes up for with his self-taught fighting skills.

One day, while wandering the slums of Doya, Joe gets into a fight with the local gang. Although greatly outnumbered, he effortlessly defeats them, drawing the attention of Danpei Tange—a former boxing coach turned alcoholic. Seeing his potential, he offers to train Joe into Japan's greatest boxer. At first, Joe dismisses Danpei as a hopeless drunk; but after the trainer saves his life, he agrees to live with him and learn the art of boxing. Unfortunately, Joe's personality makes him an unruly student, and he often falls back to his old ways.

To survive the harsh world of his new career, Joe needs to trust his mentor and master the techniques taught to him. However, the road to becoming a professional boxer is rife with struggles that will test his mettle to the end.

[Written by MAL Rewrite]

Yabuki, Joe Main

Aoi, Teruhiko Japanese

Rikiishi, Tooru Main

Nakamura, Shuusei Japanese

Tange, Danpei Main

Fujioka, Juukei Japanese

Rivera, Carlos Supporting

Hirokawa, Taichirou Japanese

Shiraki, Yoko Supporting

Ebisu, Masako Japanese

Gondo, Goromaki Supporting

Otsuka, Chikao Japanese

Nishi, Kanichi Supporting

Nishio, Toku Japanese

Hayashi, Noriko Supporting

Ozawa, Tomoyo Japanese

Tonkichi Supporting

Yanami, Jouji Japanese

Sachi Supporting

Shiraishi, Fuyumi Japanese

Dezaki, Osamu Director, Episode Director, Script, Storyboard, Key Animation

Tomino, Yoshiyuki Episode Director, Storyboard

Hata, Masami Episode Director

Saitou, Hiroshi Episode Director

Reviews

Feb 28, 2008

Wickio

Recommended

Stretching towards 40 years since its original broadcast on 1 April 1970, "Ashita no Joe" is one of the very first few sports anime and almost certainly the first to revolve around boxing. Based on the manga by Takamori Asao and Chiba Tetsuya, both the manga and anime are noted for being pioneers of the genre as a whole, and are considered classics.

Story: Joe is a deadbeat. He is a troubled orphan who chooses to abandon his orphanage in an attempt to find his own way of life. Walking through the slums of Tokyo, he encounters a drunkard as he is hurled from a bar. ... Joe disregards the drunk, and ends up in a scuff with members of the local gang. After quickly disposing of the gang members, the drunk is impressed by Joe's instincts and fighting ability. It is revealed that the drunk is Dampei Tange, a former boxing instructor, as he vows to straighten up and fulfill his dream of creating a world champion in Joe. Sounds like a typical shounen sports series in most senses, but it must be remembered that this was the story that pioneered the genre and inspired many future similar titles, and for that it is held by me in highest regard.

Art: The artwork will most likely be hard for the modern anime fan to accept, what with its charcoal-like feel and overall scratchy look, but if you have the right frame of mind to appreciate the fact that it is from an era of anime long past it is sufficient in its own right. The animation is fairly consistent and portrays the action in just the right way to get the viewer involved. Just don't go into it expecting "Hajime no Ippo" standard animation.

Sound: On the sound front, viewers must again appreciate the age of the anime. The opening and closing themes are extremely old-fashioned and do not exactly get your heart pumping in the same way a modern soundtrack might. Having said that, the in-episode soundtrack does contain some pretty classic tracks and certainly serve their purpose. The voice acting is more or less perfect, with each actor giving a truly believable performance for their respective characters. Really top stuff.

Character: "Ashita no Joe" thrives in its array of characters. In the beginning, Joe is our protagonist and is a rebellious youth always looking to cause trouble. It's hard to like a character such as him, and at times you may want to backhand him for being so damn arrogant, but it his arrogance that drives the series initially. As times passes, he becomes tamer and you'll find yourself cheering him on from the sideline as he steps into the rings rather than wishing for his demise. Tange also sees a dramatic change, going from being a lowlife drunk good-for-nothing, to becoming a respectable man, fulfilling his role as the coach in the same way that, say, Mick does in the "Rocky" films. Later down the line, Nishi serves his role as the friend despite their troubled beginnings, Yohko as a potential love interest for Joe, and Rikiishi as a heated rival. I could go on and on about the many wonderful and colourful characters, but I would never be able to provide a complete analysis. There is just so much depth.

Enjoyment: At times, it can be downright depressing, but for all the right reasons. The series doesn't set out to be a happy series, and in that it excels. It manages to capture the emotion of the viewer perfectly, and so, in all respects, this is one of the most enjoyable series I have seen, and it really opened up the doors for similar series down the line. Frankly put, if there was no "Ashita no Joe", manga and anime may not be the same today. It is not often that the death of a fictional character can warrant a real-life funeral. That's just how important this series is.

Overall: Anyone with even so much as a passing interest in sports anime should consider this a must-watch. In Japan it is considered the king of its genre and rightly so. Even nearly 40 years on, the series never fails to provide a refreshing and exhilarating experience. If you can get past the age of the series, consider this highly recommended.

Reviewer’s Rating: 10

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Jul 7, 2015

Lindle

Mixed Feelings

While there are some earlier anime that are well-regarded, Ashita no Joe is often considered to be the anime medium's first true work of greatness. In many ways, it does hold up as the benchmark that it is regarded as being - but in many other ways, it requires a "good for its time" disclaimer, as do many of its contemporaries.

From a production standpoint, Ashita no Joe has actually held up exceptionally well compared to many other 70s anime. While it does have animation errors all over the place, the rough, sketchy way in which it is drawn makes it look highly stylized for its ... time, and due to the rough nature of its art style, the animation errors are far less glaring than they would have been in something cleaner-looking. This style also translates to some very well-animated fight scenes, with surprisingly minimal use of stock animation. My only complaint regarding the production is some of the voice acting, which often sounds monotonous and amateurish. There are a few standouts, though, such as Shuusei Nakamura's take on Rikiishi Tooru, as well as Robert and Carlos being a rare examples of foreign characters in an anime having an audible accent (although why Venezuelans are speaking Engrish is never explained).

The dialogue has aged much more badly, though, as around 90% of sentences spoken in this anime contain the word "Joe", most likely uttered thousands of times over the course of the series, which gets about as grating as you'd expect.

This is a symptom of one of AnJ's most obvious flaws - everybody is obsessed with Joe to an unrealistic extent. This would be understandable if he were particularly charismatic or likeable, but Joe is an antisocial drifter whose earliest actions in the series mostly consist of theft and beating people up. As part of his character arc, Joe starts off as much of an anti-hero as possible, so the fact that he's regarded as though he were some kind of messiah by most people who know him makes very little sense.

My single biggest complaint with the series is Joe's loyal followers, a band of delinquent children who clamour over Joe for reasons that are never adequately explained. They provide most of the show's comic relief, which is never actually funny. They serve no purpose in the plot other than to distract us from it. Their parents also seem to be disturbingly okay with their (sometimes near-suicidal) devotion to a homeless, dangerous, ex-con drifter who has involved them in criminal activity.

This show's biggest strength, on the other hand, lies with the rest of its characters. More than boxing, this show is about becoming a better person. Many characters development revolves around this - Joe starts off as a juvenile delinquent, and progresses to someone trying to make a name for himself. Nishi also begins as a juvenile delinquent, but moves towards becoming a well-adjusted member of society. Danpei quits drinking and dedicates himself to restoring his career as a boxing coach.

The highlights of the cast are Joe's two main rivals - Rikiishi Tooru, and Carlos Rivera. Anime has a strong history of great rivalries, and Rikiishi is perhaps the first great rival in the whole medium. He represents the opposite of Joe - where Joe is rash, easily-angered, and impulsive, Rikiishi is suave, calm, and collected. The direction he takes when he finally finds a boxer worthy of his rivalry in Joe makes for the most compelling arc in the show. Carlos, on the other hand, is supposed to be a clear parallel to Joe, coming from a similar background and rising from his upbringing in the slums.

For all its ups and downs, Joe's story is an engrossing one, and the great characterisation makes it easy to become invested in Joe's developing career. The beginning is quite poor, but once the prison arc starts and Joe begins taking boxing seriously, it's easy to get hooked. The Rikiishi arc in particular is a masterpiece in its own right, and is unfortunately impossible to discuss in detail without tremendous spoilers. Joe is worth watching even just on the merits of that arc.

Final Words: It takes a bit of patience to get into, but overall, I would recommend Joe as one of the better series I've seen from the 1970s.

Story/Plot: 8/10
Characters: 7/10
Animation/Art: 6/10
Music: 7/10
Acting: 2/10

Overall: 6/10

For Fans Of: Slam Dunk, Rainbow

Reviewer’s Rating: 6

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Mar 29, 2024

Gundroog

Not Recommended

I really wish I could recommend Ashita no Joe anime cause the manga’s story deserves to get a good adaptation and have more people experience it. Unfortunately, both as an adaptation and on it’s own show, AnJ is just bad.

I initially wanted to approach this from a perspective of someone who hasn’t read the manga and judge the anime on its own strength but I couldn’t make it through beyond about 30 something episodes before dropping it and having a blast reading through the manga.

There’s two very big reasons behind why I strongly dislike this anime. For one, AnJ has terrible pacing. In 79 ... episodes it adapts merely about 11 and a half volumes of the manga. That’s roughly 7 episodes per volume. Anyone watching the anime will likely notice the many ways in which Dezaki padded things out. Awkward pauses in dialogue, long scenes consisting of a few still shots, reused animations shown over and over, animation loops that are held for way longer than they should be.

That stuff is all relatively innocent compared to the second big problem, the way it constantly pads out content with anime original material AND at the same time they manage to cut out some scenes and dialogue from the original. More often then not the stuff they cut is not some unimportant rubble but rather scenes that add nuance to the work as a whole, it removes teeth from a story that bites. I know anime was being produced roughly at the mid point of manga’s publication but they also only adapt about half of it so I don’t believe there’s any excuse to alter so much. Some might say just skip the filler and here’s what makes this even worse. AnJ doesn’t just have filler episodes, some of them are relatively self contained and can be ignored but those are tiny minority. For the most part original material mixes in with canon, at times completely ignoring the way plot unfolds for the sake of filler coming in more smoothly. However hard they try though, there’s always a clear contrast, because whoever wrote the filler didn’t have an ounce of writing talent compared to Asao Takamori. Filler is meandering, pointless, it moves nothing forward and at best reiterates previous material instead of moving forward. It downgrades character to acting like generic archetypes, it dumbs them down by trying to make their cold conclusions seem like the most shocking revelations. I strongly believe that there’s no alteration that had a positive impact and there a fuckload of alterations that build up until a shittastic climax that is Carlos vs Joe arc.

When you do get to see the canon though, AnJ shows what it could’ve been. A story that still has few analogues in anime, a realistic and sincere story about a dregs of society fighting for a better tomorrow despite their tragic yesterdays. It’s not a drama that makes you feel good, because there’s no escapism to it. It doesn’t round off the edges of the real world, instead slamming you right against those edges and showing you how heartbreaking and hopeless things can be. However it does this not to make you feel depressed but to motivate you to push on forward, to improve yourself, to strive for better things instead of wallowing in the problems or trying to ignore them. Joe and many other characters constantly have to deal with problems, one worse than another and none of them are exactly equipped to handle them. Joe himself is a delinquent like no another. An orphan who constantly moved around and had to defend the only thing he had left, his pride, with his fists. The result of his upbringing is that he’s terrible at normal social interactions. Compromise is not in his dictionary and he lives his life scamming others and spending his nights wherever he can. When Danpei, an ex pro boxer and now pro alcoholic notices him in the slums it’s a starts of a very interesting co-dependent relationship. Joe sees Danpei as an opportunity to get stronger and beat the first opponent he can’t overcome while Danpei sees in Joe an opportunity to get into the world of boxing and climb back up the ladder. While Joe is most definitely the highlight, other characters still get developed into complex human beings with their own personalities, lives, goals and ideas.Unfortunately filler considerably undermines the journey characters go through cause while in the manga every volume is a difficult journey that shapes the characters, in the anime there are too many sideway shifts that significantly downplay the arcs people go through.

Another occasionally strong point of the show is its presentation. One of the biggest advantages anime has over manga, is that you get to hear the characters and you get to see their acting and movement in more detail which in right hands can add a lot of intricacies. Voice actors in particular have to be the highlight of the entire anime in terms of presentation. It’s incredible how much passion comes through in their dialogue, how they manage to capture emotion with such sincerity that I can’t help but feel for them. One thing that always stood out to me is just one scene where the rarest thing happens and Joe actually cries, it feels like he’s genuinely sobbing while trying to hold himself. You get to HEAR that this is a man who’s used to putting up a tough front crying himself after possibly the first moment of genuine happiness in his miserable life. Tange similarly is just fantastic, it’s a travesty that both his and Joe’s VA never participated in voicing any anime other than AnJ.

Yet, while I will praise voice acting for managing to depict emotional outbursts with rare sincerity, I can’t help but feel that Dezaki’s overly dramatic presentation often hurts the story. When it hits, it’s great, Dezaki has a sense for dramatic flair and it helps the moments that are meant to be exaggerated or shocking but sometimes you need the opposite of that. When seemingly dreadful things happen with little flash, it makes a point. Bad shit can happen anytime, anywhere and to anybody. You’re not special and there’s nothing to say that tomorrow you won’t become just another number in a small box on a piece of paper showing how many people died this year. It’s this kind of quiet dread that and insignificance of the individual in the big picture that can make tragedies all the more depressing and AnJ manga excels at that. When anime exaggerated everything tenfold it makes a common problem seem like a unbelievably cruel twist of fate. Overall it’s part of why anime ends up feeling so cartoonish and immature in the end.

It’s hard to say how much the flaws I mentioned will impact one’s experience of watching the anime but it’s my honest opinion that as an adaptation it’s a travesty that tramples over excellent while simultaneously only surviving thanks to the strengths of said source material. As its own show I had to drop it due to how damn slow and stilted it is so take that as you will, I only managed to make it through out of morbid curiosity of how bad they’ll screw up the things I love. I know many people managed to genuinely fall in love with this show and maybe if I didn’t read the manga I’d be able to like it more but really hope that anyone who wants to experience this fantastic story choses the manga instead of a lackluster anime.

Reviewer’s Rating: 3

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