Image
|
Title (English)[2]
|
Year
|
Location
|
Dimensions (H × W in cm)
|
Medium
|
|
Creation
|
1922–1923
|
San Ildefonso College, Mexico City,
|
|
Fresco, Gold leaf
|
|
Bather of Tehuantepec
|
1923
|
|
63 × 52
|
Oil on canvas
|
|
Entry into the Mine
|
1923
|
Secretariat of Public Education Main Headquarters, Mexico City
|
474 × 366
|
Fresco
|
|
Exit from the Mine
|
1923
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
The Embrace
|
1923
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
Tehuana Women
|
1923
|
Secretariat of Public Education Main Headquarters, Mexico City
|
476 × 214
|
Fresco
|
|
The Liberation of The Peon
|
1923
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
The New School
|
1923
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
Good Friday on the Santa Anita Canal
|
1923
|
|
456 × 356
|
Fresco
|
|
The Sugar Mill
|
1923
|
Secretariat of Public Education Main Headquarters, Mexico City
|
482 × 366
|
Fresco
|
|
The Festival of The Distribution of The Land
|
1923–1924
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
The Festival of The First of May
|
1923–1924
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
The Market
|
1923–1924
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
The Maize Festival
|
1923–1924
|
Secretariat of Public Education Main Headquarters, Mexico City
|
438 × 239
|
Fresco
|
|
The Sacrificial Offering Day of the Dead
|
1923–1924
|
Secretariat of Public Education Main Headquarters, Mexico City
|
415 × 237
|
Fresco
|
|
Alliance of the Peasant and the Industrial Worker
|
1924
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
The Day of the Dead
|
1924
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
Partition of the Land
|
1924
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
Dia de Flores (Flower Festival)
|
1925
|
Los Angeles County Museum of Art (LACMA)
|
147.3 × 120.7
|
Oil on canvas
|
|
The Exploiters
|
1926
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
The Abundant Earth
|
1926
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
Revelation of the Way
|
1926
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
Triumph of the Revolution
|
1926
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
The Organization of The Agrarian Movement
|
1926
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
The Mechanization of The Country
|
1926
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
Fresco
|
|
The Land's Bounty Rightfully Possessed
|
1926
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
Fresco
|
|
Indian Boy and Indian Woman with Corn Stalks
|
1926–27
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
|
|
Subterranean Forces
|
1926–27
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
|
|
Maturation
|
1926–27
|
Chapingo Autonomous University, Texcoco, Mexico
|
|
|
|
The Blood of the Revolutionary Martyrs Fertilizing the Earth
|
1926–27
|
Chapingo Autonomous University, Texcoco, Mexico
|
244 × 491
|
|
|
The Liberated Earth with The Powers of Nature Controlled by Man
|
1926–27
|
Chapingo Autonomous University, Texcoco, Mexico
|
692 × 598
|
|
|
The Perpetual Renewal of the Revolutionary Struggle
|
1926–27
|
Chapingo Autonomous University, Texcoco, Mexico
|
354 × 357
|
|
|
Cargadora With Dog
|
1927
|
|
|
Watercolour
|
|
Death of the Capitalist
|
1928
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
|
|
Night of the Rich
|
1928
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
|
|
Our Bread
|
1928
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
|
|
The Learned
|
1928
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
|
|
The Painter, the Sculptor and the Architect
|
1923–1928
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
|
|
Wall Street Banquet
|
1928
|
Secretariat of Public Education Main Headquarters, Mexico City
|
|
|
|
The Arsenal
|
1928
|
Courtyard of the Fiestas, Secretariat of Public Education, Mexico City, Mexico
|
|
Fresco
|
|
Entering the City
|
1930
|
Palace of Cortés, Cuernavaca, Mexico
|
|
Fresco
|
|
My Godfather's Sons (Portrait of Modesto and Jesus Sanchez)
|
1930
|
Fomento Cultural Banamex, Mexico City
|
|
|
|
Zapata's Horse
|
1930
|
|
|
|
|
Conquest and Revolution
|
1930–31
|
|
|
|
|
Still Life and Blossoming Almond Trees
|
1930–31
|
University of California, Berkeley, Stern Hall, Berkeley, California
|
265 × 100
|
Fresco
|
|
Allegory of California
|
1930–31
|
The City Club of San Francisco, Stock Exchange Tower, San Francisco, California
|
|
Fresco
|
|
Zapata
|
1930–31
|
The History of Cuernavaca and Morelos
|
214 × 89
|
|
|
The Making of a Fresco, Showing The Building of a City
|
1931
|
San Francisco Art Institute, San Francisco, California
|
|
Fresco
|
|
Frozen Assets
|
1931
|
Dolores Olmedo Collection, Mexico City
|
188.5 × 239
|
|
|
Blue Boy with the Banana
|
1931
|
Norton Simon Museum, Pasadena, California
|
91.4 × 54.9
|
Oil on canvas
|
|
Edsel B. Ford
|
1932
|
Detroit Institute of Arts, Detroit, Michigan
|
125.1 × 97.8
|
|
|
Detroit Industry, South Wall
|
1932–1933
|
Detroit Institute of Arts, Detroit, Michigan
|
|
Fresco
|
|
Detroit Industry, North Wall
|
1933
|
Detroit Institute of Arts, Detroit, Michigan
|
|
Fresco
|
|
Man at the Crossroads / Man, Controller of the Universe
|
1933–34
|
Palacio de Bellas Artes, Mexico City
|
|
|
|
The Ancient Indian World
|
1929–35
|
Palacio Nacional, Mexico City
|
|
|
|
The World of Today and Tomorrow
|
1929–35
|
Palacio Nacional, Mexico City
|
|
|
|
The History of Mexico: From Conquest to the Future (main wall)
|
1929–35
|
Palacio Nacional, Mexico City
|
|
|
|
The History of Mexico
|
1929–35
|
Palacio Nacional, Mexico City
|
|
|
|
Delfina and Dimas
|
1935
|
|
24 × 31
|
tempera on masonite
|
|
Cargador de Flores (Flower Carrier)
|
1935
|
San Francisco Museum of Modern Art (SFMOMA)
|
121.9 × 121.3
|
|
|
The Pinole Seller
|
1936
|
Museo Nacional de Arte (MUNAL), Mexico City
|
81.4 × 60.7
|
|
|
Indian Woman Spinning / Indigena Tejiendo
|
1936
|
Phoenix Art Museum, Phoenix, Arizona
|
81.3 × 59.7
|
|
|
Carnival of Mexican Life. Dictatorship
|
1936
|
Palacio de Bellas Artes, Mexico City
|
|
|
|
Copalli
|
1937
|
Brooklyn Museum, Brooklyn, New York City, New York
|
91.44 × 121.92
|
|
|
Portrait of Lupe Marin
|
1938
|
Museo de Arte Moderno, Mexico City
|
171.3 × 122.3
|
|
|
Portrait of Dolores Del Rio
|
1938
|
|
|
|
|
The Lady in White
|
1939
|
|
|
|
|
Portrait of Madesta and Inesita
|
1939
|
|
99 × 69
|
|
|
Dancer Resting
|
1939
|
Dolores Olmedo Collection, Mexico City
|
95 × 166
|
|
|
Los Vasos Comunicantes (The Communicating Cups)
|
1939
|
Foro Valparaíso, Mexico City, México
|
60 × 84,5
|
linocut on paper
|
|
Pan American Unity
|
1940
|
San Francisco Museum of Modern Art, San Francisco, California (was previously located at City College of San Francisco, Diego Rivera Theater, but moved in 2020)
|
670 × 2,260
|
Fresco
|
|
The Hands of Dr. Moore
|
1940
|
San Diego Museum of Art, San Diego, California
|
45.8 × 55.9
|
|
|
Portrait of Paulette Goddard
|
1940–41
|
|
|
|
|
Self-Portrait Dedicated to Irene Rich
|
1941
|
Smith College Museum of Art (SCMA), Northampton, Massachusetts
|
61 × 43
|
|
|
The Flower Seller
|
1941
|
|
|
|
|
The Flower Vendor (Girl with Lilies)
|
1941
|
Norton Simon Museum, Pasadena, California
|
121.9 × 121.9
|
Oil on masonite
|
|
El Vendedor de Alcatraces (Calla Lily Vendor)
|
1942
|
Foro Valparaíso, Mexico City, México
|
|
|
|
Portrait of Carlos Pellicer
|
1942
|
|
55 × 43
|
|
|
Portrait of Natasha Zakólkowa Gelman
|
1943
|
|
115 × 153
|
|
|
Calla Lily Vendor
|
1943
|
The Jacques and Natasha Gelman Collection of Mexican Art
|
150 × 120
|
Oil on masonite
|
|
Nude with Calla Lilies
|
1944
|
|
157 × 124
|
|
|
The Day of the Dead
|
1944
|
Museo de Arte Moderno, Mexico City
|
91 × 73.5
|
|
|
The Milliner. Portrait of Henri de Chatillon
|
1944
|
|
|
|
|
Portrait of Adalgisa Nery
|
1945
|
|
|
|
|
Portrait of Cuca Bustamante
|
1946
|
Museo de Arte Moderno, Mexico City,
|
158 × 122.5
|
|
|
Portrait of Mrs Elisa Saldivar de Gutierrez Roldan
|
|
|
|
|
|
Portrait of Linda Christian
|
1947
|
|
|
|
|
The Temptations of Saint Anthony
|
1947
|
Museo Nacional de Arte (MUNAL), Mexico City,
|
90 × 110
|
|
|
Portrait of an Actress
|
1948
|
|
|
|
|
Dream of a Sunday Afternoon in Alameda Park
|
1948
|
Museo Mural Diego Rivera, Mexico City
|
|
|
|
Retrato de María Félix
|
|
|
|
|
|
Portrait of Evangelina Rivas de De la Chica, The lady from Oaxaca
|
1949
|
|
|
|
|
Portrait of Senora Dona Evangelina Rivas de LaChica
|
1949
|
|
|
|
|
Portrait of Ruth Rivera
|
1949
|
|
199 × 100.5
|
|
|
Vendedora de Flores (The Flower Seller)
|
1949
|
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
|
180 × 150
|
Oil on canvas
|
|
Colonisation, 'The Great City of Tenochtitlan'
|
1945–52
|
Palacio Nacional, Mexico City,
|
971 × 492
|
|
|
The Huastec Civilisation
|
1950
|
Palacio Nacional, Mexico City,
|
|
|
|
The Papermakers
|
1950
|
Palacio Nacional, Mexico City,
|
|
|
|
Totonac Civilization
|
1950
|
Palacio Nacional, Mexico City,
|
|
|
|
Pre-Hispanic America
|
1950
|
|
|
|
|
Figure Symbolizing the African Race
|
1951
|
|
|
|
|
Figure Symbolizing the Asiatic Race
|
1951
|
|
|
|
|
The Hands of Nature Offering Water
|
1951
|
|
|
|
|
Portrait of the Young Girl Elenita Carrillo Flores
|
1952
|
|
55 × 105
|
|
|
The Banana Leaf Loader
|
1953
|
|
50 × 40
|
|
|
The History of Medicine in Mexico: The People's Demand for Better Health
|
1953
|
|
|
|
|
Portrait of Sra. Dona Elena Flores de Carrillo
|
1953
|
|
140 × 221.5
|
|
|
The Painter's Studio
|
1954
|
|
150 × 178
|
|
|
Evening Twilight at Acapulco
|
1956
|
|
30 × 40
|
|
|
Portrait of Silvia Pinal
|
1956
|
|
|
|
|
The Hammock
|
1956
|
|
|
|
|
May Day Procession in Moscow
|
1956
|
|
135.2 × 108.3
|
|
|
Lenin in 1922
|
Unknown
|
|
|
|
|
Sugar Plantation, Tealtenango, Morelos and Indian Slaves in the Gold Mines
|
Unknown
|
|
|
|
|
The Architect, Jesus T. Acevedo
|
Unknown
|
Museo de Arte Carrillo Gil, Mexico City
|
|
|
|
Portrait of Marevna
|
Unknown
|
|
|
|